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baroque

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Journal Article
Poetics Today (1 September 2001) 22 (3): 607–650.
Published: 01 September 2001
... Readings in Music History. Vol. 3, The Baroque Era (New York:Norton). Tomlinson, Gary 1987 Monteverdi and the End of the Renaissance (Berkeley: University of California Press). 1993 Music in Renaissance Magic: Towards a Historiography of Others (Chicago: University of Chicago Press...
Journal Article
Poetics Today (1 March 2007) 28 (1): 117–142.
Published: 01 March 2007
... of the world, whose imperfection and sometimes roughness accurately revealed a new relation to historical events. The new aesthetic that emerged after 1572 is one of violence. In the current study, I intend to demonstrate this last point through works that are emblematic of the baroque. These include...
Journal Article
Poetics Today (1 December 2012) 33 (3-4): 505.
Published: 01 December 2012
... Syrinx au buˆche: Pan et les satyres a` la Renaissance et a` l’aˆge baroque [2005 She is editor of several other books, including Pestes, Incendies, Naufrages: Ecritures du de´sastre au XVIIe sie`cle (2011). Alastair Renfrew is Reader at Durham University. He is coeditor of the collection Critical...
Journal Article
Poetics Today (1 June 2002) 23 (2): 364–366.
Published: 01 June 2002
... with interac- tivity. In chapter  Ryan surveys environments like children’s and adults’ 366 Poetics Today 23:2 games of make-believe, fairs and amusement parks, ritual, baroque art and architecture, and certain types of stage design in the theater. Chapter  expands the search for immersive...
Journal Article
Poetics Today (1 September 2006) 27 (3): 625–630.
Published: 01 September 2006
... devices, fiction and fictional immersion, or indeed interpretation. It does much more than that, however. For example, the collection illuminates the affinities of metalepsis with the baroque instead of the classical, with modernism, post- modernism, or science fiction (time travel), and its ties to irony...
Journal Article
Poetics Today (1 March 2008) 29 (1): 49–78.
Published: 01 March 2008
... the essay closes by considering the problematic nature of translated photo-texts. Porter Institute for Poetics and Semiotics 2008 Adams, Alison, and Anthony J. Harper 1992 The Emblem in Renaissance and Baroque Europe: Tradition and Variety; Selected Papers of the Glasgow International...
Journal Article
Poetics Today (1 December 2011) 32 (4): 753–755.
Published: 01 December 2011
... ways that go beyond more traditional ones. The chapter on Benjamin singles out his work on baroque German drama of the seventeenth century—during and after the Thirty Years’ War—specifically the Tauerspiel (play of mourning). Benjamin’s point of departure is the Romantic opposition of...
Journal Article
Poetics Today (1 December 2011) 32 (4): 755–758.
Published: 01 December 2011
... critics, Benjamin and de Man, whom Tambling sees as playing a central role in “rehabilitating” allegory and shaping its modern conception in ways that go beyond more traditional ones. The chapter on Benjamin singles out his work on baroque German drama of the seventeenth century—during and after...
Journal Article
Poetics Today (1 December 2011) 32 (4): 758–760.
Published: 01 December 2011
... works. Full chapters are devoted to two critics, Benjamin and de Man, whom Tambling sees as playing a central role in “rehabilitating” allegory and shaping its modern conception in ways that go beyond more traditional ones. The chapter on Benjamin singles out his work on baroque German drama of...
Journal Article
Poetics Today (1 June 2017) 38 (2): 295–315.
Published: 01 June 2017
... Sciences 24 , no. 1 : 87 – 114 . Deleuze Gilles 1992 The Fold: Leibniz and the Baroque ( Minneapolis : University of Minnesota Press ). Di Dio Cinzia Macaluso Emiliano Rizzolatti Giacomo 2007 “The Golden Beauty: The Brain's Response to Classical and Renaissance...
Journal Article
Poetics Today (1 December 2017) 38 (4): 751–761.
Published: 01 December 2017
... interrogation of these various Baroque works presupposes that affect enters painting at the moment of modernism, the moment of Manet and impressionism, the moment in which bodily feeling becomes inscribed oil paint” (7). What appears in the canvases of Rubens and Michelangelo Cara- vaggio, then, is “the...
Journal Article
Poetics Today (1 September 2015) 36 (3): 201–231.
Published: 01 September 2015
... Cognitive Theory ( Princeton, NJ : Princeton University Press ). Croll Morris W. 1929 “The Baroque Style in Prose,” in Studies in English Philology in Honor of Frederick Klaeber , edited by Malone Kemp Ruud Martin B. , 427 – 56 ( Minneapolis : University of Minnesota Press...
Journal Article
Poetics Today (1 December 2005) 26 (4): 581–611.
Published: 01 December 2005
... and clash. The ambivalent parable betrays the precariousness of the writer’s own political situation. The founder of Formalist theory had an adventurous albeit brief political career. He took part in World War I and was awarded 7. This ludic architecture can be compared to the Baroque figure of...
Journal Article
Poetics Today (1 December 2012) 33 (3-4): 253–299.
Published: 01 December 2012
... significant in the stories of disasters. In the seven- teenth century and especially around 1630, parallel to the development of the baroque novel, narratives about catastrophes underwent a dramatic change. Between the eleventh and fourteenth centuries, medieval ecclesi- astical sources manifest no...
Journal Article
Poetics Today (1 December 2010) 31 (4): 679–720.
Published: 01 December 2010
... Paulette ( London : Phoenix House ). Genette Gérard 1969 `` D'un récit baroque ,'' in Figures II , 195 – 222 ( Paris : Seuil ). 1972 `` Discours du récit ,'' in Figures III , 65 – 282 ( Paris : Seuil ). 1976 [ 1969 ] `` Boundaries of Narrative ,'' translated by Levonas...
Journal Article
Poetics Today (1 December 2017) 38 (4): 737–750.
Published: 01 December 2017
... laughter or irony remain the basso continuo of the essays, never letting serious theology or dogmatic certitude prevail. The essays which in this framework desperately try to be solemn expose themselves to ridicule. Plus wit has come back in these books to its baroque meaning of perceiving the...
Journal Article
Poetics Today (1 September 2014) 35 (3): 477–481.
Published: 01 September 2014
... eighteenth century did not coincide with the Polish Enlightenment, which fell approximately between 1740 and 1830. Thus, as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of...
Journal Article
Poetics Today (1 September 2014) 35 (3): 481–483.
Published: 01 September 2014
... eighteenth century did not coincide with the Polish Enlightenment, which fell approximately between 1740 and 1830. Thus, as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of...
Journal Article
Poetics Today (1 September 2014) 35 (3): 484–486.
Published: 01 September 2014
... Enlightenment, which fell approximately between 1740 and 1830. Thus, as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of literary style” (125), beginning to transform into...
Journal Article
Poetics Today (1 September 2014) 35 (3): 486–489.
Published: 01 September 2014
... eighteenth century did not coincide with the Polish Enlightenment, which fell approximately between 1740 and 1830. Thus, as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of...