...The Editors of Poetics Today Copyright © 2021 by Porter Institute for Poetics and Semiotics 2021 We would like to make a correction to an article by Álvaro Seiça that appeared in Poetics Today 41:4. On the article's first page, the acknowledgment note should read, “This project has...

...” and their “contamination” by social agents involved in the production process of the text, including typists, publishers, and editors. However, a few aspects of New Textualism create methodological aporias and produce, in extremo , a virtually unreadable compilation of parallel texts. Using some previously developed...

... in disciplinary disarray, by infusing it with a global and self-critical awareness. But the vision presented by Turner and the editors of World Philology , of philology as an inherently cross-disciplinary, cross-cultural practice, necessitates a clearer delimitation of what philology is, which the present article...

...Douglas A. Brooks The guest editors of this special issue, James A. Knapp and Jeffrey Pence,contend that the current preoccupation with the materiality of things has usually generated a polarization between “history” and“theory” in literary criticism, whereby the work of scholars who continue...

...Klaus Sachs-Hombach; Jan-Noël Thon Introduced here by its guest editors, this special issue of Poetics Today focuses on multimodal media. Its purpose is twofold. On the one hand, it aims to explore the multimodal combination of semiotic resources in a range of primarily aesthetic media forms...

...- fried Herder the editor and coeditor of numerous books, and the author of many articles on German literature, culture, philosophy, and aesthetics from the eighteenth century to the present. Currently, he also is editor of Monatshefte für deutschsprachige Literatur und Kultur. Michael Eskin...

... and innovative focus on factuality” (2), as the two editors observe in their excellent introduction. This impressive tome of a handbook contains no fewer than fifty-one articles or chapters written by a team of fifty-seven researchers from a wide range of disciplines. Since any attempt to provide an overview...

... © 2013 by Porter Institute for Poetics and Semiotics 2013 Editor Meir Sternberg (Tel Aviv) Associate Editor Robert J. Griffin (Texas A & M) Assistant Editor Orly Lubin (Tel Aviv) Founding Editor Benjamin Harshav (Yale) Editorial Assistant Eyal Siegel Managing Secretary Sharon Himmelfarb...

... © 2014 by Porter Institute for Poetics and Semiotics 2014 Editor Meir Sternberg (Tel Aviv) Associate Editor Robert J. Griffin (Texas A & M) Assistant Editor Orly Lubin (Tel Aviv) Founding Editor Benjamin Harshav (Yale) Editorial Assistant Eyal Segal Managing Secretary Sharon Himmelfarb...

... © 2012 by Porter Institute for Poetics and Semiotics 2012 poetics Today Editor Meir Sternberg (Tel Aviv) Associate Editor Robert J. Griffin (Texas A&M) Assistant Editor Orly Lubin (Tel Aviv) Founding Editor Benjamin Harshav (Yale) Editorial Assistant Eyal Segal Managing Secretary...

... 2015 Editor Meir Sternberg (Tel Aviv) Associate Editor Robert J. Griffin (Texas A & M) Assistant Editor Orly Lubin (Tel Aviv) Founding Editor Benjamin Harshav (Yale) Editorial Assistant Eyal Siegel Managing Secretary Sharon Himmelfarb Index to Volume 35 Numbers 1–2...

... © 2011 by Porter Institute for Poetics and Semiotics 2011 poetics Today Editor Meir Sternberg (Tel Aviv) Associate Editor Robert J. Griffin (Texas A&M) Assistant Editor Orly Lubin (Tel Aviv) Founding Editor Benjamin Harshav (Yale) Editorial Assistant Eyal Segal Managing Secretary...

... and publications focus on narrative theory, experimental fiction, and modern Dutch literature. In his 2011 book De retoriek van waanzin (The Rhetoric of Madness), he examined narrative unreliability and rhetorical strategies in “mad” first-person narration. He is the editor in chief of the journal Spiegel der...

..., Recycling, Recuperating in Anglophone Literature and Culture (2012), Reprise, Recycling, Recuperating: Modes of Construction of Anglophone Culture (2012). He is also the editor of Ranam, the journal of the Strasbourg English Department. His research areas are Shake- speare, seventeenth-century poetry...

... Syrinx au buˆche: Pan et les satyres a` la Renaissance et a` l’aˆge baroque [2005 She is editor of several other books, including Pestes, Incendies, Naufrages: Ecritures du de´sastre au XVIIe sie`cle (2011). Alastair Renfrew is Reader at Durham University. He is coeditor of the collection Critical...

.... As it is, editing this project became a labor of love faced with challenges, especially at the final stages, between the guest editor’s and the style editor’s work. I would therefore like to thank the advisers — Yiddishist, Hebraist, or comparatist — who helped me to review and finalize a special issue no less...

..., and his despair at Lotte's impending, and then enacted, marriage. The final third is recounted by an editor who, after Werther's death, assembles a narrative of his final days that is based on Werther's increasingly scattered writings and the accounts of those around him. My analysis focuses...

... us that on all levels, signifying is always a dynamic process. The Prague school embraced this principle. However, the third and final section presents the essential contribution that Mukařovský made to the Prague linguistic circle. In this section, the editors gather key texts that focus...

... literary legitimacy. To generate words without apparent sense or coherence is an easy enough task for a computer; to do so while insisting on their literary status remains a task for a human author—or at least an editor. As Hannes Bajohr ( 2021 : 39) writes: “The gesture of framing, which is essential...

...). Douglas A. Brooks is associate professor of English at Texas A&M University and the general editor of Shakespeare Yearbook. He is the author of From Playhouse to Printing House: Drama and Authorship in Early Modern England (2000) and is the editor of a col...