Search Results for deautomatization

... felt. © 2016 by Porter Institute for Poetics and Semiotics 2016 ostranenie defamiliarization estrangement deautomatization foregrounding References Aristotle 2008 Poetics . Translated by Butcher S. H. Project Gutenberg , www.gutenberg.org/files/1974/1974.txt...

..., which seems deceptively “natural” and normal and thus needs to be slowed down and deautomatized. With the help of the three main illustrative texts, he analyzes specific devices with which story openings (a critical point along the textual sequence) trigger world-­making proce- dures...

..., which seems deceptively “natural” and normal and thus needs to be slowed down and deautomatized. With the help of the three main illustrative texts, he analyzes specific devices with which story openings (a critical point along the textual sequence) trigger world-­making proce- dures...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... in general) that, at least to a certain extent, differs from the one proposed by Shklovsky half a century before in his landmark essay “Art as Device” (1917). There art’s defining characteristic was “estrangement” — presenting things in a new, unfamiliar light to deautomatize and revitalize perception...

... renders a refrain ameyujitotechiteKenjiya ( Get me some snow, Kenji ) all in hiragana, omitting punctuation for a dreamlike effect, deautomatizing the reading and rendering it difficult (112 13). Parallel to the experience of zainichi literature is the fascinating account of the poetry during the years...

.... This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden begins “Estrangement and the Representation of Life in Art” with the provocative statement that Shklovsky “was right, but for the wrong reasons” (157). He argues that art does...

..., in contrast to the ambition to appropriate the image by reduc- ing it to the already known. This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden begins “Estrangement and the Representation of Life in Art” with the provocative...

... of our cognitive apparatus, designed to identify unique and singular phenomena, in contrast to the ambition to appropriate the image by reduc- ing it to the already known. This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden...

..., in contrast to the ambition to appropriate the image by reduc- ing it to the already known. This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden begins “Estrangement and the Representation of Life in Art” with the provocative...

... of our cognitive apparatus, designed to identify unique and singular phenomena, in contrast to the ambition to appropriate the image by reduc- ing it to the already known. This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden...

... of our cognitive apparatus, designed to identify unique and singular phenomena, in contrast to the ambition to appropriate the image by reduc- ing it to the already known. This mobilization of specificity, Tarnay claims, is therefore the best way for art to deautomatize perception. Barend van Heusden...