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Journal Article
Poetics Today (2020) 41 (3): 417–436.
Published: 01 September 2020
...Uwe Steinmetz Jazz, today a broadly defined, global form of improvised music, remains a music between heaven and earth, with its roots in both nightclubs and churches. Jazz can be dance music, as well as music that triggers emotions, memories, and subjective images. It can also lead to experiences...
Journal Article
Poetics Today (2019) 40 (4): 645–681.
Published: 01 December 2019
... presupposes that Anglo- and African American verse forms are constrained by the same principles of rhythmic insistence (i.e., four- beat forms are insistent; five-beat forms are ambiguous). This assumption, 1. LikeHughes, I refer to the blues as a stylized vernacular idiom related to the conventions of jazz...
Journal Article
Poetics Today (2020) 41 (3): 473–474.
Published: 01 September 2020
... and international awards for his artistic work. He has released fourteen CDs with his ownmusic and appeared on numerous jazz CDs as a soloist. In his compositional work he often deals with biblical or theological themes, and he has appeared on panels and television documentaries about improvised music, church music...
Journal Article
Poetics Today (2020) 41 (3): 317–326.
Published: 01 September 2020
... can be repre- sented in the postsecular moment. Practicing musician and musicologist Uwe Steinmetz then offers a con- ceptually pitched history of jazz, treating it as a form that not only has its roots in African American spirituality but also has developed in certain iterations into a formof...
Journal Article
Poetics Today (2000) 21 (1): 187–220.
Published: 01 March 2000
... to the process-oriented ‘‘New American Poetry’’ (particularly the work of Olson, Duncan, Baraka, and Spicer) and to the ecstatic jazz and sound-texts of poets like Baraka and Sanchez—all of which emphasized the temporal and improvisational...
Journal Article
Poetics Today (2001) 22 (3): 706–708.
Published: 01 September 2001
...’’ On literature as an institution he writes, ‘‘The point is that literature is a money laundering scheme. Just like museums and symphony orchestras. Like the opera. Fine art. Ballet. Even jazz clubs. Mostly they don’t make a profit—they’re money losers. Thank god for the Mafia and the Robber Barons. Thank god...
Journal Article
Poetics Today (2016) 37 (4): 497–516.
Published: 01 December 2016
... 2002 The Rise of a Jazz Art World ( Cambridge : Cambridge University Press ). Luhmann Niklas 2000 Art as a Social System . Translated by Knodt Eva M. ( Palo Alto, CA : Stanford University Press ). Marmor Michael F. Ravin James G. 2009 The Artist's Eyes: Vision...
Journal Article
Poetics Today (2001) 22 (2): 515–548.
Published: 01 June 2001
... he recounted that Pace was founded in by Lucas Molete, a jazz musician and jour- nalist, and pointed out that Kashane joined the magazine in as sports editor. Unlike Molete and the subsequent editor Vusi Khumalo, who both were practicing jazz musicians as well as journalists, Kashane had...
Journal Article
Poetics Today (2009) 30 (1): 27–65.
Published: 01 March 2009
... to jazz to rock to the music of the bards. While illicit recordings of Western rock became increasingly prevalent in the 1970s, avtorskaia pesnia was the musical genre most closely associated with the first generation of magnitiz- dat dubbers. Magnitizdat, as a widespread practice...
Journal Article
Poetics Today (2000) 21 (2): 435–441.
Published: 01 June 2000
..., The BigNowhere , L.A. Confidential, and White Jazz), perhaps the most successful, innovative, and challenging merging of the classic private-eye Tseng 2000.5.22 09:29 Neff • Paradoxes vs. Contradictions 439...
Journal Article
Poetics Today (2009) 30 (1): 1–26.
Published: 01 March 2009
... čase a nečase 1971–1987 (The Jazz Section in the Course of Good and Bad Times 1971–1987) (Prague: Torst). Kožmín, Zdeněk, and Jiří Trávníček 1998 Na tvrdém loži z psího vína. Česká poezie od 40. let do současnosti (The Hard Bed of Wild Wine: Czech Poetry from the 1940s...
Journal Article
Poetics Today (2022) 43 (1): 79–101.
Published: 01 March 2022
... in speaking: “I am/was a New York poet. I am/was an (Antillean) ‘Afro-surrealist’ poet. I am/was an activist poet. I am/was a ‘language’ poet. I am/was a radical poet. I am/was a ‘jazz’ poet. I am/was an essayist poet” (Hunt 2015 ). Even while trying to invent “the person for whom poetry is possible...
FIGURES
Journal Article
Poetics Today (2017) 38 (2): 393–412.
Published: 01 June 2017
...: A Particular History of the Senses ( New York and London : Routledge ). Voigts Eckart 2015 “Bastards and Pirates, Remixes and Multitudes: The Politics of Mash-Up Transgression and the Polyprocesses of Cultural Jazz,” in Hassler-Forest Nicklas 2015 : 82 – 98 . Willems Roel M...
Journal Article
Poetics Today (2009) 30 (1): 89–106.
Published: 01 March 2009
... in the country brought a new technology into the old business of samizdat: jazz, folk songs, ballads by Bulat Okudzhava, Aleksandr Galich, Vladimir Vysotskii, Iulii Kim, and many others created a steadily increasing vol- ume of uncontrolled culture difficult to monitor and impossible to stop. Another...
Journal Article
Poetics Today (2011) 32 (1): 171–201.
Published: 01 March 2011
... from the envi- ronment and from within the body while engaging higher brain regions in the thalamus and cerebral cortex. Rich conceptual thinking emerges as neurons that “fire together” begin to “wire together”: like jazz improvisa- tion, neuronal groups with their rhythms become attuned through...
Journal Article
Poetics Today (2009) 30 (2): 257–286.
Published: 01 June 2009
... Model for Discourse Analysis .” MA thesis, McGill University. Tribune de Genève 1964 February 29–March 1. Turnell, Martin 1964 Listener , January 6. Vanoye, Francis 1980 “'Free-Jazz' d'Ornette Coleman: Un manifeste?” Littérature 39 : 89 -94. VNS Matrix 1991 “ A Cyberfeminist...
Journal Article
Poetics Today (2016) 37 (1): 215–217.
Published: 01 March 2016
... what is considered possible within human capabilities (e.g., in Toni Morrison’s Jazz [1992] and Ian McEwan’s Atonement [2001 Dawson notes that this type of narration has increased in volume and importance over the last three decades and considers this phe- nomenon as part of the renewed interest...
Journal Article
Poetics Today (2016) 37 (1): 217–220.
Published: 01 March 2016
...) narrators claim omniscience that exceeds what is considered possible within human capabilities (e.g., in Toni Morrison’s Jazz [1992] and Ian McEwan’s Atonement [2001 Dawson notes that this type of narration has increased in volume and importance over the last three decades and considers this phe...
Journal Article
Poetics Today (2016) 37 (1): 220–222.
Published: 01 March 2016
... what is considered possible within human capabilities (e.g., in Toni Morrison’s Jazz [1992] and Ian McEwan’s Atonement [2001 Dawson notes that this type of narration has increased in volume and importance over the last three decades and considers this phe- nomenon as part of the renewed interest...
Journal Article
Poetics Today (2016) 37 (1): 222–225.
Published: 01 March 2016
... what is considered possible within human capabilities (e.g., in Toni Morrison’s Jazz [1992] and Ian McEwan’s Atonement [2001 Dawson notes that this type of narration has increased in volume and importance over the last three decades and considers this phe- nomenon as part of the renewed interest...