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calligraphy

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Journal Article
Poetics Today (2018) 39 (2): 319–335.
Published: 01 June 2018
... begins to happen. The article concludes with David Annwn’s proposal of new categories of ekphrasis. Copyright © 2018 by Porter Institute for Poetics and Semiotics 2018 intermediality intersemiotic calligraphy Bibliography Aguiar Daniella Joao Queiroz , 2009 , “ Towards...
Journal Article
Poetics Today (2019) 40 (2): 189–213.
Published: 01 June 2019
... : City Lights Books . Foer Jonathan Safran . 2005 . Extremely Loud and Incredibly Close . Boston : Mariner Books . Fong Wen . 2014 . Art as History: Calligraphy and Painting as One . Princeton, NJ : Princeton University Press . Forceville Charles . 2009 . “ Non-verbal...
Journal Article
Poetics Today (2000) 21 (1): 187–220.
Published: 01 March 2000
... in Minneapolis in October of The author thanks the members of the audience and several readers, particularly Alicia Ostriker and Miriam Bartha, for their comments. Excerpts from ‘‘Jacket’’ and ‘‘On the Calligraphy of Black Chant’’ are from Roberson...
Journal Article
Poetics Today (2001) 22 (1): 25–39.
Published: 01 March 2001
..., and then, by extension, for the composite of variables that served to dis- tinguish the calligraphy of one scribe from that of another. Whatever the case, my topic is not the size of the feature, but rather that constellation of features, both small and large, which serve to identify a given stylist. I shall call...
Journal Article
Poetics Today (2005) 26 (3): 459–498.
Published: 01 September 2005
... on the epistemological status and technical aspect of mimesis. But for reasons of space, I will refrain from analyzing such details.17 The symbiosis of natural growth and imitation is a distinctive feature of Chinese aesthetic thought, whether it concerns poetry, drama, fiction, painting, calligraphy, or other...
Journal Article
Poetics Today (2004) 25 (3): 465–495.
Published: 01 September 2004
... Takahashi, quoting Beckett in the panel discussion Beckett and the Twentieth Century (see note 5). Berensmeyer • Samuel Beckett’s Laws of Form 471 Figure 1 Calligraphy by Yamada Mumon (1900–1988), poem by Seitetsu (four- teenth century): ‘‘cloudless / moonless / bare...
Journal Article
Poetics Today (2001) 22 (3): 551–605.
Published: 01 September 2001
... blue of the sky. Wind spirits blowing from the four sides of the page into the notes indicate the entry of the four voices, while the calligraphy fitted into the circle reveals the composer as a music theorist, who informs singers about the modes they will detect in the four- part harmony resulting...