A reading of Inferno 32, Purgatorio 31, and Paradiso 31 compares a physical and interior pilgrimage, especially in the way in which the beginning and end of an interior journey are distinguished, to illuminate the concept of love that is central to the Divine Comedy.
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Margaret Hughes; Teaching the Antepenultimate Cantos of the Divine Comedy: The Dilemma of Not Moving. Pedagogy 1 October 2017; 17 (3): 503–512. doi: https://doi.org/10.1215/15314200-3975591
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