... central statements of this philosophy are The Years (1937) and Three Guineas (1938), the latter of which I suggest is not merely an antiwar pamphlet (according to critical convention) but also an anti-programmatic ethical treatise for living what Michel Foucault calls “the non-fascist life.” Criticism...

... of photography in Three Guineas-specifically, the juxtaposition of the published photographs of public authorities with the absent Spanish civil war photographs that her narrator describes but refuses to display visually in the text-to develop "a prose picture of the indissoluble link between...

... . London: Macmillan, 1926 . Woolf , Virginia . Collected Essays . 4 vols . London: Hogarth, 1966 . Woolf , Virginia . Mrs. Dalloway . New York: Harcourt, 1925 . Woolf , Virginia . Three Guineas . 1938. New York: Harcourt, 1963 . Mrs. Dalloway, the Dictator...

...: or, The Adventures of a Guinea . 2 vols . 1760. Expanded ed. 1761. 4 vols. London: n.p., 1765 . Jones , Emrys . “Pope and Dulness.” Proceedings of the British Academy 54 ( 1969 ): 246 –49. Keane , Webb . “Signs Are Not the Garb of Meaning: On the Social Analysis of Material Things.” Miller 182...

... himself regretted the way in which Woolf's writing had been homogenized, with everything read “through the lenses of Three Guineas ” ( 33 ). 10 The most compelling example of this historicization comes in the form of thirty-eight chapters in Virginia Woolf in Context , edited by Bryony Randall...

... that authors such as Richardson (in Pilgrimage and March Moonlight) and Woolf (in Three Guineas) use this rhetoric to alle­gorize their own departure from a traditional masculine aesthetic. If this chapter associ­ates Jews with a deadening tradition, chapter 3 examines their usage by Warner and Woolf...

... in which images of the damaged body, most notably mutilated or disfigured hands, function as places that encode violence. Woolf's strategies both to acknowledge such violence and to manage it by formal patterns are threatened in the late works, especially Three Guineas and Between the Acts , when form...

... Pahlavi in Iran, Saddam Hussein in Iraq, King Faisal in Saudi Arabia, Ahmed Sékou Touré in Guinea, Milton Obote in Uganda, Kenneth Kauda in Zambia, Oswaldo López Arellano in Honduras, Carlos Castillo Armas in Guatemala, René Barrientos in Bolivia, Ne Win in Burma, Thanom Kittikachorn in Thailand...

... . Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea . London : Routledge , 1922 . Mandler Peter . “One World, Many Cultures: Margaret Mead and the Limits of Cold War Anthropology.” History Workshop Journal 68 ( 2009...

... York Cambridge University Press, 2000), pp. 241, cloth, $65.00. In Three Guineas, Virginia Woolf characterizes national identity as a mainly masculine marker: women, because they are denied full participation in a nation's public sphere, are not fully able to exercise the powers that would...

... that formally internalizes the mechanisms of transnational distribution, international politics, and translation that have underwritten the rise of world literature. In Woolf’s Three Guineas (1938) and J. M. Coetzee’s Diary of a Bad Year (2007), she finds two texts that formally enact the kinds of ethical...

..., becomes rather an explosion of narrative voice. Like Tiresias, I was first one thing and then the other. I’ve been ridiculed by class­ mates, guinea-pigged by doctors, palpated by specialists, and researched by the March of Dimes. A red-headed girl from Grosse Pointe fell in love with me...

... to her parents, Pamela is bewildered because Mr. B “took me by the Hand; yes, he took me by the Hand before them all” and because he “gave me with his own Hand Four golden Guineas” (11–12; emphasis added). The father is indignant: “Why should he take such a poor Girl as you...

..., selling at the price of 12 guineas for the set, or 50s per volume. Until the past decade, Romantic scholars have been even more remiss than eighteenth-century scholars in thinking about the fiction of the late eighteenth and early nineteenth centuries-this essay joins others in redressing...

... it replaced are discussed further in my essay "Marriage Acts: Stages in the Transformation of Modern Nuptial Culture." Pennant reported as early as 1772 that "the young pair may be instantly united by a fisherman, a joiner, or a blacksmith, who marry from two guineas a job, to a dram...

... with identity-the continuous predicates (a particular race, profession, and temperament) that support consistency over time. But he has the structure of identity if not the con- tent: readers are consistently able to distinguish him, or the set of his avatars (Black Guinea, the man...

...], ‘when you're not there’” ( 26 ). 14 Woolf describes the newspaper as “history in the raw” in Three Guineas ( 159 ). 15 Gary Saul Morson coins the term sideshadowing for writing that avoids the determinism of unilinear accounts of history by revealing “untaken but possible paths...

....” The white Britons applaud the tableau as a “flattering tribute to ourselves,” happily accepting the division of labor that requires the marginalized to rebuild the “civilization,” significantly figured as a wall, that excluded them ( Woolf, Between 182 ). Woolf's contemporaneous essay Three Guineas...

... a special sympathy for Blake. He was one of a number of writers astonished by the result of their labors—the work of writing—and did not want to pay the price. In the history I’ve laid out, his celebrated refusal to see the sun as a “Guinea” (617) or a tree as a “green thing that stands in the way...

... to property as a material matter, but he is explicitly concerned with it as an immaterial one. Just as the ghostly, displaced Monseigneurs of Dickens's novel haunt an English bank, deriving comfort from their equally ghostly guineas, Paine sees property's immateriality as the source of its...