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exhibition
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Journal Article
Novel (2011) 44 (3): 424–443.
Published: 01 November 2011
... exhibitions, two of modernism's best-known ironists, Joseph Conrad and E. M. Forster, discovered that attending to the gaze these visual contact zones solicit—a detached scientific gaze that does not empathize with who or what one looks upon but instead encourages exhibition visitors to imagine themselves...
Journal Article
Novel (2010) 43 (1): 83–92.
Published: 01 May 2010
... and distribution regimes, and the careers of dramatizers, directors, and stars. Focusing on the early twenty-first century adaptations of Jane Austen's novels, I argue here that the differing ways print and filmic media are packaged, advertised, and sold or exhibited to potential cultural consumers creates...
Journal Article
Novel (2015) 48 (2): 208–223.
Published: 01 August 2015
...Timothy Wientzen Exhibiting formal characteristics of works published decades later, Knut Hamsun's Hunger (1890) has long occupied a central position in genealogies of modernism. Its status in the modernist canon, however, has often come at the cost of disregarding the cultural and economic...
Journal Article
Novel (2022) 55 (2): 218–239.
Published: 01 August 2022
..., idiosyncratic preferences rather than following socially sanctioned value systems. While Emma represents preferential choice and illustrates its connection to consumer capitalism, unlike neoclassical economists, the novel ultimately exhibits skepticism toward this modern model of decision-making...
Journal Article
Novel (2014) 47 (3): 403–421.
Published: 01 November 2014
... Ware 's ambiguities. Insofar as the accusation of cynicism implicitly calls into question motivations (those of both characters and novelists), the very structure of that accusation itself exhibits a kind of cynicism. Rather than a theme to be located or an attitude to be diagnosed, the appearance...
Journal Article
Novel (2014) 47 (3): 339–362.
Published: 01 November 2014
... the epistemological uncertainty that each text represents. Crusoe and Hume model how such epistemological uncertainty might be a source of pleasing wonder by exhibiting an attitude of viewing the ordinary as if it were rare, and the illusory as if it were real—and by extension the real as if it were illusory...
Journal Article
Novel (2017) 50 (2): 295–298.
Published: 01 August 2017
... description of how viewers made sense of exhibitions—is fundamentally a narrative strategy, not a visual one, but the emphasis on the latter works against any mention of the former or any discussion of the ways in which visuality and narrative might work together. Toward the end of the book, the “looking...
Journal Article
Novel (2008) 41 (2-3): 371–373.
Published: 01 November 2008
... and
containment by the work of culture. Kurt Koenigsberger's shorthand for this process is
menagerie, a term he deploys both to recover the force of zoological collections in the life
of ordinary Victorians and to examine the connections among animals, narrative repre-
sentation, exhibitions, totality...
Journal Article
Novel (2022) 55 (3): 518–546.
Published: 01 November 2022
..., three-story building, inconspicuous except for its crimson exterior ( Innocence 19; fig. 1 ). It houses a small and crowded exhibition of hundreds of the objects described in the novel, together with many others related to its time and milieu, arranged in eighty-three boxes or vitrines corresponding...
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Journal Article
Novel (2005) 39 (1): 146–149.
Published: 01 May 2005
... is an expert guide to the development and deployment of the intersecting
"model[s] of disenfranchised creativity" (45) in the period.
Pettitt's next chapter looks at the relationship between authorshp and invention at,
and in the shadow of, the Great Exhibition of 1851. Much has been written about...
Journal Article
Novel (2010) 43 (1): 72–77.
Published: 01 May 2010
....” Household Words 30 Mar. 1850 : 19 –24. Dickens , Charles , and Horne Richard. “The Great Exhibition and the Little One.” Household Words 5 July 1851 : 356 –60. Miller , Andrew . Novels behind Glass: Commodity Culture and Victorian Narrative . New York: Cambridge UP, 1995...
Journal Article
Novel (2013) 46 (1): 136–139.
Published: 01 May 2013
... closely associated with modernity, sometimes with empire, sometimes with
humanity. “These often conflicting affiliations and meanings were hard to disentangle,”
Agathocleous observes, in such instances as the Great Exhibition of 1851, at which “cosmo-
politanism-as-globalization was burnished...
Journal Article
Novel (2018) 51 (2): 362–373.
Published: 01 August 2018
....” 1 This scene fictionalizes the historic exchange between Moscow and Washington in 1959 (the year W. E. B. Du Bois was awarded the Lenin Peace Prize), when each regime set up exhibitions extolling the virtues of capitalism or communism, respectively, and sent delegations to their rival hosts...
Journal Article
Novel (2001) 34 (3): 369–390.
Published: 01 November 2001
... to as "showman of the specta-
cle" (Maisie 121), Maisie visits shops, parks, museums, cafes, exhibition grounds,
and hotels, and rides on the top of buses. In an 1898 essay, "Concerning the
English Academy," Stephen Crane praised What Maisie Knezu as an "impression-
ist" novel (qtd. in Kirschke 129...
Journal Article
Novel (2004) 38 (1): 21–40.
Published: 01 May 2004
... 1954 : 1 –2. Sandeen , Eric J. Picturing an Exhibition: The Family of Man and 1950s America . Albuquerque: U of New Mexico P, 1995 . Saunders , Frances Stonor . Who Paid the Piper? The CIA and the Cultural Cold War . London: Granta, 1999 . “Special International Report...
Journal Article
Novel (2006) 39 (3): 421–424.
Published: 01 November 2006
... of thinking about the many thngs of
Victorian novels and the Victorian world of producers and consumers. She holds that even
at the midcentury marked by the Great Exhibition of the Industry of All Nations, the social
world of Great Britain had yet to become the society of the spectacle. As Freedgood...
Journal Article
Novel (2007) 40 (3): 207–215.
Published: 01 November 2007
... in the reproducible medium of cinema.
Ishiguro's screenplays, including The White Countess, exhibit a curious inau-
thenticity. Characters, events, settings and themes appear as if dislodged from
novels already written. Novelists doubling as screenplay-writers are certainly not
uncommon; however...
Journal Article
Novel (2010) 43 (1): 157–162.
Published: 01 May 2010
... link is established here connecting the novel to capital-
ism to the modern subject to the nation-state. Third, in a less materialist strand
of novel theory, that the novel is unique in its formal qualities. As exemplified by
Mikhail Bakhtin in his story of the novel, the novel exhibits a formal...
Journal Article
Novel (2010) 43 (2): 354–356.
Published: 01 August 2010
...” (153), but his own work is itself something of a “manic compendium”: the chapter
on What Maisie Knew includes discussions of race, money, ghosts, empire, education, and
exhibition, as well as an illuminating account of the popular late-eighteenth-century visual
aid, the Claude Glass (a convex...
Journal Article
Novel (2011) 44 (2): 320–323.
Published: 01 August 2011
...” or “symmetrical” to or with each other. Elmer argues that new world
writing on the racialized sovereign “exhibits the short circuit between” the sovereign and
homo sacer:
Agamben argues that the essential political relation in play here is only disclosed in a liminal
space, a “zone...
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