... University DOI 10.1215/03335372-7739183 Beth Lau, ed., Jane Austen and Sciences of the Mind. London: Routledge, 2018. viii1 237 pp. Jane Austen is a writer favored by cognitive literary scholars for her fine- grained observation and nuanced representation of the emotional and cog- nitive workings...

...Jeanne M. Britton Characters in Jane Austen’s Emma (1816) frequently, eagerly, and usually mistakenly impute thoughts to others. This essay explores cognitive science’s claims about thought-attribution—people guessing other people’s thoughts—in order to reinvigorate long-standing formal concerns...

... lead to a fundamentally new reading of Jane Austen's last novel, Persuasion (1818). Austen's was a period when a dominant constructionist psychology—associationism—vied with emergent brain-based,organicist, and nativist theories of mind. Austen pointedly contrasts a heroine seemingly formed...

... this, the argument compares three novels that share the generic conventions of romantic fiction: Jane Austen's Pride and Prejudice (1813) and Helen Fielding's modern adaptations of Austen, Bridget Jones's Diary (1996) and Bridget Jones: The Edge of Reason (1999). Each novel depicts potential lovers who are initially...

... the historical and ideological dimensions of the time-space relations, we extend our experiment to three other English-language novels that span two centuries: Jane Austen's Persuasion (1818), Zora Neale Hurston's Their Eyes Were Watching God (1937), and Mohsin Hamid's Exit West (2017). Although the authors...

... . “ ‘Power to the Reader’ or ‘Degradation of Literary Taste’? Professional Critics and Amazon Customers as Reviewers of The Inheritance of Loss .” Language and Literature 25 , no. 3 : 254 – 78 . Austen Jane . (1818) 2003 . Northanger Abbey , edited by Butler Marilyn . London...

... University Press. Katherine Thorsteinson Cornell University DOI 10.1215/03335372-7739183 Beth Lau, ed., Jane Austen and Sciences of the Mind. London: Routledge, 2018. viii1 237 pp. Jane Austen is a writer favored by cognitive literary scholars for her fine- grained observation and nuanced representation...

... by McDonald Rónán , 44 – 59 . Cambridge : Cambridge University Press . Assis Machado de (1881) 1998 The Posthumous Memoirs of Brás Cubas . Oxford : Oxford University Press . Austen Jane (1813) 2003a Pride and Prejudice , edited by Jones Vivien . London : Penguin...

... . Austen Jane 1965 Persuasion , edited by Harding D. W. ( Harmondsworth, UK : Penguin ). 1966 Emma , edited by Stafford Fiona ( Harmondsworth, UK : Penguin ). 2005 Pride and Prejudice , edited by Jones Vivien ( Harmondsworth, UK : Penguin ). Bakhtin Mikhail...

... in which Jane Austen's final completed work “Winchester Races” (1817) has been considered a failure when read in relation to her unfinished novel Sanditon (1817). The case Olivia Murphy ( 2016 ) makes for Austen's late style argues that “Winchester Races,” a satirical long poem about various visitors...

... References Anscombe G. E. M. 1971 . An Introduction to Wittgenstein’s Tractatus . London : Hutchinson University Library . Austen Jane . ( 1818 ) 2011 . Persuasion , edited by Morrison Robert . Cambridge, MA : Belknap Press of Harvard University Press . Bahun Sanja...

... Generation,'” Poetics Today 27 : 711 -22. Amis, Martin 2001 The War against Cliché: Essays and Reviews, 1971-2000 (New York: Vintage Books). Austen, Jane 1974 Lady Susan, the Watsons, Sandition (Harmondsworth, U.K.: Penguin). Ayer, A. J. 1971 [1936] Language, Truth and Logic...

..., Jane Austen, and Laurence Sterne. In “Screened Writers,” Kamille Elliot investigates the adaptations of literary works in film and television, from the silent cinema to the present. Adaptations acknowledge authors by various means, like films’ titles (e.g., Mary Shelley’s Frankenstein [1994 showing...

... to prominent authors in adaptation studies — Shakespeare, Jane Austen, and Laurence Sterne. In “Screened Writers,” Kamille Elliot investigates the adaptations of literary works in film and television, from the silent cinema to the present. Adaptations acknowledge authors by various means, like films...

..., Jane Austen, and Laurence Sterne. In “Screened Writers,” Kamille Elliot investigates the adaptations of literary works in film and television, from the silent cinema to the present. Adaptations acknowledge authors by various means, like films’ titles (e.g., Mary Shelley’s Frankenstein [1994 showing...

... to prominent authors in adaptation studies — Shakespeare, Jane Austen, and Laurence Sterne. In “Screened Writers,” Kamille Elliot investigates the adaptations of literary works in film and television, from the silent cinema to the present. Adaptations acknowledge authors by various means, like films...

..., Jane Austen, and Laurence Sterne. In “Screened Writers,” Kamille Elliot investigates the adaptations of literary works in film and television, from the silent cinema to the present. Adaptations acknowledge authors by various means, like films’ titles (e.g., Mary Shelley’s Frankenstein [1994 showing...

... Keats, and Jane Austen and contends that their knowledge of advances in brain-science theory was to have an indelible effect on how they regarded questions of per- ception, epistemology, and mind-body interaction.This new knowledge, he notes, gave new dimensions to such terms as sensibility, nervous...

... Keats, and Jane Austen and contends that their knowledge of advances in brain-science theory was to have an indelible effect on how they regarded questions of per- ception, epistemology, and mind-body interaction.This new knowledge, he notes, gave new dimensions to such terms as sensibility, nervous...

... Keats, and Jane Austen and contends that their knowledge of advances in brain-science theory was to have an indelible effect on how they regarded questions of per- ception, epistemology, and mind-body interaction.This new knowledge, he notes, gave new dimensions to such terms as sensibility, nervous...