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duchamp

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Journal Article
Poetics Today (2000) 21 (1): 1–32.
Published: 01 March 2000
... in the modernist era, for on the margins of mainstream modernism were“alternative” machines, machines of reproduction and simulation—writing-machines, imaging-machines, duplicating-machines—such as those of Alfred Jarry, Marcel Duchamp, Franz Kafka, and,especially, Raymond Roussel. Such machines have proliferated...
Journal Article
Poetics Today (2009) 30 (4): 635–652.
Published: 01 December 2009
..., it is an exception to the Dummettian rule of the publicity of meaning . In the final discussion, the activity of constraint is considered simultaneous to that of composition and condensation. Comparing Le Lionnais's inventions to those of his friend and fellow Oulipian, Marcel Duchamp, the lecture concludes...
Journal Article
Poetics Today (2023) 44 (4): 665–675.
Published: 01 December 2023
...Larry Abramson Abstract While the drive toward homogeneous and pure visual languages was at the foundation of early twentieth-century utopian modernist art systems, the Dadaist and Surrealist reaction to this utopianism took the form of extreme and often violent hybridity. Marcel Duchamp's 1913...
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Journal Article
Poetics Today (2002) 23 (2): 357–359.
Published: 01 June 2002
... the special status of conceptual art. Genette claims that works of this kind consist not in the particular objects in which they are manifested (like Duchamp’s notorious urinal) but in the very act of proposing to the public such objects as works of art. Within this context, Genette also deals...
Journal Article
Poetics Today (2022) 43 (4): 639–661.
Published: 01 December 2022
...” (215) by exploring “how various systems of knowledge can be linked together” (221). Carson illustrates this development beautifully: not only does she bridge ancient and modern art history by connecting The Homeric Hymn to Demeter to Verdi's canzone and Duchamp's artwork through the idea...
Journal Article
Poetics Today (2005) 26 (1): 113–139.
Published: 01 March 2005
...’’ that the invention satisfies. Steiner sees a shift—which he attributes to Dada in general and Marcel Duchamp in particular—by which creativity loses its validity and contemporary artistic practice is seen more and more as a form of invention. Much as Seltzer suggested, the prominence of invention is for Steiner...
Journal Article
Poetics Today (2023) 44 (4): 505–511.
Published: 01 December 2023
... between the whole and its parts.” Abramson's account of visual hybrids begins in 1913, when “Marcel Duchamp made his groundbreaking ‘readymade’ of a bicycle wheel placed atop a kitchen stool”; and continues to the late 1920s, when Francis Picabia's “paintings and drawings constructed of separate...
Journal Article
Poetics Today (2024) 45 (2): 243–250.
Published: 01 June 2024
... for contemporary art, is impossible for AI” (my translation). For Marcel Duchamp to call a bottle rack a work of art was a revolutionary expansion of the category of the artwork; for an AI to call a bottle rack a work of art could simply be dismissed as a programming error. And even if AI did succeed...
Journal Article
Poetics Today (2007) 28 (1): 1–41.
Published: 01 March 2007
... Cinema 5: Interviews with Independent Filmmakers (Berkeley: University of California Press). 2006b Art in Cinema: Documents toward a History of the Film Society (Philadelphia, PA: Temple University Press). Martin, Katrina 1975 “Marcel Duchamp's Anemic Cinema,” Studio International 189...
Journal Article
Poetics Today (2009) 30 (4): 611–634.
Published: 01 December 2009
... Chapman, Marcel Duchamp, Jacques Duchateau, Luc Etienne, Frédéric Forte, Paul Fournel, Anne F. Garréta, Michelle Grang- aud, Jacques Jouet, Latis [Emmanuel Peillet], François Le Lionnais, Daniel Levin Becker, Hervé Le Tellier, Jean Lescure, Harry Mathews, Michèle Métail, Ian Monk, Oskar Pastior...
Journal Article
Poetics Today (2009) 30 (4): 693–717.
Published: 01 December 2009
... to go back to Marcel Duchamp and, beyond Duchamp, to Stéphane Mallarmé. Indeed, it is the poetics of Un coup de dés that, so to speak, gives permission, both to Oulipo and to concrete poetry. And fur- ther, the Formules group has positioned itself even closer to concretism in its foregrounding...
Journal Article
Poetics Today (2008) 29 (1): 31–48.
Published: 01 March 2008
... suggesting the multi- plied presence of the narrator’s father, the other the omitted presence of the grandfather. On the book cover, the narrator’s father appears in a trick photo similar to a famous picture of Marcel Duchamp taken at a New York fair. The father seems to be sitting at a table...
Journal Article
Poetics Today (2015) 36 (3): 305–307.
Published: 01 September 2015
... of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo...
Journal Article
Poetics Today (2015) 36 (3): 308–310.
Published: 01 September 2015
... of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo...
Journal Article
Poetics Today (2015) 36 (3): 310–312.
Published: 01 September 2015
... of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo...
Journal Article
Poetics Today (2015) 36 (3): 313–314.
Published: 01 September 2015
... Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo boxes). They suggested the possibility of two observationally identical...
Journal Article
Poetics Today (2015) 36 (3): 315–318.
Published: 01 September 2015
... of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo...
Journal Article
Poetics Today (2015) 36 (3): 318–320.
Published: 01 September 2015
... Ryman or Rodney Graham). He also suggests that Menard’s “project” as described by Borges alludes to some of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned...
Journal Article
Poetics Today (2015) 36 (3): 320–324.
Published: 01 September 2015
... of the conceptual experimentation of the Dadaist avant-garde, particularly Marcel Duchamp. Císarˇ’s essay focuses on the (interpretationist) argument developed in Danto’s 1981 book mentioned in its title. Císarˇ shows how the book grew from Dan- to’s experience of works by Andy Warhol (such as the famous Brillo...
Journal Article
Poetics Today (2009) 30 (4): 719–735.
Published: 01 December 2009
...-known Oulipians are Italo Calvino, Marcel Duchamp, Georges Perec, Harry Mathews, and Jacques Roubaud. The group’s key collective publications include La littérature potentielle: Créations, recréations, récréa- tions (1973) and Atlas de littérature potentielle (1981). For accounts of the Oulipo’s...