Search Results for epistolary fiction

... University Press ). Cohn Dorrit 1978 Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction ( Princeton, NJ : Princeton University Press ). Day Robert Adams 1966 Told in Letters: Epistolary Fiction before Richardson ( Ann Arbor : University of Michigan Press...

... ). Kauffman Linda S. 1986 Discourses of Desire: Gender, Genre, and Epistolary Fictions ( Ithaca, NY : Cornell University Press ). Kukkonen Karin 2014 “ The Minds behind the Mask: Reading for Character in the Masquerade ”, Neophilologus 98 , no. 1 : 161 – 76 . Lafayette Madame...

... for Poetics and Semiotics 2015 letters instant messaging mobile phones epistolary fiction romance References Alliston April 1996 Virtue's Faults: Correspondences in Eighteenth-Century British and French Women's Fiction ( Stanford, CA : Stanford University Press ). Austen...

...’’ and in the ‘‘Letter to All the French’’ circulated by François Mitterand during the election campaign, a particular variant of the epistolary form: writing that arises out of public debate. The personal letter, in the case of Pascal, is a fiction...

...’: ViktorŠklovskij und der Sozialistische Formalismus,” in Schrift und Macht: Zur Sowjetischen Literatur der 1920er und 30er Jahre , edited by Murašov Jurij Lipták Tomáš , 45 – 69 ( Vienna : Böhlau Verlag ). Kauffman Linda S. 1992 Special Delivery: Epistolary Modes in Modern Fiction...

...: Introduction to the Theory of Narrative (Toronto: University of Toronto Press). 1993 “First Person, Second Person, Same Person:Narrative as Epistemology,” New Literary History 24 : 293 -320. Banfield, Ann 1982 Unspeakable Sentences:Narration and Representation in the Language of Fiction...

... itself,” he concludes (224). Varley is having his joke, but he's also participating in what at the time was something of a rite of passage: writers, especially science fiction writers, writing about word machines and word processors. Arthur C. Clarke, Stanislaw Lem, Fritz Leiber, and even Roald Dahl...

... Kafka’s third, and last, novel can be illuminated by its contextualization within the contem- porary German discourse of Heimat. The ensuing two essays deal with Kafka’s shorter fiction. In ‘‘Kafka’s Short Fiction Ruth Gross discusses several stories that centralize prob- lems related to work...

... Kafka’s third, and last, novel can be illuminated by its contextualization within the contem- porary German discourse of Heimat. The ensuing two essays deal with Kafka’s shorter fiction. In ‘‘Kafka’s Short Fiction Ruth Gross discusses several stories that centralize prob- lems related to work...

... in which Kafka’s third, and last, novel can be illuminated by its contextualization within the contem- porary German discourse of Heimat. The ensuing two essays deal with Kafka’s shorter fiction. In ‘‘Kafka’s Short Fiction Ruth Gross discusses several stories that centralize prob- lems related...

... Kafka’s third, and last, novel can be illuminated by its contextualization within the contem- porary German discourse of Heimat. The ensuing two essays deal with Kafka’s shorter fiction. In ‘‘Kafka’s Short Fiction Ruth Gross discusses several stories that centralize prob- lems related to work...

...Eyal Segal Mangham Andrew , ed., A Cambridge Companion to Sensation Fiction . Cambridge : Cambridge University Press , 2013 . xvi + 234 pp. © 2015 by Porter Institute for Poetics and Semiotics 2015 New Books at a Glance Neil Fraistat and Julia Flanders, eds., A Cambridge...

.... As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...

.... As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...

.... As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...

... by the plot). Epistolarity is also the focus of the final essay in this volume, Catherine Conan’s “Letters from a (Post-)troubled City: Epistolary Communication in Ciaran Carson’s The Pen Friend,” though here in the strict- ly fictional context of a contemporary Irish novel. Conan relates to the topic...

...: Epistolary Communication in Ciaran Carson’s The Pen Friend,” though here in the strict- ly fictional context of a contemporary Irish novel. Conan relates to the topic of indirect communication by focusing on the manner in which the author communicates with his readers through the letters written...

.... As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...

.... As part of this attack on anti-intentionalism, Herman dismisses the concept of the implied author, first introduced by Wayne Booth in The Rhetoric of Fiction (1961), as an unwarranted concession to anti-intentionalist arguments. It creates an artificial and superfluous entity to allow the discus- sion...

...Eyal Segal Bell Alice , The Possible Worlds of Hypertext Fiction . Basingstoke, UK : Palgrave Macmillan , 2010 . xii + 205 pp . © 2011 by Porter Institute for Poetics and Semiotics 2011 New Books at a Glance Geert Brône and Jeroen Vandaele, eds., Cognitive Poetics...