...Helen Freshwater This article problematizes cultural studies' recent return to the“thing,” assessing the archive's position in research work. I draw on my experience of consultation of the surviving records of the Lord Chamberlain's theater censorship office in order to demonstrate...

... of the places where Chaucer thinks philosophical jargon fits is the extended fart joke that ends The Summoner s Tale. There, in lieu of pay- ment, an unscrupulous friar has been given a fart as recompense for his ser- vices, at which point he complains to a local lord. Because friars are not supposed to own...

... sanctification which is to be perfected, hangs on the same sacrifice which never shall be repeated: and that the apostle proves by referring again to the testimony of Jeremiah, thus: Sin is taken away by the new testament, seeing the Lord says that it shall come to pass, that according to the form...

... [1615] [ESTC R228270] God and the King; or, A Dialogue: Shewing, That Our Soveraign Lord the King of England, Being Immediate under God within His Dominions, Doth Rightly Claim Whatsoever Is Required by the Oath of Allegiance (London: Imprinted by his Majesties Special Privilege and Command...

...Jakob Lothe References Chatman Seymour . 1978 . Story and Discourse: Narrative Structure in Fiction and Film . Ithaca, NY : Cornell University Press . Conrad Joseph . 1900 . Lord Jim: A Tale . Edinburgh : Blackwood . Gadamer Hans-Georg . (1960) 1997 . Truth...

..., history, literary theory, poetics, law, performance studies, history, philosophy, and anything else that could in the words of Audre Lorde (1984: 110dismantle the master s house, or in thewords of Frank B.Wilderson III even destroy theworld (Ball, Burroughs, and Dr. Hate 2014). Wilderson coined...

... Langer’s theory of feeling and mind. The next article, by Gerard Steen, suggests a five-step­ program for the interpretation and analysis of metaphorical structures in discourse and especially of metaphors in poetry, illustrating from Alfred, Lord Tennyson’s “Now Sleeps the Crimson Petal...

... of metaphors in poetry, illustrating from Alfred, Lord Tennyson’s “Now Sleeps the Crimson Petal.” The five “steps” mark a transition from linguistic expression to conceptual representation, with the constituents of the metaphor’s source and target domains as well as the analogical relations obtaining...

... Langer’s theory of feeling and mind. The next article, by Gerard Steen, suggests a five-step­ program for the interpretation and analysis of metaphorical structures in discourse and especially of metaphors in poetry, illustrating from Alfred, Lord Tennyson’s “Now Sleeps the Crimson Petal...

... Have Nothing in Common ( Bloomington : Indiana University Press ). Lorde Audre 1984 “ The Master’s Tools Will Never Dismantle the Master’s House ,” in Sister Outsider: Essays and Speeches , 110 – 13 ( Trumansburg, NY : Crossing ). Moore Michael , dir. 2004 Fahrenheit 9/11...

..., as the sinner can be redeemed. Perhaps most interestingly, the Cross is blended also with a thane, and Christ is blended with the lord served by that thane. Christ, in this story, is a strong, young hero, bold in the sight of the crowd, who hastens to the Cross, Turner • The Cognitive Study...

... verse is Alfred, Lord Tennyson’s “Break, break, break” (994), another puzzle for conventional prosody, its three opening monosyllables proving rhythmically equivalent to lines of up to eleven syllables.21 Emily Dickinson is a master of the form (examples include “Safe in their Alabaster Chambers...

... of the spirituals in poems like Who but the Lord where line breaks diverge from four-by-four metrical boundaries. In a reading of the poem at UCLA (Hughes 1967), Hughes s Table 4 Differences between conventional hymnal structure and the spiritual Heav n, Heav n Hymnal Structure Heav n, Heav n Stanzas...

... function of narrative has been taken over by stories like Star Wars (Lucas 1977), The Lord of the Rings ( Jackson 2001 – 3), and The Matrix (Wachowski and Wachowski 1999) — stories that transcend linguistic, national, and religious boundaries. But if the spreading of culture-defining stories across...

... beginning of the Confessions, Augustine presents a related puzzle about prayer: Grant me Lord to know and to understand which comes first—to call upon you or to praise you, and whether knowing you precedes calling upon you. But who calls upon you when he does not know you? For an ignorant...

... revelation the still small voice. With “elephantine blaring,” so to speak, God summons Elijah: Go forth, and stand upon the mount before the Lord. And behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; but the Lord...

... of Literary Inter- pretation” (2006), and “‘How Come Most People Don’t See It?’ Slashing the Lord of the Rings” (2007). His forthcoming article (with Bethan Benwell) is “Reading the Reading Experience: An Ethnomethodological Approach to Booktalk,” in Reading the Readers: Communities, Practices...

... focuses on two poems: the modernist haiku-like poem “Fan-Piece, for Her Imperial Lord” by the American poet Pound (1885–1972)7 and a translation of the original Japanese haiku “Kare-eda-ni” (“On a Bare Branch”) by the Japanese poet Bashō (1644–94):8 6. These were second-year majors...

.... The book’s second chapter, ‘‘The Victorians focuses on the work of the two major founders and practitioners of the genre, Robert Browning and Alfred, Lord Tennyson, and includes close readings of Browning’s ‘‘The Bishop Orders His Tomb at Saint Praxed’s Church’’ and Tennyson’s ‘‘Tithonus In this context...

... on the romanticist authors (following Jerome J. McGann’s [1980 – 93] edition of the works of George Gordon, Lord Byron). Changes traced in the respective surviving text materials (ranging from authorial manuscripts to printed sources) allow a documented reconstruction of the textual genesis, which involves more...