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Joseph Conrad

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Journal Article
Poetics Today (2016) 37 (1): 155–179.
Published: 01 March 2016
...Rebecca Fasselt This article considers how postcolonial narratives written partly in the first-person plural collective voice reflect recent critical developments in postcolonial studies rather than echoing the outmoded “writing back” paradigm. Even colonial texts such as Joseph Conrad's The Nigger...
Journal Article
Poetics Today (2009) 30 (2): 237–255.
Published: 01 June 2009
... monologue. The article concentrates on a detailed analysis of examples in novels by D. H. Lawrence, Joseph Conrad, Arnold Bennett, Virginia Woolf, and James Joyce. Porter Institute for Poetics and Semiotics 2009 Bennett, Arnold 1988 [1908] The Old Wives' Tale (Harmondsworth, UK: Penguin...
Journal Article
Poetics Today (2019) 40 (2): 355–365.
Published: 01 June 2019
... . Story and Discourse: Narrative Structure in Fiction and Film . Ithaca, NY : Cornell University Press . Conrad Joseph . 1900 . Lord Jim: A Tale . Edinburgh : Blackwood . Gadamer Hans-Georg . (1960) 1997 . Truth and Method , 2nd ed., translated by Weinsheimer Joel...
Journal Article
Poetics Today (2009) 30 (2): 371.
Published: 01 June 2009
... 2009 Notes on Contributors H. M. Daleski is professor emeritus of English at Hebrew University of Jerusalem. He has published books on D. H. Lawrence (1965; new edition, 1987), Charles Dickens (1970), Joseph Conrad (1977), and Thomas Hardy (1997). He is also the author...
Journal Article
Poetics Today (2019) 40 (1): 135–158.
Published: 01 March 2019
... 1999 “ CP; or, A Few Don’ts by a Cultural Phenomenologist .” Parallax 5 , no. 2 : 17 – 31 . Conrad Joseph (1899) 2007 Heart of Darkness , edited by Knowles Owen Hampson Robert . New York : Penguin . Dickens Charles (1860) 2003 Great Expectations , edited...
Journal Article
Poetics Today (2014) 35 (1-2): 200–203.
Published: 01 June 2014
... situations in Joseph Conrad’s Heart of Darkness (1899) and Sebald’s Austerlitz (2001) and the important thematic role that the complexities of these situations play in the respective novels; both introduce a “frame narrator [meeting] a character who also becomes a narrator” and whose story is imparted...
Journal Article
Poetics Today (2014) 35 (3): 477–481.
Published: 01 September 2014
... J. Hand’s article turns to various (proto)modernist artists of the late nineteenth century and early twentieth century who experimented with intermedial adaptation, more or less successfully. These include Thomas Hardy’s, Henry James’s, and Joseph Conrad’s adaptations of their novels into plays...
Journal Article
Poetics Today (2014) 35 (3): 481–483.
Published: 01 September 2014
..., and Joseph Conrad’s adaptations of their novels into plays or films and Poetics Today 35:3 (Fall 2014) q 2015 by Porter Institute for Poetics and Semiotics 478 Poetics Today 35:3 the use of modernist techniques in German expressionism and in surrealist cinema (e.g., F. W. Mornau’s Nosferatu [1922...
Journal Article
Poetics Today (2014) 35 (3): 484–486.
Published: 01 September 2014
... J. Hand’s article turns to various (proto)modernist artists of the late nineteenth century and early twentieth century who experimented with intermedial adaptation, more or less successfully. These include Thomas Hardy’s, Henry James’s, and Joseph Conrad’s adaptations of their novels into plays...
Journal Article
Poetics Today (2014) 35 (3): 486–489.
Published: 01 September 2014
..., and Joseph Conrad’s adaptations of their novels into plays or films and Poetics Today 35:3 (Fall 2014) q 2015 by Porter Institute for Poetics and Semiotics 478 Poetics Today 35:3 the use of modernist techniques in German expressionism and in surrealist cinema (e.g., F. W. Mornau’s Nosferatu [1922...
Journal Article
Poetics Today (2014) 35 (3): 489–491.
