Search Results for chapter

... elaborate authoritarian fictional works use specific rhetorical tactics to soften or compensate for the excess of their message and to appeal to nonsympathizers. Focusing on chapters 9 and 10 of Runaway Horses , where the novel shifts from a classical and realist tone (chapters 1 to 8) to an ideological...

... from the narrators of Fielding and Sterne. Through an examination of the chapters on eighteenth-century novels in The Implied Reader (and of Laurence Sterne: Tristram Shandy ) as well as the theoretical position of The Act of Reading , this essay argues that by utilizing a range of eighteenth-century...

...M. Angeles Martínez This study investigates linguistic differences between two fictional narrative texts—one a revision of the other—by Thomas Pynchon. New syntactic and lexical choices made by Pynchon when rewriting his early short story “Under the Rose” as chapter 3 in the novel V . are analyzed...

...Martin Hipsky Abstract Global Anglophone culture of the twenty-first century has seen a popular resurgence of serialized fiction not witnessed since the English-language apogee of the Victorian serialized novel, as embodied in the monthly packets of chapters published by Charles Dickens, William...

...Corinne Bancroft Abstract Critics of Nicole Krauss's Great House (2010) find the novel “downbeat,” “tragic,” and “bleak.” Such interpretations rely on what Peter J. Rabinowitz has called “the rule of conclusive endings” by privileging the narrator of the final chapter. However, as a braided...

...” as nothing but the most recent chapter of the history of documentary occludes more than it illuminates. Instead, this article proposes to examine the “animated documentaries” Chicago 10: Speak Your Peace (2007) and Waltz with Bashir (2008) as well as the “documentary games” JFK Reloaded (2004) and The Cat...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

...; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each oriented toward one of the ap- proaches introduced in the next two parts. Chapter 1 discusses how...

... chapters that deal with these issues, each oriented toward one of the ap- proaches introduced in the next two parts. Chapter 1 discusses how narrative understanding entails ascribing reasons for action to the person who designed the narrative in question, whereas chapter 2 focuses on how stories allow...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

... of narrative. The former part views narrative first and foremost as a target of interpretation; the latter concerns the use of narrative as a resource for making sense of experience. The first part, “Intentionality and Narrative Worldmaking,” includes two chapters that deal with these issues, each...

... something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s own approach, the next four chapters explore the (sometimes...

... be manifested in overt displays of zero focalization (saying something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s...

... something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s own approach, the next four chapters explore the (sometimes...

... something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s own approach, the next four chapters explore the (sometimes...

... be manifested in overt displays of zero focalization (saying something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s...

... be manifested in overt displays of zero focalization (saying something no character could know) and extranarrative statements which establish the intrusive presence of the narrator” (63). Following the first chapter, which surveys existing critical treatments of literary omniscience and presents Dawson’s...