...Alexander R. Galloway In her book Plasticity at the Dusk of Writing, philosopher Catherine Malabou tells a story about the historical end of reading and writing and their reinvention in a new form. The new mode is seen most vividly, suggests Malabou, in the cerebral plasticity of the brain...

...Deborah Lutz Heathcliff is in love with someone who has died. This love is steeped in the evangelical death culture of the time, particularly the treasuring of the physical manifestations of dying and the body: a reverence for relics. Understanding mortality—and, in fact, the love between Catherine...

...Catherine Fung Monique Truong's 2003 novel The Book of Salt is a fictionalized story of a gay Vietnamese chef who, while working in the household of Gertrude Stein and Alice B. Toklas, briefly meets Paul Robeson and Ho Chi Minh. Rather than assume that the inclusion of historical persons...

...Catherine Gallagher Jameson Fredric , The Antinomies of Realism ( London : Verso , 2013 ) , pp. 432, cloth $34.95 . Copyright © 2015 by Duke University Press 2015 It is difficult not to sound hyperbolic when describing the significance of this new book by Fredric Jameson...

... functions as the affective link between Brontë's feminist concerns—the implications of Catherine's (failed) rebellion—and the harrowing image of what Susan Meyer and others have framed as the colonial other inflicting anticolonial revenge and oppression on the British domestic scene: Heathcliff. After...

... of that Pleasant Art . Ed. Audrey Bilger. Peterborough, Ont.: Broadview, 2003 . Davidoff , Leonore . The Best Circles: Society, Etiquette, and the Season . London: Croom Helm, 1973 . Davidoff , Leonore , and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class, 1780–1850...

... in Victorian America . Chicago: U of Chicago P, 1990 . Carroll , David . George Eliot and the Conflict of Interpretations . Cambridge: Cambridge UP, 1992 . Davidoff , Lenore , and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class, 1780–1850 . Chicago: U...

...Michael Parrish Lee Works Cited Gallagher Catherine . “ The Rise of Fictionality .” The Novel , vol. 1 : History, Geography, and Culture. Ed. Moretti Franco . Princeton : Princeton UP , 2006 . 336 – 63 . Miller D. A. Jane Austen, or the Secret of Style...

... nevertheless idealizes them as expressions of negotiated sexual compatibility. This argument assumes that characters use masochism to deinstitutionalize sex and to individuate sexual relationships. In particular cases, it results in some odd claims: for example, that Catherine and Heathcliff represent...

... view, take into sufficient account the role of conventional satire in both novels, particularly in regard to the role of imagination. Catherine Morland has drunk, like many a learned lady before her, too shallowly of the Pierian Spring: her late-learned insights into the tyranny of patriarchal society...

... of the ghosts upon the moors not merely as the representatives of Heathcliff and Catherine but as figures for the looming ecological transformations: industrial scars on the earth produce “atmospheric tumult.” In other words, as the “head-stones” of Edgar, Catherine, and Heathcliff are buried beneath the “heath...

... Edition: A Study in Publishing History . Edinburgh: Edinburgh UP, 1987 . Moore , Catherine E. “Ladies … Taking the Pen in Hand.” Fetter’d or Free: British Women Novelists, 1670–1815 . Ed.Mary Anne Schofield and Cecilia Macheski. Athens: Ohio UP, 1986 . 383 –97. Norton , Rictor...

... and economics: a bibliography solidified by the appearance in 1999 of the Martha Woodmansee and Mark Osteen anthology, The New Economic Criticism; highlighted by significant books by Mary Poovey and Catherine Gallagher; and affirmed by the publication of a Victorian Studies special issue, “Victorian...

.... Drawing on the scholarship of Anne McClintock, Doris Kadish, Linda Colley, Leonore Davidoff, and Catherine Hall, Kramp presents the 1790s as a period of social turbulence and economic transformation in England, in which discussions of the French Revolution emerged as a forum for thinking about...

... find the first extended portraits of such char- acters in Pride arrd Prejudice, where the rudeness of Miss Bingley and Lady Catherine de Bourgh shows readers how living in a commercial culture in which "relationships and interactions with other social beings, and with their products, became...

... sensation novels were praised or condemned, their physical and emotional effects on the reader were prominent in the analysis. This convention is congruent with the emphasis in sentiment studies today on how the novel aims to produce sympathy in the reader. Critics from Catherine Gal- lagher...

... . ———. Romola . 1862-63. Harmondsworth: Penguin, 1996 . Gallagher , Catherine . “George Eliot: Immanent Victorian.” Representations 90 ( 2005 ): 61 -74. Jaffe , Audrey . The Affective Life of the Average Man: The Victorian Novel and the Stock-Market Graph . Columbus: Ohio State UP...

... , Francis Power . “What Shall We Do with Our Old Maids?” Fraser’s Magazine Nov . 1862 : 594 –610. David , Deirdre . Rule Britannia: Women, Empire, and Victorian Writing . Ithaca: Cornell UP, 1995 . Davidoff , Leonore , and Catherine Hall. Family Fortunes: Men and Women...

... . Gallagher Catherine . “The Rise of Fictionality.” The Novel , vol. 1 , History, Geography, and Culture . Ed. Moretti Franco . Princeton : Princeton UP , 2006 . 336 – 63 . Moretti Franco . “On the Novel.” The Novel , vol. 1 , History, Geography, and Culture . Ed. Moretti...

... and exterior, private and public, Marcus draws on architectural history in order to revise some of our most basic assumptions about home, city, and gender. Building on and pushing in unexpected directions the work of feminist historians (Leonore Davidoff, Catherine Hall, Judith Walkowitz) and literary...