... it was recovered, published in book form, and lauded as an original and meritorious text. One year later, a front-page article in the weekly Le nationaliste (Montreal, 1904–24) revealed that Le manoir mystérieux was a plagiarism of Sir Walter Scott's Kenilworth (1821). Since then, few literary historians have...

...Michael Gamer Rigney Ann , The Afterlives of Walter Scott: Memory on the Move . ( Oxford : Oxford UP , 2012 ), pp. xvii + 328 , cloth £55.00 . © 2014 by Novel, Inc. 2014 Duke University Press Scott’s Afterlives: Life after Scott ann rigney...

...Mike Goode IAN DUNCAN, Scott's Shadow: The Novel in Romantic Edinburgh (Princeton: Princeton UP, 2007), pp. 416, cloth, $39.50. © 2009 by Novel, Inc. 2009 Scott’s Edinburgh ian duncan, Scott’s Shadow: The Novel in Romantic Edinburgh (Princeton...

...Deidre Lynch Abstract Novel studies and book history alike emphasize the significance of Walter Scott's creation of his Magnum Opus edition (1829–33): a repossession, on behalf of a newly individuated author and between the covers of a uniformly manufactured edition, of publications that had...

...Bede Scott Abstract Situated at the intersection of postcolonialism and affect studies, this essay explores the significance of wonder in Hanya Yanagihara's The People in the Trees (2013). In her novel, Yanagihara provides a detailed account of an anthropological expedition to the remote...

...Srdjan Smajić This essay argues that the relationship between realism and supernaturalism in realist novels is more complicated—and more symbiotic—than critics generally acknowledge. Taking Walter Scott's Waverley , George Eliot's Silas Marner , and Charlotte Brönte's Jane Eyre as representative...

...Yoon Sun Lee Abstract Although accounts of the realist novel have not always adequately examined the experience of movement through space, this embodied epistemology is critical to the genre's development. Drawing on the physiology of perception as investigated by Erasmus Darwin and others, Scott...

..., the form that had mastered the containment of violence was the historical novel, and Macdermots is clearly attempting to come to terms with the inheritance of Sir Walter Scott. It is equally preoccupied with the tradition of the Irish national tale, in particular with the models of national restoration...

... first by discussing what it calls “commodity origin” scenes in Émile Zola, F. Scott Fitzgerald, and Richard Powers, a genre that like the epic simile interrupts the action to provide background knowledge. Second, it reflects on the famous first sentence of Gabriel García Márquez's One Hundred Years...

... the anachronistic dream of recovering the collective experiences of preindustrial life masks the author's insertion into an industrialized system of literary production. The concluding portion of this discussion turns to F. Scott Fitzgerald's affiliated attempt to recreate or refashion the fairy tale...

... for the aesthetic ideology of Romanticism via Hegel and subsumed into national history—the horizon of epic totality—in the historical novel (Scott's Waverley ). Jameson's reversion to the later Lukács in his essay on the historical novel addresses a crisis not only of the genre but of history itself...

...Enrique Lima The historical novels of Sir Walter Scott, James Fenimore Cooper, and countless others have been interested primarily in exploiting the dramatic potential of historical events and the significant real and fictional personalities that took part in them. These writers are concerned...

...Scott Black This essay argues that modern, realist ways of reading fail to satisfy fully their own claims about the novel as a genre self-consciously located in history. Rather, novels cycle through the kinds of narrative named by Ian Watt and Northrop Frye and show how each is necessary...

...Scott J. Juengel This essay sets out to think the novel in the time of catastrophe (which is always, necessarily, to think after catastrophe; which is to say, finally, that I want to think in the chronotope of mass death). I couch this in the Bakhtinian concept of the chronotope—so integral to his...

...Scott J. Juengel Napier Elizabeth R. , Falling into Matter: Problems of Embodiment in English Fiction from Defoe to Shelley . ( Toronto : U of Toronto P , 2012 ), pp. 304 , cloth, $85.00 . © 2014 by Novel, Inc. 2014 Duke University Press Works Cited Kramnick Jonathan...

...SCOTT J. JUENGEL Copyright © Novel Corp. 2000 2000 Works Cited Allentuck , Marcia . “Fuseli and Lavater’s Physiognomical Theory and the Enlightenment.” Studies in Voltaire and the Eighteenth Century 4 ( 1967 ): 89 –112. Baldick , Chris . In Frankenstein’s Shadow: Myth...

...SCOTT BLACK Copyright © Novel Corp. 2005 2005 Works Cited Agnon , S. Y. Only Yesterday . Trans. Barbara Harshav. Princeton: Princeton UP, 2000 . Bakhtin , M. M. “Discourse in the Novel.” The Dialogic Imagination . Trans. Caryl Emerson and Michael Holquist. Austin: U...

...SCOTT J. JUENGEL GEORGE E. HAGGERTY, Queer Gothic (Urbana: U of Illinois P, 2006), pp. 350, cloth, $65.00, paper, $20.00. Copyright © Novel Corp. 2006 2006 An Odd Sexual Mood GEORGE E. HAGGERTY, Queer Gothic (Urbana: U of Illinois P, 2006), pp. 350, cloth...

...SCOTT A. COHEN Copyright © Novel Corp. 2003 2003 Works Cited Anderson , Benedict . Imagined Communities: Reflections on the Origin and Spread of Nationalism . London: Verso, 1983 . Baines , Jocelyn . Joseph Conrad: A Critical Biography . New York: McGraw-Hill, 1960...

...SCOTT J. JUENGEL DANIEL PUNDAY, Narrative Bodies: Toward a Corporeal Narratology (New York: Palgrave Macmillan, 2003), pp. 234 + x, cloth, $65.00. Copyright © Novel Corp. 2004 2004 Bodying Forth DANIEL PUNDAY, Narrative Bodies: Toward a Corporeal...