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Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 34–47.
Published: 01 May 2011
...Peter Erickson William Kentridge’s 9 Drawings for Projection present white characters in the context of apartheid caught between guilt and redemption, with special attention to the intermediate terrain. Felix in Exile , the fifth film, suggests that the dismantling of the structures of white racism...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 72–85.
Published: 01 May 2006
..., (see www.salon.com). 72>IMka Journal of Contemporary African Art White Womanhood, Lynching, and the War in Iraq Shawn Michelle Smith P rivate First Class Lynndie England emerged afterimage the shadow of a previous spectacle. It is as the most salient...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 8–11.
Published: 01 May 1995
...Everlyn Nicodemus Copyright © 1995 Nka: Journal of Contemporary African Art 1995 and occasionally floating white boy Everlyn Nicodemus he strategy of black artists in...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 67–68.
Published: 01 May 1995
... BASQUIAT conducted his artistic development with a passion WORKS IN BLACK AND WHITE and vision to match Picasso's and da Vinci's. And, ROBERT MILLER GALLERY...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 24–33.
Published: 01 May 2007
... myself a student of "negrophilia." This black people. At the moment I am mulling over means that I spend much of my time look• the success of the Hollywood movie Crash, which ing at how white and black people relate to each was awarded the Oscar for best film of 2006. other, trying...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 58–66.
Published: 01 May 2011
... status of the white male in postapartheid South Africa. Copyright © 2011 Nka: Journal of Contemporary African Art 2011 Paul Emmanuel’s Transitions The White South African Male in Process...
Journal Article
Nka Journal of Contemporary African Art (1 November 1995) 1995 (3): 10–13.
Published: 01 November 1995
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 96–113.
Published: 01 May 2013
.../ 1985. He called me and said in that deep, hoarse White Sheets, toured internationally and was shown voice of his, “Barboza, I want you to do the cover for the rst time in New York City at the Bill Hodges for my next album. I don’t want the art director Gallery in late 2010. from Columbia Records...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 60–69.
Published: 01 November 2016
...Michael McMillan I have been always struck by how men of my father’s generation were so well dressed in those iconic black-and-white documentary photographs depicting their arrival after a three-week transatlantic journey by sea. They wore neatly pressed suits with a white breast pocket...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 122–133.
Published: 01 November 2016
... relationships between black masculinity and white mainstream stereotyping, criminalization, racial profiling, physical persecution, and psychological wounding. Refusing to sanitize or clean up white atrocities enacted against black subjects, Walker works with charcoal, pencil, and paint to create emotively...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 112–115.
Published: 01 May 2015
... been black-and-white, he pushes the relationship between the figures and the symbols further. He also uses two figures rather than one, generating a sense of energy and depth. But some recent paintings included in this exhibition show a dramatic shift into color, an emphasis on tone rather than line...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 108–124.
Published: 01 November 2017
... transatlantic slavery provided the capital that galvanized white Western art systems of patronage, collection, and exhibition into existence. He represents black women, men, and children as the appropriate subjects of fine art at the same time that he remains dedicated to restoring the history of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 50–61.
Published: 01 May 2013
... spectacle generated by the mass entertainment industry. Furthermore, the video prompts us to think in terms of racial difference: Breitz is the sole white presence in a cast of nonwhite actors, and she stands, literally, apart from them. But the metaleptic aspects of Extra ultimately remind us that the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 16–27.
Published: 01 May 2015
... African American woman who had been seized and murdered by a white mob one year earlier. Fuller’s Turner bears no traces of torture and rises with her child from an abstracted heap of her attackers. This paper considers the inclusions and exclusions Fuller made in interpreting the memory of Turner’s...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 14–21.
Published: 01 November 2016
...Richard J. Powell The most iconic image that accompanied the 1996 publication of 20th Century Photography: Museum Ludwig, Cologne —and one that continues to intrigue scholars of black diasporic visual culture—was the German photographer Charlotte March’s black-and-white photograph Donyale Luna with...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 70–79.
Published: 01 May 2010
... process of collapsing. A piece made with oil drums is titled Black and White . There is also a video ( Oil and Sugar ), which shows a structure of sugar cubes disintegrating in a pool of black oil, as well as a series of sculptures made with empty plastic bags. Another work discussed at length in the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 20–33.
Published: 01 May 2011
... Artist of Fame and Promise Award in 1966, he became the first to cross the divide between black and white artists. The three months spent abroad as part of that prize enabled him to break out of the conventions of “township art,” and further change and new artistic directions followed his emigration...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 14–29.
Published: 01 November 2017
... Exposition Coloniale Internationale as a great colonial minstrel show—an artificial spectacle of blackness constructed for the white gaze. Copyright © 2017 by Nka Publications 2017 Palmer Hayden Exposition Coloniale Internationale African Americans in Paris visual satire Harlem Renaissance THE...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 198–202.
Published: 01 November 2017
... white authority and black agency, as black artists demanded that staff consult an expert in African American art for the 1971 “black art” show, Contemporary Black Artists in America , at the Whitney Museum of American Art. Chapter 4 covers the Museum of Modern Art’s pace at better representing work by...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 222–232.
Published: 01 November 2018
... Africa that exists on its own terms, beyond European mediation and beyond the purview of the white or black Western gaze. Copyright © 2018 Nka: Journal of Contemporary African Art 2018 James Baldwin Africa African independence civil rights movement Black Power movements ...