... doublet. However, I would argue, their analysis, apart and a fortiori together, yields theoretical, interpretative, even art-historical conclusions that extend beyond either of the special cases or their joint product. Ekphrastic double exposure simultaneously evokes a number of totally unrelated visual...

... circulate with unparalleled intensity. The rich presence of images in contemporary fiction galvanizes anew the question of ekphrastic practices and word-image interactions: what is the “visual-textual” contract in the case of novels in which images are reproduced? What patterns of mobility are there between...

...Jolene Mathieson New media technologies have inaugurated the most recent and important shift in our understanding of word-image relations. While seminal studies of new media poetry ( Funkhouser 2012 ; Hayles 2006 , 2008 ) and its potentially ekphrastic properties ( Lindhé 2013 ) have been published...

...Jessica Bundschuh In an Internet age dominated by network structures and visuality, contemporary ekphrastic critics and writers have felt prompted to question anew the value of ekphrasis to its readers. That is, it has become important to demarcate a site for ekphrasis’s continued cultural currency...

...Mats Jansson Digital technologies entail new possibilities and challenges for the production and reception of ekphrasis. The ekphrastic poet is given the opportunity not only to write a poem “describing” a work of art, but to create a multimedial artwork involving several senses. In consequence...

...Emma Kafalenos Ekphrastic texts are usually published separately from the visual representations they re-represent. The relation between the text and the image is one of substitution: the text replaces the image. But when an ekphrastic response and the image that inspires it are placed next to each...

... Tartt and casting side-glances at several others, it identifies some common strategies for presenting the ekphrastic object. These novels typically present the artwork through the subjective and highly affective gaze of a fictional character; they problematize the status and role of the artist...

... goes from literary author to narrator to plastic artist, with their respective ends, skills,vehicles, audiences, and at times with further mediators en route. Ekphrastic speakers can therefore betray themselves—as this one does—in more ways than usual, against more diverse (e.g., aesthetic) norms...

..., such as pictured and picture-less, mimetic and transformed, notional and actual, abbreviated and described, printed and screen, canonical artwork and non-art image, narrative and poetic ekphrasis, the introduction further discusses ekphrastic theories with a specific focus on their relevance to its practices...

... and Semiotics 2018 ekphrastic moment reading event phenomenology pictorial third Bibliography Banville John , 1993 Ghosts ( London : Secker and Warburg ). Barnes Julian , 1989 A History of the World in 10 and 1/2 Chapters ( London : Jonathan Cape ). Barthes...

...: Clarendon Press). Smith, Mack 1995 Literary Realism and the Ekphrastic Tradition (University Park: Pennsylvania State University Press). Spitzer, Leo 1962 [1955] “The Ode on a Grecian Urn; or, Content vs. Metagrammar,” in Essays on English and American Literature , edited by Anna Hatcher, 67...

...Gabriele Rippl This article takes as its starting point the conspicuous ekphrastic nature of many contemporary Anglophone transcultural novels and asks about their engagement with ekphrasis as a self-reflexive writing mode delving into implicit power relations, cultural hierarchies, and the media...

...Karen Sullivan Representational and nonrepresentational (abstract) artists exhibit different conceptual processes when they describe their work. Data from ekphrastic texts written by artists to accompany their artwork show that, although both kinds of painters refer metaphorically to their art...

...Emma Kafalenos The proliferation of (copies of) images in recent decades facilitates viewing the image to which an ekphrastic text responds. Typically, I have argued previously ( Poetics Today 33, no. 1: 27–57), whenever readers of an ekphrasis view the visual artwork to which the ekphrasis...

... Plot Development: Katherine Mansfield’s “The Fly” 147 Yacobi, Tamar Ekphrastic Double Exposure and the Museum Book of Poetry 1 Review Articles Caracciolo, Marco Embodiment at the Crossroads: Some Open Questions between Literary Interpretation and Cognitive...

... of Translation .” In The Translation Studies Reader , edited by Venuti Lawrence , 138 – 44 ( London : Routledge ). Kennedy David , 2012 The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere ( Farnham : Ashgate ). Mahdaoui Nja , http://www.nja-mahdaoui.com...

... of the second chapter (113), Stewart extends a single ekphrastic reversal—Lily Briscoe painting the act of reading—into the “double inversion” of Woolf in turn rendering this act of painting in words. The book closes with Mark Tansey, whose visual high jinks involving texts by—and representations...

... and the Mountain (2015). His critical work, The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere (2012), is an incisive and wide-ranging engagement with ekphrasis. To the editors’ dismay and deep regret, David passed away in spring 2017. Liliane Louvel is emeritus professor of British...

... Today 16 : 599 -649. 1997 “Verbal Frames and Ekphrastic Figuration,” in Interart Poetics: Essays on the Interrelations of the Arts and Media , edited by Ulla-Britta Lagerroth, Hans Lund, and Erik Hedling, 35 -46(Amsterdam: Rodopi). The Power of Double Coding...

... is that here, unlike in the other descriptive passages, we observe the mechanism itself in action, as figured in the fire fountain, which operates, we are told, ‘‘for all the world like a poet’’ And of course, the description of the fire fountain is itself ekphrastic—if not of the fire fountain’s ‘‘drawings...