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walcott

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Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 6–21.
Published: 01 November 2014
... engages Derek Walcott, so Looking and Waves draw inspiration from their poets, Langston Hughes and Wang Ping, respectively. Copyright © 2014 Nka: Journal of Contemporary African Art 2014 poetry in film texts and images verbal and visual interchange VISUALIZING CROSS-MEDIA ENCOUNTERS From...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 56–71.
Published: 01 May 2009
... bounded by Europe, Africa, the Subsequently, the films Paradise Omeros (2002) Americas, and the Caribbean. As a political loca• and Encore: Paradise Omeros Redux (2003) follow tion, it marks the historical site of the Middle Derek Walcott back to Saint Lucia, which is also...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 218–219.
Published: 01 November 2016
... Exploring Ambivalence in American Art (Berkeley can male athletes such as Sugar Ray “a displacement of linear narrative, and Los Angeles: University of California Press, Robinson and Jersey Joe Walcott. Ac- origins, and hierarchical structures.”4 2014), 49. Here Saggese mobilizes art historian...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 30–47.
Published: 01 November 2009
... Walcott’s “The Schooner timonial rhetoric reclaims his name and reasserts a title page achieves a critical perspective, but not as a vacuum or absence but rather as an inner depth Flight” make explicit the problem of frames: his entitlement to the formulation Black Like Me as without a...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 74–83.
Published: 01 November 2017
.... Walcott’s Omeros to Isaac Julien’s Paradise Omeros,” Nka: Journal of 2 “Canary” was originally published in TriQuarterly magazine Contemporary African Art 35 (2014): 6–20. and first collected in Rita Dove, Grace Notes (New York: Norton...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 106–119.
Published: 01 November 2009
....” a joint enterprise of collective self-definition. 2 In Omeros (New York: Farrar, Straus and Giroux, 1990), Derek Walcott relocates Homer’s ancient...