This article dwells on the “I” who arrives in the university classroom by offering an earnest assessment of the vulnerabilities that one teacher-scholar of African American literature and culture brings with her into the classroom. Observations unfold by way of a critical, reflexive engagement with theories of haunting and Toni Morrison's novel Beloved, in order to account for some of the roots and routes, histories and inheritances, that call this I into being.
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Copyright © 2018 Duke University Press
2018
Issue Section:
From the Classroom
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