... of the world, whose imperfection and sometimes roughness accurately revealed a new relation to historical events. The new aesthetic that emerged after 1572 is one of violence. In the current study, I intend to demonstrate this last point through works that are emblematic of the baroque. These include Agrippa...

..., The Baroque Era (New York:Norton). Tomlinson, Gary 1987 Monteverdi and the End of the Renaissance (Berkeley: University of California Press). 1993 Music in Renaissance Magic: Towards a Historiography of Others (Chicago: University of Chicago Press). 1999 Metaphysical Song: An Essay...

... Syrinx au buˆche: Pan et les satyres a` la Renaissance et a` l’aˆge baroque [2005 She is editor of several other books, including Pestes, Incendies, Naufrages: Ecritures du de´sastre au XVIIe sie`cle (2011). Alastair Renfrew is Reader at Durham University. He is coeditor of the collection Critical...

... environments like children’s and adults’ 366 Poetics Today 23:2 games of make-believe, fairs and amusement parks, ritual, baroque art and architecture, and certain types of stage design in the theater. Chapter  expands the search for immersive interactivity to digital projects, such as computer games...

..., and the essay closes by considering the problematic nature of translated photo-texts. Porter Institute for Poetics and Semiotics 2008 Adams, Alison, and Anthony J. Harper 1992 The Emblem in Renaissance and Baroque Europe: Tradition and Variety; Selected Papers of the Glasgow International Emblem...

..., fiction and fictional immersion, or indeed interpretation. It does much more than that, however. For example, the collection illuminates the affinities of metalepsis with the baroque instead of the classical, with modernism, post- modernism, or science fiction (time travel), and its ties to irony and play...

... a central role in “rehabilitating” allegory and shaping its modern conception in ways that go beyond more traditional ones. The chapter on Benjamin singles out his work on baroque German drama of the seventeenth century—during and after the Thirty Years’ War—specifically the Tauerspiel (play...

... a central role in “rehabilitating” allegory and shaping its modern conception in ways that go beyond more traditional ones. The chapter on Benjamin singles out his work on baroque German drama of the seventeenth century—during and after the Thirty Years’ War—specifically the Tauerspiel (play...

... on baroque German drama of the seventeenth century—during and after the Thirty Years’ War—specifically the Tauerspiel (play of mourning). Benjamin’s point of departure is the Romantic opposition of symbol and allegory, but he does not accept the typical Romantic valuation of the former over...

... Sciences 24 , no. 1 : 87 – 114 . Deleuze Gilles 1992 The Fold: Leibniz and the Baroque ( Minneapolis : University of Minnesota Press ). Di Dio Cinzia Macaluso Emiliano Rizzolatti Giacomo 2007 “The Golden Beauty: The Brain's Response to Classical and Renaissance...

... with Cognitive Theory ( Princeton, NJ : Princeton University Press ). Croll Morris W. 1929 “The Baroque Style in Prose,” in Studies in English Philology in Honor of Frederick Klaeber , edited by Malone Kemp Ruud Martin B. , 427 – 56 ( Minneapolis : University of Minnesota Press...

... career. He took part in World War I and was awarded 7. This ludic architecture can be compared to the Baroque figure of anamorphosis. As in Hans Holbein’s famous painting The Ambassadors (1533), it reveals the skulls and ‘‘skeletons’’ in the closet of the revolution, which are represented here...

... to the development of the baroque novel, narratives about catastrophes underwent a dramatic change. Between the eleventh and fourteenth centuries, medieval ecclesi- astical sources manifest no detailed references to calamities (Verger 1987: 159 – 60). The French historical chronicles are just as laconic about...

... of Fortuna 286 Poetics Today 41:2 and Amore. But Seneca does not engage his friends in further debate; rather, he announces his unshaken intention in his powerful bass (associated with gods in baroque opera and unique to Seneca in this opera), and the scene abruptly ends, to be followed by a lighthearted...

... of the enemy, and shouldn’t his neck have been wrung as well? I wish this were a purely academic question. Milan Kundera ) immortalized the scene: ‘‘In February Communist leader Klement Gottwald stepped on the balcony of a Baroque palace in Prague to address the hundreds of thousands of his fellow...

... and Work ( London : Routledge ). Sherwood Yvonne 2002 “‘Darke Texts Needs Notes’: On Prophetic Prophecy, John Donne, and the Baroque,” Journal for the Study of the Old Testament 27 , no. 1 : 47 – 74 . Smith A. J. , ed. 1983 John Donne: The Critical Heritage ( London...

... interrogation of these various Baroque works presupposes that affect enters painting at the moment of modernism, the moment of Manet and impressionism, the moment in which bodily feeling becomes inscribed oil paint” (7). What appears in the canvases of Rubens and Michelangelo Cara- vaggio...

... in “D’un récit baroque,” seems to say all that is necessary to understand what the term refers to: diegesis is simply “the spatiotemporal universe” of the story. The term is so practical and lucid and its use so widespread that, at first sight, there is no need for its more accurate...

..., as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of literary style” (125), beginning to transform into “reactionary pseudo-classicism” (ibid.) only in the last decade...

... not coincide with the Polish Enlightenment, which fell approximately between 1740 and 1830. Thus, as concerns Poland, the period discussed in the book was dominated by classicism: it was initially “a progressive, revitalizing force pushing out the residual Baroque elements of literary style” (125...