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vietnam

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Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 146–148.
Published: 01 May 2013
... the French Empire in which the film takes place: West Africa and Southeast Asia, Benin, and Vietnam; the 1950s and today. Far from a politicohistorical documentary, however, Indochina explores the human possibilities of racial mixing and the psychological traumas of the Afro-Asian children most often...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 30–39.
Published: 01 May 2009
... between the early twentieth-century impe• War (subsequently called "the first Vietnam") rialist forays that brought U.S. expansion into the allows for the locating and tracking of certain cul• Pacific Theater in a quest for territory, labor, tural vectors of aggression that are today...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 68–69.
Published: 01 November 1998
... This dichotomous journey, from laws, passport controls and ideologi• 'good' and 'evil', from 'whiteness' to cal barriers remain enforced, a 'darkness', recurs in a Vietnam War process of globalisation has meant setting in Francis Ford Coppola's film, that...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 114–119.
Published: 01 May 2001
... depicted are lurk everywhere. exotic or ancient, the sort of thing you hear Africans do (not our soldiers in Vietnam or Nicaragua mind, nor the CIA...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 82–89.
Published: 01 June 2017
... Villar Rojas’s imposing site-specific have lived in Iran for more than forty years. The installation at the abandoned ice factory in Kalba. video considers two historical events, the Vietnam Titled Planetarium (2015), this major work covered War (1955–75) and the Iran-Iraq­ War (1980–88), the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 50–61.
Published: 01 November 2011
... caught up Vietnam War, joined the future of the civil rights in a steady stream of activities protesting MOMA’s movement to the expanding peace movement to exclusion of black artists. I stayed up many nights stop the war in Vietnam. In April 1968 King was typing press releases. I spent many days...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 41–46.
Published: 01 May 2000
...Santu Mofokeng Copyright © 2000 Nka: Journal of Contemporary African Art 2000 Vietnam Series, 1998. Courtesy of John Peffer I paid for it to be repaired with my own stop me just to gape at the apparatus or to machines, including cars (I do not drive), money, which...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 58–63.
Published: 01 November 2001
... preferred the Five Spot Cafe, the Vietnam War, Martin Luther King's death, riots, and the poverty of as that's where they played jazz at night the ghettoes. Smith's work came to reflect these struggles; his view was Smith's goal has been, from the very beginning...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 30–37.
Published: 01 May 2010
... and parallels with U.S. polar twentieth century, but also late in the century —  exploration narratives. I explain how Peary’s very during the Vietnam War and, at the time of the American scientific enterprise, which stressed tan- book’s writing, during the first Persian Gulf War...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 16–27.
Published: 01 June 2017
... work informed by social ence and throwing it off, Whitten took inspiration unrest and the war in Vietnam.8 Large planes of color from De Kooning’s house paintbrushes and repro- in cool blue and gray, as well as hot tints of red, yellow, graphic technology, which allowed him to reduce and orange...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 106–113.
Published: 01 May 2001
..., "nothing protects us from our memory and its hor• It is worth mentioning that Hassan Musa often composes rid• ror. As he argues, "the Americans have not forgotten the Vietnam dles and proverbs to accompany his work and the Graphic war, neither the French with regard to Algeria or the Germans in...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 18–25.
Published: 01 November 2001
... emerged. During the 1960s in the metaphor for 1960s sense of rebellion and alienation in Hors Champs, United States, the social and political climate of the Civil Rights 1992. Undergirding these imagistic, materialist, and sonic juxtaposi• Movement, Black Power, Vietnam war, mass protests, and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 32–41.
Published: 01 November 2011
... Widener Nka • 33 reproduced portrait of Huey Newton as an armed potentate perched inside a wicker throne while sug- gesting that here, as in Vietnam, even the most non...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 28–39.
Published: 01 May 2015
...- relationship was overdetermined by issues of race, sive imagery. Certainly, his observation of Die, that commerce, and the professional standing of the par- “you would not see that much blood in Vietnam,” ties involved. Nonetheless, Ringgold and Bearden indexes his ability to connect spectacular violence...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 58–66.
Published: 01 May 2011
... scarification or branding. Emmanuel’s ini- (1987), the late auteur’s searing indictment of the tial query, how during “these liminal moments of Vietnam War, opens with the same symbolic scene: transition . . . a young man — whether voluntarily the close-­up of the shorn hair falling to the floor or forced...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 16–27.
Published: 01 May 2012
... works exhibited at Gallery 32 took up came from the advertising campaign of the ciga- the American involvement in Vietnam and African rette brand Virginia Slims. Just as it was difficult Americans’ struggles in society. Others dealt with to define one specific type of “black art,” the wide his...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 64–66.
Published: 01 November 1998
... narrative into 'heart of darkness'. Europe. Although the immigration This dichotomous journey, from laws, passport controls and ideologi• 'good' and 'evil', from 'whiteness' to cal barriers remain enforced, a 'darkness', recurs in a Vietnam War process of...