... in comics, focusing on their general semantics. It argues that the intersemiotic interplay of the various resources and the evolving meaning construction is one of the most challenging aspects of comic analysis today and that recipients need to construct complex representations of what is shown (and told...

... begins to happen. The article concludes with David Annwn’s proposal of new categories of ekphrasis. Copyright © 2018 by Porter Institute for Poetics and Semiotics 2018 intermediality intersemiotic calligraphy Bibliography Aguiar Daniella Joao Queiroz , 2009 , “ Towards...

..., CT: Yale University Press). Clüver, Claus 1989 “On Intersemiotic Transposition,” Poetics Today 10 : 55 -90. 1997 “Ekphrasis Reconsidered: On Verbal Representations of Non-Verbal Texts,” in Interart Poetics:Essays on the Interrelations of the Arts and Media , edited by Ulla-Britta...

... Howard (New York: Hill and Wang). Baudrillard, Jean 1998 Photographies, car l’illusion ne s’oppose pas à la réalité (Paris: Descartes et Cie). Clüver, Claus 1989 “On Intersemiotic Transposition,” Poetics Today 10: 55–90. Coetzee, J. M. 1990 Age of Iron (London: Secker and Warburg...

... beyond the word-image opposition to develop “a full-fledged theory of intersemiotic [or intermedial] transcriptions.” In many modern multimedia texts, he contends, “the interpenetration of visual and verbal signs is such that the meaning constructed from the text as a whole will be quite...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... and intermedial outlook. The opening article, by Ryan, examines the validity of the concept of fictionality across different media; the last article, by Marina Grishakova, explores cases of intermedial and intersemiotic transfers within verbal and visual media...

... or the Mor- rison variant) is as much a defining feature as the surface commonality. So, does museum poetry give rise to a new form of ekphrasis, or to a new intersemiotic, and specifically interartistic, type of word plus image? An entangled variant of the known literary kind, or an irreducible...

.... Everything hangs in the balance: theory, history, reading, sense-making, practical analysis, the way to intergenre, intersemiotic, interdisciplinary traffic, as well as to broader consensus within the field. The choice ultimately turns on whether, or how well, the definition accommodates...