... for Poetics and Semiotics 2018 order chronology anachrony References Cheng Vincent J. 1986 “ A Chronology of The Good Soldier ”, English Language Notes 24 , no. 1 : 91 – 97 . Coetzee J. M. 2008 Diary of a Bad Year ( New York : Penguin ). Cohn Dorrit 1978...

... in the order of narration compared to the order of events in the story is called anachrony (1980 [1972]: 35 – 36). While the term itself is familiar, it cannot be correctly understood following standard English vocabulary but must be interpreted in light of Genette’s definition. Genette’s course...

... perform the marking? Always? Sufficiently? Alone? And if not, what would it cost to go by its ruling? The results are predictable and conclusive. Put to an empirical test, after all, even Genette’s (1980 [1972], 1988 [1983]) less restrictive argument for the rule of ‘‘anachrony’’ betrays such holes...

... configurations of time in concepts belonging to the tradition of narrative theory, such as actantial roles; Genette's typologies of anachronies, of focalization, and of narrative instances; and, of course, several models of narrative sequence and plot. While Bruner almost never referred to narratological models...

... of events and the order of their narration, demonstrating that autobi- ographical narratives share the same pattern of anachronies as achronologi- cal memory narratives. These two articles are forms of surface reading that employ quantitative analysis to challenge prevailing assumptions in novel studies...

... precedes the text, although it appears after its own deictic textual designation or its short ekphrasis. So it is the text that “illustrates” the photograph and not the other way around, as one might morphologically expect. Anachrony gives one more twist to the phenomena of “double...

... and factual stories, Ricoeur takes pains to embed narrative in life. He introduces the three stages of mimesis to frame the narrative configuration of time through its prefiguration in action and its refiguration in the reception. Technical discussions of such categories as the narrator and anachrony help...

... of causal chains, similarities with related events, and anticipation of possible consequences. Genette could have called the principle guiding several portions of this text (especially propositions L-M-N-O-P) a “syllepsis”: Having christened the anachronies by retrospection and anticipation analepses...

... attention to the narrative features of the romance, especially its foregrounded fictionality, for instance, in the deployment of extensive representations of consciousness (e.g., in Sid- ney’s Arcadia — see Fludernik 1996; Dannenberg 2008) or regarding the artful anachronies in the Genettean sense which...

... universal book and the Internet, docu- ments and imaginative discourses are not given as ends in themselves but as material to be reworked, relocated, and remixed (to use an anachronis- tic formulation that came into vogue after the digitization of music). The idea that this potential needed...

... or suspense gap) engenders the need for the appropriate information. Or the other way round, the attempt at experimental proof would make sense if the authors adopted instead a Structuralist approach like Genette which doctrinally severs its ‘‘anachronies’’ and all the rest from ‘‘psychological’’ effect...

.... first-person narrator divide is reyoked with variables beyond communicativeness, especially present vs. past tense and anachrony vs. chronology. On the monologic flank, in turn, such overlinkage apparently rationalizes Cohn’s (likewise standard, here titular) bias for unvoiced self-discourse...

.... Although his detailed discussion relates to some narrative elements and patterns that bear on my topic, such as events presented in the discourse prior to or after their fabulaic occurrence, or “anachronies,” as he calls them (ibid.: 35 – 36), it is less than useful to my concerns, for several reasons...

... sequence and, moreover, privileges its deforming of the narrated event-chronology into anachrony (or uneven duration or focalized undertelling), hence supposedly into artistic worth. Defining feature located here, operative anchorage, notice, value there, with the separation carried...