The article offers a comparative overview of the diverging courses of the canon debate in Anglophone and Germanophone contexts. While the Anglophone canon debate has focused on the politics of canon composition, the Germanophone debate has been more concerned with the malleability and mediality of the canon. In a development that has largely gone unnoticed outside German-speaking countries, new approaches to discussing current and future processes of canonization have been developed in recent years. One pivotal element of this process has been a thorough reevaluation of new media as a touchstone for both defining literature in the digital age and inquiring into the mechanisms of contemporary canon formation. The article thus aims at introducing the Germanophone approach to canon developed in recent years and its results to a larger scholarly community.

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