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Journal Article
Poetics Today (2004) 25 (1): 67–90.
Published: 01 March 2004
...; they include both analogue resemblance and digital coding; they are generated through fragmentation and recombination; they have depth and operate in three dimensions; they are written in code as well as natural language; they are mutable and transformable; they are spaces to navigate; they are written...
Journal Article
Poetics Today (2003) 24 (1): 1–33.
Published: 01 March 2003
...Emma Kafalenos Doubly coded artworks—artworks that are embedded in other artworks— sometimes represent an art form (a medium, a genre) that at the time they are made cannot be represented except through double coding. The phenomenon is rare and occurs only when several conditions are met. First...
Journal Article
Poetics Today (2020) 41 (4): 503–537.
Published: 01 December 2020
...Álvaro Seiça This article analyzes Ian Hatcher’s online and kinetic poem “⌰ (Total Runout)” (2015) from a point of view of a critique of corporate and governmental black boxing, at the level of its code, text, visual output, sound, and live performance. The multimodal poem is part of the Drone...
Journal Article
Poetics Today (2009) 30 (2): 237–255.
Published: 01 June 2009
... of narratorial border: a third-person movement into first-person territory; a shift from the impersonal domain to the personal; a crossing of the line between the consistent and the inconsistent in the use of free indirect discourse; and a movement beyond the restricted area of a monologic code in interior...
Journal Article
Poetics Today (2004) 25 (1): 1–28.
Published: 01 March 2004
.... I further point out that the ostensible “arbitrary connectedness” (Cohen 1987) of New Historicist writing is in fact aesthetically coded and patterned, both stylistically and in terms of potential semantic correspondences between various representations of the past. I then move on to address...
Journal Article
Poetics Today (2018) 39 (1): 17–39.
Published: 01 February 2018
... outrightly replacing the representation of exemplary minds and dispositions with an individualizing rendering of subjective consciousness, these novels transform the code of exemplum into an internalized strategy for the characters—and a case for self-reflection for the amateurish heterodiegetic narrators...
Journal Article
Poetics Today (2018) 39 (2): 359–382.
Published: 01 June 2018
... to material ontology. This critique, and its emphasis on both representational and experiential reasoning, primarily takes the form of lyrical meditations on the material and immaterial realities of code, of computer-mediated poetry, of images, and of human-computer interaction. The result of these poetic...
Journal Article
Poetics Today (2021) 42 (4): 575–595.
Published: 01 December 2021
... and conceptual, but also formal and operational, similarity between the coded procedures of cooking and writing. A recipe is a procedure, a script for an infinity of possible meals, and a literary procedure is a recipe for writing. It is not surprising, then, that Oulipian writers have utilized the recipe form...
Journal Article
Poetics Today (2002) 23 (3): 427–442.
Published: 01 September 2002
... did in Bouvard et Pécuchet: the two copyists are copiers of codes (they are, one may say, stupid), but since they too confront the class stupidity which surrounds them, the text presenting them sets up a circu- larity...
Journal Article
Poetics Today (2004) 25 (2): 305–334.
Published: 01 June 2004
... seems the more promising of the two. The newsgroup contributions were subjected to content analysis, a method suitable for the analysis of textual meaning by categorizing tex- tual units according to a coding schedule. Content analysis, however, is itself a broad term under which a number...
Journal Article
Poetics Today (2010) 31 (1): 17–50.
Published: 01 March 2010
... at the level of source code. That kind of competence remains the domain of a few. In these new configurations, the world-literary ambition for freedom becomes surprisingly, and intimately, aware of the constraints on expres- sion and the creative redistribution of texts, contexts...
Journal Article
Poetics Today (2005) 26 (3): 551–554.
Published: 01 September 2005
... Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically with a powerful recent tendency among...
Journal Article
Poetics Today (2005) 26 (3): 554–556.
Published: 01 September 2005
... Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically with a powerful recent tendency among...
Journal Article
Poetics Today (2005) 26 (3): 557–558.
Published: 01 September 2005
... Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically with a powerful recent tendency among...
Journal Article
Poetics Today (2005) 26 (3): 558–561.
Published: 01 September 2005
... Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically with a powerful recent tendency among...
Journal Article
Poetics Today (2005) 26 (3): 561–562.
Published: 01 September 2005
... Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically with a powerful recent tendency among...
Journal Article
Poetics Today (2004) 25 (2): 205–240.
Published: 01 June 2004
..., so that they will enable different researchers to apply them independently with a high degree of agreement.7 The definitions and a set of instructions for their application, such as clear examples of coding, key words for the categories, or rules for double coding, serve to make the analysis more...
Journal Article
Poetics Today (2005) 26 (3): 549–551.
Published: 01 September 2005
... and poetry.The authors are Paul Alpers, John Shoptaw, the editor Katherine Bergeron, David J. Code, Marshall Brown, Ann Smock, and Susan Stewart. The most valuable of the seven essays, it seems to me, are Shoptaw’s and Brown’s. Shoptaw, in an essay called ‘‘Listening to Dickinson engages polemically...
Journal Article
Poetics Today (2010) 31 (1): 1–15.
Published: 01 March 2010
..., this generic code of the tragedy would then be respected with more or less free- dom by the authors, performed by the actors, and recognized as such by the public; it would, in other words, be permanently reiterated. This code would have a theoretical great grandfather, Aristotle; a series of fathers...
Journal Article
Poetics Today (2008) 29 (2): 377–384.
Published: 01 June 2008
... will be resolved (223, 268). Other topics that Baroni addresses and that I found interesting include his discussion of Roland Barthes’s analysis in S/Z of the hermeneutic code as distinct from and in addition to the proairetic code or code of actions. Baroni recognizes in Barthes’s idea...