Search Results for literary portrait

..., in the way the interlocutors handle the question and answer form typical of media interviews. Through struggle for the interview's control but also through cooperation, the interviewer and interviewee produce a physical, psychological, and intellectual portrait of the interviewee. Literariness is also...

... into the literary aspect of these phenomena, very little has been written on their pictorial incarnation. Focusing on Malevich's late paintings of Russian peasants and his 1933 Self-Portrait, I try to trace the complex art historical moment of the late 1920s and early 1930s and map out the representational...

... of literary and journalistic inquiry. At a moment when intellectuals and other urban elites struggled to prepare bureaucratically and imagi- natively for a liberated peasantry, estrangement became the cornerstone of Dosto- evsky’s aesthetic practice. Instead of rendering a naturalistic portrait...

... of the interview book as a portrait of a literary author, usually a male and an established one. Interview books stage a very hierarchical dialogue, in which the interviewer’s role is limited to gathering and editing the information. The type of questions posed are stereotypical, dealing with the writer’s...

... a solution” to the “making of a portrait of someone existing.” Stein's fascination with cinema is, in and of itself, very telling of her relationship with media as a whole, particularly given the rise of moving image and cinema concomitant with her own literary innovations. I do not wish to dispute...

...- ture, a childhood portrait of Franz Kafka. Recurring in no fewer than three of Benjamin’s texts, this picture is located at the interstices between different strands of his thought. Through its repeated textual “exposure,” Kafka’s childhood portrait mediates between literary...

...,” in Gilfillan, A Gallery of Literary Portraits , 372 -85 (Edinburgh: W. Tait). Goslee, Nancy M. 1974 “ 'Under a Cloud in Prospect': Keats, Milton, and Stationing,” Philological Quarterly 53 : 205 -19. 1981 “Plastic to Picturesque: Schlegel's Analogy to Keats's Hyperion Poems,” Keats-Shelley...

... and point of the strange mixture, the article’s final section argues against the scholarly attempts to split ekphrasis between “literary description” and “art critical interpretation.” Rather, literary ekphrastic texts, which Durcan’s brilliantly exemplifies, sometimes combine the two roles. They re-present...

... and Austerlitz,” Literary Review 46 ( 1 ): 184 -92. Berger, Harry, Jr. 1994 “Fictions of the Pose: Facing the Gaze of Early Modern Portraiture,” Representations 46 : 87 -120. Berger, John 2005 Here Is Where We Meet (New York: Pantheon). Berger, John, and Jean Mohr 1982 Another Way...

... violence and promote poetry as a refuge from it, yet their poetry, paradoxically, affirms guns’ literary power. The five poets selected for this study represent different styles emitting from diverse histories, ages, and literary backgrounds. Their poems likewise branch across a range of contexts...

... goes from literary author to narrator to plastic artist, with their respective ends, skills,vehicles, audiences, and at times with further mediators en route. Ekphrastic speakers can therefore betray themselves—as this one does—in more ways than usual, against more diverse (e.g., aesthetic) norms...

... d'Aubigné's epic poem and artists' paintings from the École de Fontainebleau. Two portraits of the central characters responsible for the massacre, Catherine de Médicis and Henry, duc de Guise, will be compared to Diana's portrait in order to illustrate the transition from mannerism to baroque. Porter...

... in Berlin, turned to this modernist writer again in his experimental epistolary memoir about love and literature, Zoo; or, Letters Not about Love.In ‘‘Letter Five he drew a remarkable literary portrait of Remizov as a figure 1. For the role of these tales in literary history, see Slobin 1991b...

... for an era of postcritical literary studies. Copyright © 2019 by Porter Institute for Poetics and Semiotics 2019 postcritical phenomenology canon realism novel References Altieri Charles 1983 “ An Idea and Ideal of a Literary Canon .” Critical Inquiry 10 , no. 1 : 37 – 60...

... and the Great Hunger: Studies in Irish Culture (London:Verso). Guillory, John 1993 Cultural Capital: The Problem of Literary Canon Formation (Chicago: University of Chicago Press). Joyce, James 1968 [1916] A Portrait of the Artist as a Young Man , edited by Chester S. Anderson, Viking Critical...

... on his institutional position; for Ducrot or Maingueneau, drawing on Aristotle, the image of the orator is built by the discourse itself. Analyzing political as well as literary texts, this essay takes into account the institutional position of the speaker; his “prior ethos” (the image his audience has...

...). 1982 [1968] “The Reality Effect,” in French Literary Theory Today: A Reader , edited by Tzvetan Todorov, translated by R. Carter, 11 -17 (Cambridge: Cambridge University Press). 1986 [1978] “The Image,” in The Rustle of Language , translated by Richard Howard, 350 -58 (New York: Hill and Wang...

... Conference, 13-17 August, 1990 (Leiden: E. J. Brill). Anderson, Mark M. 2003 “The Edge of Darkness: On W. G. Sebald,” October 106 : 103 -21. 2006 “Wo die Schrecken der Kindheit verborgen sind: W. G. Sebalds Dilemma der zwei Väter. Biografische Skizzen zu einem Portrait des Dichters als junger...

...Joep Leerssen © 2001 by the Porter Institute for Poetics and Semiotics 2001 Bellet, Roger 1974 “Le portrait démonstratif chez Ponson du Terrail,” Europe 52 (542): 119 -25. Duchet, Claude 1973 “Une écriture de la socialité,” Poétique 16 : 446 -54. Leerssen, Joep...

... fictionnels de l’époque classique ( Leiden, Netherlands : Brill Rodopi ). Hersant Marc Ramond Catherine , eds. Forthcoming Enjeux, formes et motifs du portrait dans les récits de fiction et dans les récits historiques de l’époque classique (XVIIe–XVIIIe siècles) ( Leiden, Netherlands...