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tayou

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Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 115.
Published: 01 May 2000
...Evelyne Jouanno Copyright © 2000 Nka: Journal of Contemporary African Art 2000 at the same time. Unable to find contradiction in which mystified player diffusing Radio Parasite, PASCALE MARTHINE TAYOU...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 22–23.
Published: 01 May 1997
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 106–112.
Published: 01 May 2011
... installation do not fully cap- tive, he has organized such exhibitions as An Inside ture the formal presence or our experience of his metallic works. Story: African Art of Our Time (1995) and Pascale This suggests that his works go far beyond the existing framework Marthine Tayou: Ni Primitif, Ni...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 78–87.
Published: 01 May 2011
..., António Ole, Yinka Shonibare, MBE, and Pascale Marthine Tayou. The artists’ work engaged visitors with a range of difficult issues, including the role that Germany and the city of Berlin played in the colonization of Africa. The exhibit also acknowledged and explored the complex postcolonial relationship...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 68–77.
Published: 01 May 2011
... Nationalgalerie, while the entrance portico 10 Bhimji; António Ole; Yinka Shonibare, MBE; and features a conical sculpture of the same materials. 11 Pascale Marthine Tayou was selected to interrupt The work undulates with baroque color and mass, 12 the Nationalgalerie’s generally celebratory memo...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 142–145.
Published: 01 May 2013
...) - - - - - - - - Pascale Marthine Tayou, The World Falls Apart, 2012. Mixed media, installation at Whitworth Art Gallery, dimensions variable. Courtesy the artist and Galleria Continua, San Gimignano, Beijing, Le Moulin. Photo: Michael Pollard the three venues, implying that an iar with weaving patterns and tech...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 4–5.
Published: 01 November 2014
... Nka Publications cale Marthine Tayou, William Kentridge, Georges stakeholders to initiate or support the establishment Adeagbo, Santu Mofokeng, Yinka Shonibare, Chris of contemporary art institutions open to their pub- Ofili, Sokari Douglas Camp, Lorna Simpson, Has- lics. Else, the invaluable work...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 96–99.
Published: 01 May 2001
... cliches in an art world that has trav• eled light years beyond concepts of aura, authorship, and authenticity as well as traditional notions. Pascale Marthine Tayou's La Vieille Neuve is one of the few Robbins/Becher, German Indians: Knifethrower, 1997/98. Georges Adeagbo, La Mort...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 98–99.
Published: 01 May 2003
... Paulo biennial: Cameroon (Pas- are all represented by five artists cale Marthine Tayou), South each, although I do miss an...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 100–105.
Published: 01 May 2001
.... This approach is more likely to be met with skepticism on the part of younger artists. Several artists directly tackle the cultural phenomenon of recuperation: Pascale Marthine Tayou, for example, has sent a car back to Europe, to the Biennale de Lyon. This movement...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 48–55.
Published: 01 May 2003
.... including street fronts and corner views. The variety of criteria Nigerian photographer Olumuyiwa Olamide Osifuye and for classification suggests infinite possibilities for the creation of Cameroon-born installation artist Pascale Marthine Tayou por• new classes, ultimately implying...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 58–61.
Published: 01 November 1996
.... At the center, there is a mound on which 200 eggs are arranged in concentric rows. Right above this mound of eggs, a heavy rock is threateningly suspended. Where the eggs are a metaphor for millions of Pascale Marthine Tayou, Totem Feminin 94, 1994, Mixed Media, courtesy of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 104–113.
Published: 01 May 2008
... Marthine Tayou (1996), others find the use of these materials hackneyed Angolan Antonio Ole (1998), and South African and out of step with global trends.16 At the same Willie Bester (1998), to the late Senegalese time, these works respond to the desire of Western...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 136–145.
Published: 01 May 2008
... conceptualizations by Cameroon- Vivienne Koorland: Reisemalheurs (Travel Woes), catalog ian artists Youmbi, Mpa'a Dooh, and Tayou of (London: Freud Museum, 2007), p. 46. beauty and ugliness in the context of the fraught...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 80–151.
Published: 01 May 2010