Search Results for nonfiction

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

... Intentions: Writing Center Work for Postmodern Times . Portsmouth, NH:Boynton/Cook, Heinemann. Hansberry, Lorraine. 2000 . A Raisin in the Sun. In Literature and Society: An Introduction to Fiction, Poetry, Drama, Nonfiction , ed. Pamela J. Annas and Robert C. Rosen, 781 -850. Upper Saddle River, NJ...

... and composition, his call for attention to playfulness in writing pedagogy is equally relevant to the teaching of creative nonfiction. The question he fails to consider is how playfulness can become an essential part of writing pedagogy without undermining the seriousness of the endeavor. My experience teaching...

... the Margins; Honoring Creative Nonfiction; Understanding Class, Culture, Gender, and Race; Mentoring Preservice Teachers; Incorporating Technology; Constructing Academic Arguments; Teaching Non-English Majors; Highlighting Effective Methods; and Showcasing Subdisciplines. © 2009 by Duke University Press...

... after a chance encounter with a group of troublemakers. They offer him a nonfiction book about a band that seemed like they were from another world. As a result, the author grew wiser that day and decided he would try to change the world as a journalist, writing about people and places that needed...

... lessons imparted by her experience as a student in a class devoted to photographing elements of the natural world and creating images suitable for scientific presentation, and then she explains how she adapted the principles from Scientific Imaging for use in a creative nonfiction class focusing on nature...

... discussions. Using an inquiry-based approach to genre study, the students in this classroom explore many kinds of “text”—from stand-up comedy to fiction and narrative nonfiction—with an unavoidable eye toward critical theory but without the traditional approach that pushes students to apply a “critical lens...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

...: Story. Root, Robert L., Jr., and Michael Steinberg. 2002 .“Creative Nonfiction, the Fourth Genre.” In The Fourth Genre: Contemporary Writers of/on Creative Nonfiction , ed. Robert L. Root Jr. and Michael Steinberg. 2nd ed., xxiii -xxxiii. New York: Longman. Rose, Mike. 1995 . Possible Lives...

... of writing courses, from first-year composition to creative nonfiction and graduate courses in autobiography and composition studies research. The intimate interrelationship of her teaching and her research is reflected in The Essay Canon (2005) a canon whose research informs her recent textbooks including...

... I’m Not Making This Up Taking Humor Seriously in the Creative Nonfiction Classroom Bev Hogue Last January I was at a big faculty hoop-­de-­do hobnobbing with colleagues I had not seen since fall finals when I kept encountering the same annoy- ing conversation: A colleague asks me what I...

... at Illinois State University, directing the writing, graduate, and honors programs. His more C o n t r i b u t o r s 397 398 Pedagogy than seventy- five articles and chapters focus largely on creative nonfiction, composition programs and pedagogies, and professional issues in English studies. He is coauthor...

... of Notes to Literature , edited by Tiedemann Rolf , translated by Nicholsen Shierry , 3 – 23 . New York : Columbia University Press . Anderson Chris . 1989 . Introduction to Literary Nonfiction: Theory, Criticism, Pedagogy , edited by Anderson Chris , ix - xxvi...

... Distin- guished Professor at the University of Connecticut. Two rotator cuff surger- ies led her to write “(Im)Patient,” to develop the course analyzed here, to discuss “Medical Nonfiction at the Cutting Edge” in her forthcoming book Hot Genres, Alluring Nonfiction, and to embark on a New Zealand...

... a full semester of Victorian poetry and a full semes- ter of Victorian nonfictional prose; the novel was taught in a different two-­ semester course on the history of the novel and was not required for the major. My early efforts to teach the undergraduate two-­course survey of Victorian literature...