...Susanna Newbury Zwelethu Mthethwa: Inner Views , at the Studio Museum in Harlem from July 15 to October 24, 2010, was the first major US museum exhibition of the South African photographer since 2003. The show drew from three of the artist’s photographic series to focus on the domestic interiors...

...Kristen Windmuller-Luna Now approaching his second decade of fine arts practice, Zwelethu Mthethwa continues to use color photography and artist-subject collaborations to restore the dignity of his sitters. New Works at the Jack Shainman Gallery in New York City, consisting of seventeen digital C...

...-Lands, which was published in Cape Town Chic obviously does not aim to be a sociological in 2002;1 Zwelethu Mthethwa's Mbkweni photo• account of the townships. It is primarily a picture graphs of the second half of the 1990s;2 and Chris book, and the sheer brilliance...

... —Johannes Maswanganyi, Jackson between this reader and the art often overlooked. Unfortunately, Hlungwani, Zwelethu Mthethwa, objects...

...• by institutions preferring only to dominantly of photographs, paintings and mixed media pieces by Willie Bester, David Koloane, Sue Williamson, Zwelethu Mthethwa, acknowledge...

... of the strug• gle from their former oppressors. 92 • Nka Journal of Contemporary African Art Zwelethu Mthetwa Installation Nonetheless...

.... Ensem Art Medu the and Campaign, Press the Save the (COSATU), Unions Trade African South of Congress the Voyiya, C. Vuyile Ractliffe, Jo tridge, Ken William Mthethwa, Zwelethu are collection inthe work have who ties twenty- the Among collection. permanent museum’s...

... ages in domestic life by showing the sitter in domestic had intriguing parallels with earlier sections. Zwelethu settings themselves decorated with photographs, post• Mthetwa's intense colour portraits of shack dwellers in cards and portraits...

... Leye of Cameroon, Zwelethu Mthethwa, also of South Africa, Ingrid Mwangi of Kenya and Papisthione of Senegal. Photographs by David Gold...

... portraits by Zwelethu emerald blue, creating a simulated successful combination of traditional Mthetwa of ordinary black folk and the impression of the sea. media and new technologies. Located simplicity of the way they actually...

... returning the gaze that for too long has been his crates of spectacles held up in Customs he was forced to directed against them. trawl the streets of Dakar for a substitute work. Given his In terms of photography, Zwelethu Mthethwa's large-scale...

..., Kendall Geers, Wenda ing Currents engaged the present, refused to ex- Gu, Hans Haacke, Kay Hassan, Isaac Julien, Seydou cise the past from that present, and kept together Keita, Abdoulaye Konate, Vivienne Koorland, the displacements and migrations so characteristic Zwelethu Mthetwa, Shirin Neshat, Gabriel...

..., David Gold - picting readymade symbols of ideological deca - the fleeting scenes, lives, and communities aban - termed the camera-ready. Yet her work is invested blatt, and Zwelethu Mthethwa—and may some - dence. In both their colonial and their apartheid (Top left): reShooting Diana...

...” of the apparently polite impera- Zwelethu Methetwa. They are there in the cartog- tives contained in the stenciled prohibitions of raphies of places and people — drawn from personal the bureaucrats and officials of “separate develop- and collective memory — that populate Koorland’s ment.”4 In apartheid...

... a num- screen and the word Hello), a fabulous Krahn mask, ber of important contemporary African artists but and a photomontage Zwelethu Mthethwa made to also the emerging context of a “new” South Africa, benefit AIDS orphans. and the questions and challenges that mark...