Search Results for kierkegaard

...George Pattison Noting the apparent chaos of Søren Kierkegaard's writing, the essay shows that Kierkegaard did, nevertheless, have a highly self-conscious relation to issues of genre, which was a central concern in the aesthetic theory of his critical role model, J. L. Heiberg. Salient features...

... organization which makes Ethics so distinctive, with its manifest personal and ethical purpose. The final three essays examine more radical experiments in literary, philosophical form. First, Kierkegaard’s imaginative experiments in genre challenged assumptions about the form/content relation...

... der Fakultäten , translated by Mary J. Gregor (New York: Abaris). Kearney, Richard 1999 “Narrative and the Ethics of Remembrance,” in Questioning Ethics: Contemporary Debates in Philosophy , edited by Richard Kearney and Mark Dooley, 18 -32 (New York: Routledge). Kierkegaard, Søren 1988...

... at the University of Oxford. He has published extensively on Kierkegaard and other thinkers in the existentialist 572 Poetics Today 28:3 tradition as well as on theology and the philosophy of religion. His most recent book is Thinking about God in an Age of Technology (2005). John Sellars is a junior...

..., Lionel Shriver, and the Ethics of the Par- ticular” in Interdisciplinary Literary Studies: a Journal of Criticism and Theory, and “Enacting Authenticity: Peter Nichols’ Passion Play and Søren Kierkegaard’s Either/Or in Dialogue” in Anglia: Journal of English Philology, as well as a chapter coauthored...

... 1995 Cognition in the Wild ( Cambridge, MA : MIT Press ). 2011 “Enculturating the Supersized Mind,” Philosophical Studies 152 , no. 3 : 437 – 46 . Kahneman Daniel 2011 Thinking, Fast and Slow ( London : Allen Lane ). Kierkegaard Søren 1980 The Concept...

... of the Similar,” translated by Michael Jennings, in Selected Writings. Vol. 2, 1927–1934 , edited by Michael W. Jennings, Howard Eiland, and Gary Smith, 694 -98 (Cambridge, MA: Belknap/Harvard University Press). 1999d [1933] “Kierkegaard: The End of Philosophical Idealism,” translated by Rodney...

... Kierkegaard’s Fear and Trembling and a skit from Hanoch Levin’s satirical play Queen of the Bathtub hold a dialogue with the scene of Isaac’s sacrifice from Genesis 22; Zeev Jabotinsky’s novel Samson, Cecil DeMille’s film Samson and Delilah, and John Milton’s long poem Samson Agonistes converse...

... derivations . . . are used in the basic (not extended, metaphorical) sense” (77). Among these dialogic interactions, a passage from Søren Kierkegaard’s Fear and Trembling and a skit from Hanoch Levin’s satirical play Queen of the Bathtub hold a dialogue with the scene of Isaac’s sacrifice from Genesis...

... derivations . . . are used in the basic (not extended, metaphorical) sense” (77). Among these dialogic interactions, a passage from Søren Kierkegaard’s Fear and Trembling and a skit from Hanoch Levin’s satirical play Queen of the Bathtub hold a dialogue with the scene of Isaac’s sacrifice from Genesis...

... Kafka—the son of Hermann and Julie Kafka, born in Prague in 1883, who worked for an insurance company and died of tuberculosis—had instead been generated in 2023 by an AI trained on the works of Heinrich von Kleist, Fyodor Dostoevsky, Søren Kierkegaard, Gustave Flaubert, and so forth...

... Currie quotes Kierkegaard, who says that life is lived forward but understood backward. Kierkegaard's observation is highly applicable to narratives, given that narratives most often recount events of the past and are told retrospectively. As we go about our everyday life, we are ignorant of what...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...

... with indirectness in nonfictional works: Johan Siebers’s “The Utopian Horizon of Communica- tion: Ernst Bloch’s Traces and Johann-Peter Hebel’s Treasure Chest,” Sebastian Hu¨sch’s “When Philosophy Must Become Literature: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics...

...,” Sebastian Hu¨sch’s “When Philosophy Must Become Literature: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...

...: Søren Kierkegaard’s Concept of Indirect Communication,” and Ewa Szypula’s “An Aesthetics of Indirection in Novels and Letters: Balzac’s Communication with Evelina Hanska.” Of particular interest is Szypula’s essay, which finds parallels between Honore´ de Balzac’s own letters and cases of epistolary...