Search Results for authorship

...Eyal Segal Dawson Paul , The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction . Columbus : Ohio State University Press , 2013 . viii + 278 pp. © 2016 by Porter Institute for Poetics and Semiotics 2016 New Books at a Glance Walter...

... implications of large language models (LLMs) for our understanding of authorship, for the future of academic writing and pedagogy, and for the university at large. Long-form articles, we felt, would not be appropriate for engaging with developments that are still so nascent and open-ended. So we asked...

... by) a literary author. The literary interview can be regarded as a hybrid genre for several reasons. First, it belongs to both the media and the literary domains. Second, its authorship is not only divided between interviewee and interviewer but also affected by editing and publishing interventions. Third...

... in relation to a surrounding world of ideas. Of the two only narratology can therefore theorize both authorship and reading. In specific terms, this essay argues that the controversial narratological abstraction of implied authorship represents the only point at which a negotiation between textual...

... is not an allegorized rendition of his creator's journey to authorship. Dante the pilgrim may well become Dante the writer, but Marcel does not become Proust, nor does he go on to write the Recherche ; quite the contrary, the tantalizing and deliberately tempting set of similarities between author and narrator...

... texts,” which has always included the assumption that any text is the work of a human being. As more and more artificial writing begins to circulate, the essay argues, this standard expectation will shift—first, from the immediate assumption of human authorship to, second, a creeping doubt: did...

...Rita Raley; Russell Samolsky [email protected] Copyright © 2024 by Porter Institute for Poetics and Semiotics 2024 allegory authorship ChatGPT generative AI large language models Although at first glance our title, “Borges and AI,” might seem to promise or betoken an analysis...

... to be read. [email protected] Copyright © 2024 by Porter Institute for Poetics and Semiotics 2024  artificial intelligence authorship readership originality If “the birth of the reader must be at the cost of the death of the Author,” as Roland Barthes maintained in his 1967...

... of anonymous and pseudonymous publication’’ (1). The latter is the subset of the former, and this volume looks into such special cases of pseudonymity as forgery (Kristine Haugen, Brian McHale), ghostwriting (Leah Price), and collaborative authorship (Holly Laird). This is an excel- lent example of Book...

... Gillis J. Grüttemeier Ralf Altes Liesbeth Korthals , eds. 2007 The Autonomy of Literature at the‘Fin de Siècles,’ 1990 and 2000: A Critical Assessment ( Louvain, Belgium : Peeters ). Dorleijn Gillis J. Grüttemeier Ralf Altes Liesbeth Korthals , eds. 2010 Authorship...

... much for machine authorship. But now the question comes: aren't humans, especially when using language, more like LLMs than we like to think? Isn't this absolute difference between intention and non-intention, responsibility and non-responsibility, exactly what the work of the humanities aimed...

... the fraught transitivity of literature and scholarly authorship—the place where reading and writing pass through one another. Barthes's 1968 “Death of the Author” reversed the valence of textuality as usually defined, in which a writer would impart messages toward a passive reader who receives them. Barthes's...

...Leah Henrickson [email protected] Copyright © 2024 by Porter Institute for Poetics and Semiotics 2024 artificial intelligence authorship large language models literary value reader response Why is reading literature important? Reading literature can mean reading...

... of the Research on Authorship as Performance (RAP) group and coeditor of the electronic journal Authorship. His research interests are Shakespeare and the early modern period, literary theory and aesthetics, media and cultural ecology, and Britain in the 1950s. His most recent publications are “Angles...

... to Printing House:Drama and Authorship in Early Modern England (Cambridge:Cambridge University Press). Brooks, Douglas, ed. In press Printing and Parenting in Early Modern England (Burlington, VT: Ashgate). Bruns, Gerald 1999 “ A Hermeneutics of Complex Systems: A Response to Steven Mailloux, Don...

... “to the frame narrator as narratee” and through him to the reader (212). Part 3, “Shadow of a Tail: Problems of Authorship,” includes five articles, of which only the first two — Leona Toker’s “Name Change and Author Avatars in Varlam Shalamov and Primo Levi” and Marina Grishakova’s “Stranger than Fiction...

... opinion, explicitly and consistently aligned with one general definition, namely that suggested by Rimmon-Kenan even though the term of course owes its original invention to Wayne C. Booth. Rimmon-Kenan’s notion of implied authorship, which is more explicit than Booth’s in identifying it necessarily...

...). Douglas A. Brooks is associate professor of English at Texas A&M University and the general editor of Shakespeare Yearbook. He is the author of From Playhouse to Printing House: Drama and Authorship in Early Modern England (2000) and is the editor of a col...

... literature. An Goris is a doctoral student at the University of Louvain (Belgium), where she is working under the guidance of Theo D’haen. Her doctoral research, to be con- cluded by 2011, concerns the relationship between authorship and genre in popular culture and focuses on the work of American...

... professor in the School of Foreign Languages at Shanghai Jiao Tong University in China. She received her PhD in English from the University of York in the United Kingdom. Her research interests include fictionality, narrative ethics, and ideas of authorship. Her current project explores experimentations...