..., and narrator, may be applied to Proust's novel. Marcel, the protagonist, crowns his literary vocation only at the end of a protracted love quest. His success in the love quest coincides with the end of the novel, and it is at this point that the distinction between fictional character and historical author...

...Marcel Danesi Views on the role of metaphor in language have varied ever since Aristotle discovered it and described its features. Traditional accounts of metaphor have seen it as a form of comparison or substitution for literal language, or else a “deviant” form of semantics. This situation...

...Darci L. Gardner One of the enigmas of Marcel Proust's great novel is the unusual type of engagement it necessitates. It is impossible to read without frequently referring back to earlier portions of the text. Hypotactic sentences and unanticipated developments not only trigger reflection...

.... The experience of involuntary memory, in other words, constitutes a type of anachronism: the intrusion of a past sensation within the present. Marcel Proust’s idea of anachronism should be understood in relation to the intellectual world of the turn of the twentieth century, in particular that historical science...

..., it is an exception to the Dummettian rule of the publicity of meaning . In the final discussion, the activity of constraint is considered simultaneous to that of composition and condensation. Comparing Le Lionnais's inventions to those of his friend and fellow Oulipian, Marcel Duchamp, the lecture concludes...

... in the modernist era, for on the margins of mainstream modernism were“alternative” machines, machines of reproduction and simulation—writing-machines, imaging-machines, duplicating-machines—such as those of Alfred Jarry, Marcel Duchamp, Franz Kafka, and,especially, Raymond Roussel. Such machines have proliferated...

... is not an allegorized rendition of his creator's journey to authorship. Dante the pilgrim may well become Dante the writer, but Marcel does not become Proust, nor does he go on to write the Recherche ; quite the contrary, the tantalizing and deliberately tempting set of similarities between author and narrator...

...Joshua Landy Although it is, in principle, almost universally accepted today that authors and narrators must be rigorously demarcated, somehow scholars of Marcel Proust seem—whether wittingly or unwittingly—to make an exception for In Search of Lost me . Because it is written in the first person...

...Hervé G. Picherit Much in Marcel Proust's Un amour de Swann —notably its position in the Recherche and the title itself—suggests that we might derive from the tale of Swann's love for Odette a general “law” about love, applicable throughout the Recherche . Yet far from conveying a clear account...

... a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy could only be expressed in a work of fiction. Writing a novel allows...

... a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy could only be expressed in a work of fiction. Writing a novel allows...

... a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy could only be expressed in a work of fiction. Writing a novel allows...

... a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy could only be expressed in a work of fiction. Writing a novel allows...

... a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy could only be expressed in a work of fiction. Writing a novel allows...

... pp. In this remarkable book, Joshua Landy proposes a ‘‘rehabilitation’’ (4) of Marcel Proust’s A la recherche du temps perdu, on two interconnected levels. On the one hand, Landy defends the originality and the coherence of Proust’s philosophy. On the other hand, he explains why this philosophy...

... Screen: Reading Proust Visually (Stanford, CA: Stanford University Press). 1999 “All in the Family: Familiarity and Estrangement According to Marcel Proust,” in The Familial Gaze , ed. Marianne Hirsch, 223 -47(Dartmouth, NH: University Press of New England). Bertho, Sophie 1990 “Asservir...

.... Bénabou, Marcel, Jacques Jouet, Harry Mathews, and Jacques Roubaud 2001 Un art simple et tout d’exécution. Cinq leçons de l’Oulipo, cinq leçons sur l’Oulipo (Strasbourg, France: Circ Containing a series of public lectures given by some of the most eminent representatives of the Oulipo...

... in the Second Degree , translated by Newman Channa and Dubinsky Claude . Lincoln : University of Nebraska Press . Harding Jennifer Riddle . 2017 . Similes, Puns, and Counterfactuals in Literary Narrative . New York : Routledge . Hopkins Gerard . 1948 . Marcel Proust...

... for Metaphors and Similes,” Poetics 31 , no. 1 : 51 – 68 . Chiappe Dan Kennedy John M. Smykowski Tim 2003 “Reversibility, Aptness, and the Conventionality of Metaphors and Similes,” Metaphor and Symbol 18 , no. 2 : 85 – 105 . Danesi Marcel 2016...

... “Shaped by the Past: the Default Mode Network Supports Cognition That Is Independent of Immediate Perceptual Input,” Plos One , no. 10 : e0132209 , http://dx.doi.org/10.1371/journal.pone.0132209 . Kühn Simone Ritter Simone M. Müller Barbara C. N. Baaren Rick B. Brass Marcel...