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Journal Article
Poetics Today (2014) 35 (4): 635–658.
Published: 01 December 2014
... by social forces, but New Historicism equally argues that a sense of autonomous self is often encoded within documents based on the discourse of power. Among such documents is the emblem, a conjunction of several texts and one image delivering a moral lesson. Using the theoretical framework of New...
Image
Published: 01 December 2023
Figure 13 Jacques de Gheyn II, Omnia vincit amor , emblem 1 in Daniel Heinsius, Emblemata amatoria , Amsterdam: Dirck Pietersz, 1608. Photo: Emblem Project Utrecht. More
Journal Article
Poetics Today (2023) 44 (4): 589–630.
Published: 01 December 2023
...Figure 13 Jacques de Gheyn II, Omnia vincit amor , emblem 1 in Daniel Heinsius, Emblemata amatoria , Amsterdam: Dirck Pietersz, 1608. Photo: Emblem Project Utrecht. ...
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Journal Article
Poetics Today (2008) 29 (1): 49–78.
Published: 01 March 2008
..., and the essay closes by considering the problematic nature of translated photo-texts. Porter Institute for Poetics and Semiotics 2008 Adams, Alison, and Anthony J. Harper 1992 The Emblem in Renaissance and Baroque Europe: Tradition and Variety; Selected Papers of the Glasgow International Emblem...
Journal Article
Poetics Today (2014) 35 (4): 735–737.
Published: 01 December 2014
... Linguistic Strategy 383 Berensmeyer, Ingo Shakespeare and Media Ecology: Beyond Historicism and Presentism 515 Chardin, Jean-Jacques The Emblem and Authenticity: A New Historicist Reading of Henry Peacham’s Minerva Britanna...
Journal Article
Poetics Today (2011) 32 (4): 753–755.
Published: 01 December 2011
...,” moves chronologically from the sixteenth to the eighteenth centuries. First, it explores the emblem, a form of allegory that rose to special prominence in English literature New Books at a Glance 757 of the seventeenth century. In the emblem...
Journal Article
Poetics Today (2011) 32 (4): 755–758.
Published: 01 December 2011
...) and Edmund Spenser’s The Faerie Queene as displaying notable richness and complexity in the use of personification. Chapter 3, “From Allegory to Symbolism,” moves chronologically from the sixteenth to the eighteenth centuries. First, it explores the emblem, a form of allegory that rose to special...
Journal Article
Poetics Today (2011) 32 (4): 758–760.
Published: 01 December 2011
...” to The Canterbury Tales) and Edmund Spenser’s The Faerie Queene as displaying notable richness and complexity in the use of personification. Chapter 3, “From Allegory to Symbolism,” moves chronologically from the sixteenth to the eighteenth centuries. First, it explores the emblem, a form of allegory...
Journal Article
Poetics Today (2014) 35 (4): 495–513.
Published: 01 December 2014
... extends the scope of New Historicism to consider the emblem book, particularly Geffrey Whit- ney’s A Choice of Emblemes (1586) and Henry Peacham’s Minerva Britanna (1612). Chardin associates the submission of the (human) subject to “moral and political authority” with the fashioning and authorizing...
Journal Article
Poetics Today (2008) 29 (1): 197–224.
Published: 01 March 2008
...). Wagenknecht, Christian 1978 “Marxistische Epigrammatik: Zu Bertolt Brechts Kriegsfibel,” in Emblem und Emblematikrezeption: Vergleichende Studien zur Wirkungsgeschichte vom 16. zum 20. Jahrhundert , edited by Sibylle Penkert, 543 -99 (Darmstadt: Wissenschaftliche Buchgesellschaft). Willmann, Heinz...
Journal Article
Poetics Today (2014) 35 (4): 731–733.
Published: 01 December 2014
..., and early modern emblem literature. John Drakakis is emeritus professor of English studies at the University of Stir- ling, Scotland, and visiting professor at the University of Lincoln, England, and Glyndwˆ r University, Wrexham, Wales. He recently edited the Arden Shake- speare third series edition...
Journal Article
Poetics Today (2007) 28 (1): 165–168.
Published: 01 March 2007
... as a complex emblem of the modern subject that foregrounds a bodily solilo- quy, and Albert Boime, in Holman Hunt’s The Scapegoat, explores Hunt’s work in terms of the complex processes of forgiveness and blame that link the painter, the work, and its various spectators. In “Modern Emblematic Portraits...
Journal Article
Poetics Today (2000) 21 (2): 449–452.
Published: 01 June 2000
... drives the pacifist cannot quite control’’ Embedded in pacifism, then, would be, oddly enough, a sort of sadism, of which the figure of the alluring and dangerous woman is the emblem. Are we to see further proof of such sadism...
Journal Article
Poetics Today (2004) 25 (3): 437–464.
Published: 01 September 2004
... as the dauphin. Emily Yoder (1975: 34) argues that ‘‘Hopkins’ characterization of the windhover as the son of the kingdom of daylight is the same as the prophet’s description of Lucifer The hawk, says Yoder, could as well be an emblem of Satan as of Christ: morning’s minion’ and ‘king-/dom of daylight’s...
Journal Article
Poetics Today (2024) 45 (2): 325–329.
Published: 01 June 2024
... believe in the discipline and the craft, and because my students (many of them, anyway) respond to that same weightedness , the keen satisfaction that comes of holding language and letterforms in the palms of their hands. It's hard not to see my BookLab as an emblem for a great deal of future composition...
Journal Article
Poetics Today (2001) 22 (3): 551–605.
Published: 01 September 2001
... a plastic object in language and time, make that object in its spatial simultaneity a true emblem of itself Following this di- rection of thought, Peter Wagner points out that ekphrasis, Bruhn • A Concert of Paintings 553 both as a poetical and rhetorical device...
Journal Article
Poetics Today (2016) 37 (2): 241–248.
Published: 01 June 2016
... that No Future seeks to inoculate: to attain, through a refusal of prefabricated desire and experience, a radical con- sciousness of the present that would no longer be absorbed by the task of prefabrication. No Present might thus stand as the emblem of global consumer culture in the age of late...
Journal Article
Poetics Today (2023) 44 (4): 665–675.
Published: 01 December 2023
... hybrid . By “different languages,” I refer to both visual and textual languages. Interestingly, there were periods and genres that combined text and image as a matter of course, like medieval altar paintings, Renaissance emblems, and modern-day comic strips. In many cultures, divinity is represented...
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Journal Article
Poetics Today (2007) 28 (3): 363–391.
Published: 01 September 2007
... twenty-eight emblems, or “imprese,” as Bruno calls them. There are no illustrations in the text, the emblems being only described. They are accompanied by a saying (“motto”) and a poem and followed by an interpretation. In the case of both the poem and the emblem, Bruno emphasizes creative...
Journal Article
Poetics Today (2005) 26 (3): 387–432.
Published: 01 September 2005
... loved to sit ‘‘these barren rocks ‘‘tracing here / An emblem ‘‘the more distant scene ‘‘this deep vale ‘‘this seat While still recognizable as moral emblem poem (as Wordsworth’s own use of ‘‘emblem’’ and the wholly abstract final paragraph make clear), ‘‘Lines left upon a Seatmust have struck many...