...Lydie Diakhaté This review concerns the Walther Collection’s first photographic show, devoted to the work of Jo Ractliffe at the Project Space in New York. Radcliffe’s work offers the viewer a magical journey of remembrance through the long years of civil wars, mapping their tragedies onto...

... by Cylena Simonds Featured in the 2008 exhibition The Poetics of Cloth: Afri- and featuring videos from 2003 to 2010, the survey estab- can Textiles/Recent Art at New York University’s Grey Art lishes Ndiritu as a prominent voice among artists whose Gallery, Still Life was later acquired by the Walther...

..., steel; 11 dust prints; dimensions variable. Courtesy Museum of Modern Art, New York. Photo: Uwe Walther...

..., 1955. 16. The other inmates in Spandau were Karl Dönitz, Konstantin 8. Betty Caplan, “A Woman of Substance,” East African, July 17, von Neurath, Baldur von Schirach, Erich Raeder, Rudolf Hess, 2007. This twenty- ve- hundred- word obituary is the sole long- and Walther Funk. form piece...

..., 1955. 16. The other inmates in Spandau were Karl Dönitz, Konstantin 8. Betty Caplan, “A Woman of Substance,” East African, July 17, von Neurath, Baldur von Schirach, Erich Raeder, Rudolf Hess, 2007. This twenty- ve- hundred- word obituary is the sole long- and Walther Funk. form piece...

..., Photography, and the Postcolonial Condition, Distance and Desire: Encounters with the African Archive, ed. Tamar Garb (New York: Walther, 2013), 228 36. 14 Bogumil Jewsiewicki, Painting in Zaire: From the Invention of the West to the Representation of Social Self, in Readings in African Popular Culture, ed...