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Journal Article
Nka (2015) 2015 (37): 16–27.
Published: 01 November 2015
... for It fit her very snug, and she looked stunning. That turned the viewer and reader of his work is his fascination with out to be her first job. No one had ever given her a job until the intersecting myths of photography, American culture, that day. She was all excited, and she tore the studio up...
Journal Article
Nka (2015) 2015 (37): 38–43.
Published: 01 November 2015
... of extraordinary incidents in the life of the photograph and its reception. These incidents reveal how photographic representations of expressive black culture and people are often received and interpreted by viewers across the lines of race and class in problematic ways. The essay also connects the reception...
Journal Article
Nka (2010) 2010 (27): 120–121.
Published: 01 November 2010
... caps into a new kind of luxury, Anatsui presents the viewer with an impressive visual coup. Part of the sensation of luxurious beauty is due to the viewer’s awareness of the intensive manual labor that went into making the works. The review also examines the tendency of Anatsui’s recent sculpture...
Journal Article
Nka (2017) 2017 (41): 188–191.
Published: 01 November 2017
.... Each sitter, who is unclothed and meets the viewer’s gaze in a feminist gesture, holds a mobile phone inscribed with a barcode. Viewers can scan the barcodes from their smartphones via a QR scanner in order to access a digital space. The reviewer stages a subjective and experiential encounter...
Journal Article
Nka (2019) 2019 (44): 144–157.
Published: 01 May 2019
... attention—the characteristic Africana colors draw the viewer in to further discover and investigate African American history. The colors, textures, subjects, and abstractions in Gatson’s work echo with celebrations of African American history and important icons. Odetta Holmes, Zora Neale Hurston, Harriet...
Journal Article
Nka (2019) 2019 (44): 120–131.
Published: 01 May 2019
... in Gateshead, United Kingdom, and Temple Gallery in Philadelphia, Pennsylvania— Heart Beat both speaks to and acts on its presumptive Euro-American viewers. Its message, the author argues, is that in today’s globalized world, where life itself has become marginal to the pursuit of capital, all human beings...
Journal Article
Nka (2020) 2020 (47): 6–21.
Published: 01 November 2020
..., and the movement of crowds. His work compels viewers to look carefully at other people and themselves. How do we interact with others and what happens durinG those exchanGes? His interest in human interaction on the micro and macro scales has not yet received in-depth analysis. When for many abstract...
Journal Article
Nka (2022) 2022 (51): 48–60.
Published: 01 November 2022
... skillfully navigates the perspective of the past and its remnants in the interpretation of the present, the visual metaphors connect personally with the spectator. Seemingly faint voices transpire from individual panels, and sounds communicate with the viewer through particular stories. Likewise, impressions...
Journal Article
Nka (2010) 2010 (26): 152–155.
Published: 01 May 2010
... of one body over another. Everything Matters presents a selection of Poynton’s single- and multiple-figure paintings to address the depicted postures, expressions, and possible iconographic and historical elements in each painting, along with similar details supplied by artist and viewer, all of which...
Journal Article
Nka (2014) 2014 (35): 84–91.
Published: 01 November 2014
...: the Odyssey of the Moor , artist Graeme Mortimer Evelyn worked to restore the Moor’s lost individuality. Using simple yet effective means—including a nine-foot steel birdcage and a hand-carved narrative tile sequence—he challenged the viewer to imagine this man’s history and contemplate his subjective...
Journal Article
Nka (2017) 2017 (41): 6–13.
Published: 01 November 2017
...Shawn Michelle Smith This article considers Augustus Washington’s mid-nineteenth-century Liberian daguerreotypes as propositions about a new nation. It suggests that Washington understood the power of his images as propaganda for viewers in the United States and also as documents that registered...
Journal Article
Nka (2017) 2017 (41): 14–29.
Published: 01 November 2017
..., and outlandish outfits, Hayden’s dancers strike the viewer as more “primitive minstrel” than primitive modern—the effect more silly than sauvage . After briefly considering the artist’s well-known work Fétiche et Fleurs , this article explores Hayden’s three watercolor sketches of African dancers. Understanding...
Journal Article
Nka (2017) 2017 (41): 30–42.
Published: 01 November 2017
... similarities in how they represent black culture and finds that these artists convey more than is usually understood about their work—a spatial architecture of performance and a critical return of the gaze that challenges the viewer to think more deeply about the black experience of America. I find useful...
Journal Article
Nka (2017) 2017 (41): 154–164.
Published: 01 November 2017
... to explore new possibilities in their own artistic practices. Not only did such writings allow artists to explore (and re-create) new structures of meaning for their works, but also African art history provided viewers and intellectuals in the arts community with a guide for reading these complex works. I...
Journal Article
Nka (2014) 2014 (35): 120–133.
Published: 01 November 2014
... affects critics’, historians’, and viewers’ interpretation of it; and future plans for the work. Copyright © 2014 Nka: Journal of Contemporary African Art 2014 Bill Gaskins The Cadillac Chronicles Chika Okeke-Agulu Cadillac politics race BILL GASKINS’S THE CADILLAC CHRONICLES...
Journal Article
Nka (2014) 2014 (34): 116–118.
Published: 01 May 2014
... to inform viewers’ own contemporary experience. While shedding light on societal terms of enslavement and freedom, Bound to Appear offers a wide range of interdisciplinary perspectives and timely, if demanding, theoretical applications. Copyright © 2014 Nka: Journal of Contemporary African Art 2014...
Journal Article
Nka (2014) 2014 (34): 119–123.
Published: 01 May 2014
..., adjacent gallery, Portrait of Nat Turner with the Head of His Master provides a counterpoint with its muted palette and the enclosed space of the master’s bedroom. The viewer is caught in the rough cross-current between the two galleries; the logic of their connection is compelling and the emotional...
Journal Article
Nka (2014) 2014 (34): 124–127.
Published: 01 May 2014
... the public a unique experience by bringing together the conventional structures of a museum with Gaba’s unconventional and playful structures, which question the nature of the museum and change the Western viewer’s perception of African art. Copyright © 2014 Nka: Journal of Contemporary African Art 2014...
Journal Article
Nka (2012) 2012 (31): 162–165.
Published: 01 November 2012
...Lydie Diakhaté This review concerns the Walther Collection’s first photographic show, devoted to the work of Jo Ractliffe at the Project Space in New York. Radcliffe’s work offers the viewer a magical journey of remembrance through the long years of civil wars, mapping their tragedies onto...
Journal Article
Nka (2019) 2019 (45): 88–98.
Published: 01 November 2019
.... The artist’s deeply moving, conceptual, and critically engaging oeuvre not only confronts the viewer with both the presence and absence of the black male body, but also presents the spectator with the realities of the artist’s daily negotiations living with sickle cell disease. This disease affects people...