Published: 01 September 2014
... J. Hand’s article turns to various (proto)modernist artists of the late nineteenth century and early twentieth century who experimented with intermedial adaptation, more or less successfully. These include Thomas Hardy’s, Henry James’s, and Joseph Conrad’s adaptations of their novels into plays...
Journal Article
Poetics Today (2008) 29 (3): 387–436.
Published: 01 September 2008
...). Chesterton, G. K. 1908 The Man Who Was Thursday: A Nightmare (London: Simpkin). Clancy, Tom 1993 Patriot Games (London: HarperCollins). Coetzee, J. M. 1994 The Master of Petersburg (London: Minerva). Conrad, Joseph 1907 The Secret Agent: A Simple Tale (London: Methuen). DeLillo...
Journal Article
Poetics Today (2017) 38 (2): 255–272.
Published: 01 June 2017
... : 117 – 38 . Clark Andy 2008 “Perception, Action, and Experience: Unravelling the Golden Braid,” Neuropsychologia 47 , no. 6 : 1460 – 68 . Conrad Joseph 2006 [1899] Heart of Darkness ( New York : Norton ). Dancygier Barbara 2012 The Language...
Journal Article
Poetics Today (2022) 43 (1): 1–26.
Published: 01 March 2022
... . Conrad Joseph . (1902) 2005 . Heart of Darkness . London : Penguin . Egan Jennifer . 2012 . “ Black Box .” New Yorker 88 , no. 16 : 84 – 97 . Fielding Henry . (1749) 1996 . Tom Jones . Oxford : Oxford University Press . Hamid Mohsin . 2007 . The Reluctant...
Journal Article
Poetics Today (2012) 33 (2): 241–244.
Published: 01 June 2012
... Deronda, Thomas Hardy’s The Mayor of Casterbridge, Joseph Conrad’s The Secret Sharer, and James Joyce’s Ulysses. Each of these novels is supposed to mark a certain “slot” in the range of possible types of cultural remission defined by Toker. For example, Austen’s novels are dis- cussed here...
Journal Article
Poetics Today (2012) 33 (2): 244–247.
Published: 01 June 2012
... and Mansfield Park, Charles Dickens’s A Tale of Two Cities, George Eliot’s Daniel Deronda, Thomas Hardy’s The Mayor of Casterbridge, Joseph Conrad’s The Secret Sharer, and James Joyce’s Ulysses. Each of these novels is supposed to mark a certain “slot” in the range of possible types of cultural...
Journal Article
Poetics Today (2012) 33 (2): 247–249.
Published: 01 June 2012
... and Mansfield Park, Charles Dickens’s A Tale of Two Cities, George Eliot’s Daniel Deronda, Thomas Hardy’s The Mayor of Casterbridge, Joseph Conrad’s The Secret Sharer, and James Joyce’s Ulysses. Each of these novels is supposed to mark a certain “slot” in the range of possible types of cultural...
Journal Article
Poetics Today (2012) 33 (3-4): 490–495.
Published: 01 December 2012
... and came in response to shared historical experiences. According to Kern, therefore, the canon of the modernist novel is Anglo- American at its core with some Continental expansions: it is based on works by the later Henry James Joseph Conrad, Ford Madox Ford, Gertrude Stein, Dorothy Richardson, E. M...
Journal Article
Poetics Today (2012) 33 (3-4): 485–488.
Published: 01 December 2012
... and came in response to shared historical experiences. According to Kern, therefore, the canon of the modernist novel is Anglo- American at its core with some Continental expansions: it is based on works by the later Henry James Joseph Conrad, Ford Madox Ford, Gertrude Stein, Dorothy Richardson, E. M...
Journal Article
Poetics Today (2012) 33 (3-4): 488–490.
Published: 01 December 2012
... and came in response to shared historical experiences. According to Kern, therefore, the canon of the modernist novel is Anglo- American at its core with some Continental expansions: it is based on works by the later Henry James Joseph Conrad, Ford Madox Ford, Gertrude Stein, Dorothy Richardson, E. M...