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defamiliarization

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Journal Article
Poetics Today (2016) 37 (1): 55–105.
Published: 01 March 2016
... of the effect that Victor Shklovsky called defamiliarization. Perhaps what is most interesting about this reward in Proust is that readers must restructure their everyday interpretive habits to experience it. The sensation of renewed vision is available only to those who, through both careful reading...
Journal Article
Poetics Today (2018) 39 (3): 569–595.
Published: 01 September 2018
...Miranda Anderson; Stefan Iversen Traditionally, immersion and defamiliarization have been seen as describing opposing phenomena. Immersion has been conceived of as transparently directing attention toward what Marie-Laure Ryan referred to as the “language-independent reality” presented...
Journal Article
Poetics Today (2020) 41 (4): 641–668.
Published: 01 December 2020
...Pavlo Shopin In this article, the author analyzes spatial metaphors for voice in the work of Herta Müller. His analysis shows how she evokes spatial experience to convey her vision of voice. Drawing on conceptual metaphor theory and Viktor Shklovsky’s concept of defamiliarization, the author argues...
Journal Article
Poetics Today (2005) 26 (2): 209–255.
Published: 01 June 2005
...) ensues, whereby we catch a glimpse of Pagis's own viewpoint on the subject he otherwise avoided. In rejecting typical witnessing material and techniques, Pagis changesthe very priorities of representation, from the standard problematic frontal attack to a defamiliarizing obliquity heightened...
Journal Article
Poetics Today (2006) 27 (1): 125–235.
Published: 01 March 2006
... defamiliarized, fabula , à la Tristram Shandy. Itself a variant of the anti-chronologism that has always dominated narrative study—as early as in medias res —this formula proves untenable in all its versions and reversions. But the inquiry into it, and them, is nonetheless instructive. The versions consist...
Journal Article
Poetics Today (2021) 42 (4): 499–517.
Published: 01 December 2021
... of defamiliarization with art as his or her instrument to achieve it. To behave rationally, however, obliges the agent to select the most efficient means for the projected end, and to do so, then he or she must have a sufficient amount of information about the task environment. Literary praxis, therefore, must...
Journal Article
Poetics Today (2013) 34 (4): 605–610.
Published: 01 December 2013
... “ Narrative Interest as Cultural Negotiation ,” Narrative 17 ( 1 ): 111 – 29 . Luhmann Niklas 2000 Art as a Social System , translated by Knodt Eva M. ( Stanford, CA : Stanford University Press ). Miall David M. Kuiken Don 1994 “ Foregrounding, Defamiliarization...
Journal Article
Poetics Today (2018) 39 (3): 429–445.
Published: 01 September 2018
.... narratology interpretation defamiliarization mimetic bias embodiment The first drafts of the essays in this special issue were presented in November 2016 at a workshop hosted by the Department of Culture and Aesthetics, Stockholm University (Sweden). The editors would like to thank Christer...
Journal Article
Poetics Today (2013) 34 (4): 611–613.
Published: 01 December 2013
... provided in the first chapter is clear and systematic but fails to take into account the “formalist context” of Lotman’s theory. To a large extent, his conceptions rest upon the preceding theories of Russian formalists, such as Viktor Shklovsky’s idea of defamiliarization or Yury Tynianov’s views...
Journal Article
Poetics Today (2015) 36 (3): 151–174.
Published: 01 September 2015
... felt. © 2016 by Porter Institute for Poetics and Semiotics 2016 ostranenie defamiliarization estrangement deautomatization foregrounding References Aristotle 2008 Poetics . Translated by Butcher S. H. Project Gutenberg , www.gutenberg.org/files/1974/1974.txt...
Journal Article
Poetics Today (2013) 34 (1-2): 255–258.
Published: 01 June 2013
... Image; The History, Reception, and Relevance of a Concept. Amsterdam: Amsterdam University Press, 2010. 279 pp. This book, dedicated to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established...
Journal Article
Poetics Today (2013) 34 (1-2): 258–260.
Published: 01 June 2013
... or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor Shklovsky in his landmark essay “Art as Tech- nique” (1917). The present...
Journal Article
Poetics Today (2013) 34 (1-2): 260–263.
Published: 01 June 2013
... to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor...
Journal Article
Poetics Today (2013) 34 (1-2): 263–267.
Published: 01 June 2013
... or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor Shklovsky in his landmark essay “Art as Tech- nique” (1917). The present...
Journal Article
Poetics Today (2013) 34 (1-2): 267–270.
Published: 01 June 2013
... to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor...
Journal Article
Poetics Today (2013) 34 (1-2): 270–273.
Published: 01 June 2013
... to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor...
Journal Article
Poetics Today (2013) 34 (1-2): 273–275.
Published: 01 June 2013
... to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor...
Journal Article
Poetics Today (2013) 34 (1-2): 276–278.
Published: 01 June 2013
... to the concept of ostran(n)enie (usually translated as estrangement or defamiliarization), opens a new series, Key Debates, which aims to revisit established aesthetic and philosophical concepts used in film studies. Originally a literary critical concept, ostranenie was coined by the Russian Formalist Viktor...
Journal Article
Poetics Today (2005) 26 (4): 719–751.
Published: 01 December 2005
... Shklovsky attributes the variety and potency of defamiliarizing strategies to the artistic desire to impede the reader’s perception of an object so that it might be seen anew. At stake is not simply literary vitality—the fact that if ‘‘we do not see itwecan- not say anything significant about itbut...
Journal Article
Poetics Today (2018) 39 (2): 403–423.
Published: 01 June 2018
..., since defamiliarized images turn readers from passive viewers into imaginative creators of images, a consequence that tends to intensify these passages in the reading experience and thus helps perpetuate the myth of art as a source of mysterious power. 2. Staging the Gaze Narrative ekphrasis...