..., 1964 . James , Henry . The Golden Bowl. 1904. Intro. Gore Vidal. Notes by Patricia Crick . London: Penguin, 1985 . James , Henry . A Small Boy and Others. 1913 . Autobiography . Ed. Frederick W. Dupee Princeton: Princeton UP, 1983 . Krook , Dorothea . The Ordeal...

...Paul Stasi Abstract This article takes up The Golden Bowl in relation to neoliberalism, considered less as a distinct phase of capitalist accumulation than as an intensification of its long-standing internal tendencies. Taking place, as Edith Wharton put it, “in the void,” James's novel stages...

...Janina Levin Abstract Readers traditionally associate heroism with risk and confidence in one's abilities. Yet within the realist tradition, Henry James creates a portrait of an unconfident heroine. The Golden Bowl 's Maggie Verver demonstrates she has the ability to become an effective actor...

... but thought-provoking link between Henry James's late novel The Golden Bowl and Poe's story about buried treasure, “The Gold-Bug.” The discussion brings Weinstein's study full circle, since the point of departure for her project is James's tribute to Arthur Gordon Pym in the opening pages of The Golden...

... as a world economic power, to the beginning of the twentieth, when this authority was ebbing. Beginning with Jane Austen’s Pride and Prejudice (1813), she ends with Henry James’s The Golden Bowl (1904), examining works by Frances Trol- lope, Anthony Trollope, and Margaret Oliphant along the way. Michie...

... Bowl , having exercised her intelligence to the utmost, Maggie Verver reflects upon the outcome of her labors. “Here it was, then, the moment, the golden fruit that had shone from afar; only, what were these things, in the fact, for the hand and for the lips, when tested, when tasted—what were...

... and tales. At the same time, in its forbidding magnificence, the style itself comes to embody some of the magisterial autonomy, the fortified inscrutability, the “stupid elegance” ( Golden Bowl 420) of that freedom from desire that for James is the truly, yet elusively, beautiful. This error has...

... Heroine in Henry James's The Golden Bowl ” takes its point of departure from the “stalled beginning” of James's novel, a period of waiting and prevarication on the part of the protagonist, Maggie Verver, that extends at least through the work's first volume. In the second half of The Golden Bowl , Levin...

... participate in the imaginative construction of experience—even if in the 1870s James did not yet know how. Here lies the subtext to James's puzzling reference, in his 1909 New York preface to The Golden Bowl , that there is no good novel that “fails to lend itself to vivâ voce treatment” ( Literary...

... . The Expense of Vision: Essays on the Craft of Henry James . Princeton: Princeton UP, 1964 . James , Henry . The Golden Bowl . Ed. Virginia Llewellyn Smith. New York: Oxford UP, 1983 . James , Henry . The Sacred Fount . 1901. New York: New Directions, 1983 . James , William...

... of objects at the end of The Spoils of Poynton allegorizes the "Jamesian break with a realist tradition's representation of the physical object world" (15), necessitating a new relation to the material world evi- dent in The Golden Bowl, where character and thought are assigned a thing-like quality...

... by the side of her friend Madame Merle in The Portrait of a Lady; Mag- gie Archer realizing that her marriage has fallen apart after seeing her husband the Prince standing by the side of her friend Charlotte Haze in The Golden Bowl. Bersani brilliantly­ traces how such visions promote the development...

... expression in literature are not always clear” (117). Zhang, in contrast, is wonderfully attentive to questions of form, and in particular to the question of temporality. She tracks what she refers to as fiction's “heterogeneous temporalities” across a series of works, most notably The Golden Bowl and Mrs...

... be evacuated, suggests that Henry James's The Golden Bowl might be another case worth considering (217). Responding to Bruno Latour's assertion that modernity is signaled by the clarity with which cultures distinguish people from things, Zuroski urges her readers to historicize indistinction as a way...

... Quarterly 33 ( 1972 ): 140 –55. James , Henry . “The Younger Generation.” Times Literary Supplement . 19 Mar , 1914 . 133 –34. James , Henry . The Golden Bowl . 1904. New York: Grove P, 1952 . Joyce , James . A Portrait of the Artist as a Young Man . 1916. New York...

...). Vitalist psychology in this book is thus not mapped onto literature; rather, literary texts are used to reflect on new principles of psychology. Chapter 2 offers illuminating diagnostic readings of Henry James's The Ambassadors , The Wings of the Dove , and especially, The Golden Bowl , novels...

... –318. James , Henry . “The Beast in the Jungle.” The Beast in the Jungle and Other Stories . Toronto: Dover, 1993 . 33 –73. ———. The Golden Bowl . New York: Penguin Classics, 1985 . ———. Henry James: Literary Criticism . Ed. Edel , Leon . 2 vols. New York: Library...

... The Wings of the Dove (1902) and The Golden Bowl (1904) demonstrate how elements of utopian crime ultimately find their way into novels that don't appear to be about politics at all. Both novels are fascinated by the ethical limitations of utilitarianism: characters undertake morally doubtful deceptions...

..., instead of parodically absorbing it” ( 102–3 ). Nor is James's writing simply “the commodity form” (205), as Jean-Christophe Agnew puts it, in which the “density” of a novel like The Golden Bowl “is itself the outcome of a consuming vision's merciless power to detach not only itself, but its objects...

... of relation and containment” that enables “a fluidity of experience” to transcend “the coherence of literary form and the determinations of social ground.” Sound familiar? Stasi argues that James's Golden Bowl anticipates such a moment of transcendence, when “fortune and acquisition create an aesthetic...