... in creating different “medialities,” oscillating between a rather classic if somewhat dated late-night show TV mediality and a comparatively more up-to-date online mediality. Last Week Tonight thus establishes both a unique look and a hybrid communicative strategy to address a wide audience and answer...

... peer-reviewed online journal SoundEffects and coauthor of Digital Audiobooks—New Media, Users, and Experiences (2016). She has published articles in leading international journals on rhythm, the voice, aesthetics, and meaning theory in the interrelationship between literature and music. Mette...

... to conceptualize metareferential interfaces as interfaces that foreground and draw attention to their own mediality. They thus allow for videogame-specific forms of metareference and metalepsis to be employed as part of often quite experimental and aesthetically ambitious approaches to videogame design. Using...

...) lists “online booksellers such as Amazon, the competing claims of cinema, television and new media, the broader challenge to traditional print culture presented by technological advances in online publishing, ebooks and ebook readers such as the Kindle and the iPad; and the attendant proliferation...

...: Left Hand). Joyce, Michael 1987 Afternoon: A Story (Watertown, MA: Eastgate Systems). King, Susan E. 1993 Treading the Maze: An Artist's Book of Daze (Rochester, NY: Visual Studies Workshop). Knobel, David, with Reiner Strasser 2000 “ Breathe .” Hypertext poem available online...

... have chosen to limit our selection to publica- tions in English only. Monographs (including special issues and online collections as well as books) Baetens, Jan 1995 L’éthique de la contrainte (Louvain, Belgium: Peeters). This book considers constrained writing as a way of fighting...

...., Graesser, Singer, and Trabasso 1994) suggest, on the basis of empirical studies, that six types of inference are generated online automatically, that is, within 650 milliseconds (msecs) of initial exposure to a narrative text. These include referential inferences (such as resolving anaphoric...

... of three types of elements (fig. 2): (1) A core of canonical documents — here the six Lucas films — which var- iously expand the same world. (2) Transmedial adaptations, such as single-user games and multiplayer online worlds (massively multiplayer online role-playing games [MMORPGs which...

... (however counterintuitive or defamiliarizing the conclusion might be). Wire and String, more than any work I have yet encountered online or on disk, has the feel of electronic literature. It has the capacity to conceive of language in some primordial state of semantic mutability where (against...

... with the malleability and mediality of the canon. In a development that has largely gone unnoticed outside German-speaking countries, new approaches to discussing current and future processes of canonization have been developed in recent years. One pivotal element of this process has been a thorough reevaluation of new...

... and the novelization thus rely on one and the same nonvisual source, the screen- play, and can be seen as medially different interpretations, or “alternative readings” (Allison 2007), of this linguistic original. However, if novelizations are not strictly speaking manifestations of ekphrasis...

... read his book, one is amazed to find that the most comprehensive dictionary of art has no article on the topic of reading in either the print or the online version: a search of Grove 574 Poetics Today 29:3 Art Online for a heading that includes “reading” dead-ends at “Reading Abbey...