Search Results for Djuna Barnes

...Jade Elizabeth French Abstract Focusing on examples of Djuna Barnes's late published poetry—“Quarry” (1969), “Rite of Spring” (1982), and Creatures in an Alphabet (1982)—this article considers the contradictory ways these poems engage with theories of late style. Barnes's late output offers...

... cinema” as necessarily “palliative” for the three writers discussed: Nella Larsen, Djuna Barnes, and William Faulkner, finding more livability in silver-screen “plots.” If in their own work, they “lose the plot,” they are nevertheless drawn to narratives remarkably similar to those by Dickens, cited...

... the characters to find new coordinates for fulfillment in later life. Like Kruger, Jade Elizabeth French challenges the ways that hegemonic ideas about progress shape our understanding of the human lifespan. Focusing on the career of the Djuna Barnes, French situates the poet's “contradictory late style...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

... Modernism (1999), scrutinized the in-between episode from the late twenties through the early forties—no longer quite modernist but not yet postmodernist—when literary modernism underwent transformation and reorientation in the work of Wyndham Lewis, Djuna Barnes, Samuel Beckett, and Mina Loy...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

.... Forster, James Joyce, Virginia Woolf, D. H. Lawrence, Djuna Barnes, William Faulkner, Ernest Hemingway, John Dos Passos, Andre´ Gide, Marcel Proust, Albert Camus, Franz Kafka, Alfred Do¨blin, Robert Musil, and Herman Broch. At the very heart of this canon stands Joyce’s Ulysses, from which Kern draws...

... , edited by Ingersoll Earl G. ( Princeton, NJ : Ontario Review ). Barnes Djuna 1922 “ James Joyce: The Man Who Is, at Present, One of the Most Significant Figures in Literature ,” Vanity Fair , April , 65 – 66 . Barthes Roland 1999 [1981] Le grain de la voix...