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Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 24–28.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 29–33.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 8–17.
Published: 01 May 2013
... colonial violence he rest of the world, many a movement ghting for the witnessed, violence expressed every day through emancipation of various peoples invoked Fanon’s racism and worse, through the torture used by the heretical name. For numerous organizations com- French army against Algerian...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 70–79.
Published: 01 May 2013
... contributes to the creation or reclamation ing spheres can o en result in reterritorialization of African territory on local and world screens. or deterritorialization of culture and nation. This is particularly evident in the process of decolonization, Rhizome or Baobab Tree? where “the conquered or...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 18–25.
Published: 01 May 2001
... silently through the trees to a the North. haven—to Aunt Emmy's? to Grandma Bingham's? The After the War of Independence, an intense battling out fictional world of Faith Ringgold is a world which is so dis• took place between the pro...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 102–107.
Published: 01 May 2009
...• atively unknown in the Anglophone world. tion is extinguished and becomes spectral. From the first line to the last, the reader of the I do not remember exactly when I first read Notebook is captivated by a singular voice. It Aime Cesaire's most celebrated work, the long...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 116–119.
Published: 01 May 2009
... happening dramatically in China— Ziyad. On the left we see the funnels smoking, sur• or from "Third World" countries to Europe and rounded by a white structure that recalls the hotel North America. once more, and on the right the corner of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 144–149.
Published: 01 May 2009
... cultural space. Furthermore, it is impor• identity. Present, too, in these photographs is a continu• tant to realize that architectural and cultural space are ous dialogue with Western art, most notably Orientalist profoundly interconnected in the Arab world, private painting...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 4–19.
Published: 01 May 2011
... Glissant elaborates on his theory of Relation and the concept of “Tout-monde.” This conversation is from that film: Édouard Glissant: One World in Relation (2009). Copyright © 2011 Nka: Journal of Contemporary African Art 2011 One World in Relation...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 68–75.
Published: 01 May 2012
... Olugebefola and associate Ed Sherman 1986–1990 represent the United States as part of a delegation to Several Weusi artists’ designs are published on FESTAC ’77 — the Second World Festival of African Kwanzaa greeting and note cards, then distributed and Black Art and Culture in Lagos and Kaduna...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 58–61.
Published: 01 May 1997
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 60–69.
Published: 01 May 2010
... universalism that originally underlay the colonialist premise. The article also explores the ways in which Attia’s focus on the spatial and pictorial exclusion of migrant and exiled subjects engages the art world’s celebration of its own purported global reach. Copyright © 2010 Nka: Journal of Contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 70–79.
Published: 01 November 2013
... 2013 Analog Girls in a Digital World Fatimah Tuggar’s Afrofuturist Intervention in the Politics of “Traditional” African Art Journal of Contemporary African Art • 33 • Fall 2013 70 • Nka DOI 10.1215/10757163-2352821  © 2014 by Nka Publications...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 124–135.
Published: 01 November 2018
...Penny M. Von Eschen This article explores implicit as well as explicit debates over modernity among African American artists at the 1966 World Festival of Black Arts held in Dakar, Senegal, honing in on moments that reveal tensions among the artists as well as between artists and the US officials...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 38–39.
Published: 01 May 1998
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 132–142.
Published: 01 May 2019
... World War I and the present and investigates the power relations between Western and non-Western worlds. Beloufa’s Kempinski overturns the idea of a globalized, materialistic future for everybody by filming dystopic yet realistic narratives. In this essay, the author examines how these three works are...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 28–37.
Published: 01 November 2015
... these prints were applied to popular silhouettes such as the miniskirt, bellbottoms, hot pants, and maxidresses. The growing popularity of Afro-look designs stirred a flurry of debate within the fashion world about the origins of these popular designs. I argue that origins mattered. Laying claim to a...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 68–81.
Published: 01 June 2017
...Selene Wendt The interconnectivity of seemingly disconnected situations and stories throughout the 56th International Art Exhibition All the World’s Futures (2015), curated by Okwui Enwezor and organized by La Biennale di Venezia, contributes to an exhibition that is simultaneously fragmented...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 164–168.
Published: 01 November 2018
... In January 1977, Lagos, Nigeria, was hosting the Second World Black and African Festival of Arts and Culture (FESTAC). It was a grander version of the first World Festival of Black Arts (FESMAN), held in Dakar, Senegal, in 1966, and gathered fifteen thousand participants coming from more than...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 44–53.
Published: 01 November 2015
... advantage of improved infrastructure, education, and governance. According to the World Bank, Africa now boasts seven of the ten fastest growing economies. In addition, over 300 million Africans can currently be considered as middle class, while the number of high-net-worth individuals continues to grow...