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Volume 42, Issue 2
Summer 2009
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ISSN 0029-5132
EISSN 1945-8509
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Contributors

Contributors
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Articles

Editor's Introduction: The Way We Read Now
Nancy Armstrong
View articletitled, Editor's Introduction: The Way We Read Now
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Oscar Wilde's Fictions of Belief
Rachel Ablow
View articletitled, Oscar Wilde's Fictions of Belief
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The Problem of Realism and African Fiction
Susan Z. Andrade
View articletitled, The Problem of Realism and African Fiction
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What Kind of History Does a Theory of the Novel Require?
Jonathan Arac
View articletitled, What Kind of History Does a Theory of the Novel Require?
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States of Emergency, States of Freedom: Woolf, History, and the Novel
Stephen M. Barber
View articletitled, States of Emergency, States of Freedom: Woolf, History, and the Novel
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Fictions of the Global
Rita Barnard
View articletitled, Fictions of the Global
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Prolepsis and Parabasis: Jazz and the Novel
Bruce Barnhart
View articletitled, Prolepsis and Parabasis: Jazz and the Novel
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Du Bois, Kinlessness, and the Catachrestic Novel
Nancy Bentley
View articletitled, Du Bois, Kinlessness, and the Catachrestic Novel
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The Known World in World Literature: Bakhtin, Glissant, and Edward P. Jones
Carolyn Vellenga Berman
View articletitled, The Known World <em>in World Literature: Bakhtin, Glissant, and Edward P. Jones</em>
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Quixotic Realism and the Romance of the Novel
Scott Black
View articletitled, Quixotic Realism and the Romance of the Novel
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How the Novel Became Middle Class: A History of Histories of the Novel
George Boulukos
View articletitled, How the Novel Became Middle Class: A History of Histories of the Novel
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The Potter's Thumb/The Writer's Hand: Manual Production and Victorian Colonial Narratives
Aviva Briefel
View articletitled, The Potter's Thumb/The Writer's Hand: Manual Production and Victorian Colonial Narratives
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Expansion, Interruption, Autoethnography: Toward Disorienting Fiction, Part 2
James Buzard
View articletitled, <em>Expansion, Interruption, Autoethnography: Toward</em> Disorienting Fiction, Part 2
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If the Shoe Fits … Trollope and the Girl
Lauren Byler
View articletitled, If the Shoe Fits … Trollope and the Girl
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D(NA) Coding the Ethnic: Jeffrey Eugenides's Middlesex
Patricia E. Chu
View articletitled, <em>D(NA) Coding the Ethnic: Jeffrey Eugenides's</em> Middlesex
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The Consular Service and US Literature: Nathaniel Hawthorne Abroad
Amanda Claybaugh
View articletitled, The Consular Service and US Literature: Nathaniel Hawthorne Abroad
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The Right to Mobility in Adventure Fiction
Margaret Cohen
View articletitled, The Right to Mobility in Adventure Fiction
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Envy and Victorian Fiction
William A. Cohen
View articletitled, Envy and Victorian Fiction
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Sleep Deprived and Ultramodern: How Novels Turned Dream Girls into Insomniacs
Lois Cucullu
View articletitled, Sleep Deprived and Ultramodern: How Novels Turned Dream Girls into Insomniacs
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“Very Abstract and Terribly Concrete”: Capitalism and The Theory of the Novel
David Cunningham
View articletitled, <em>“Very Abstract and Terribly Concrete”: Capitalism and</em> The Theory of the Novel
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The Novel and the Moving Now
Mark Currie
View articletitled, The Novel and the Moving Now
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On the Protocols of Victorian Citation
Nicholas Dames
View articletitled, On the Protocols of Victorian Citation
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History, the Twentieth Century, and a Contemporary Novel
Marianne DeKoven
View articletitled, History, the Twentieth Century, and a Contemporary Novel
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The Novel and the Machine in the Eighteenth Century
Joseph Drury
View articletitled, The Novel and the Machine in the Eighteenth Century
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Fanaticism and Civil Society: Hogg's Justified Sinner
Ian Duncan
View articletitled, <em>Fanaticism and Civil Society: Hogg's</em> Justified Sinner
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The Return of the Referent in Recent North American Fiction: Neoliberalism and Narratives of Extreme Oppression
Jane Elliott
View articletitled, The Return of the Referent in Recent North American Fiction: Neoliberalism and Narratives of Extreme Oppression
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“Vaulted Over by the Present”: Melancholy and Sovereignty in Mary Shelley's The Last Man
Jonathan Elmer
View articletitled, <em>“Vaulted Over by the Present”: Melancholy and Sovereignty in Mary Shelley's</em> The Last Man
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