...John Russell Taylor Copyright © 1994 Nka: Journal of Contemporary African Art 1994 ...

...Judy Hussie-Taylor Copyright © 2003 Nka: Journal of Contemporary African Art 2003 Emily Jacir, Man at Bethlehem Checkpoint During theSeige on April20,2002,2002, c-print, number 1 of 7 SHATAT SCATTERED HISTORIES...

...Clyde Taylor This essay attempts to locate the historical significance of Black Arts as a potent, widely social modernism, unlike the café/salon confines of the Paris model. The Black Arts and Black Aesthetics movements were at the center of a rupture of misidentified blackness left over from...

...Maria Zimmermann Brendel Copyright © 2001 Nka: Journal of Contemporary African Art 2001 Picturing the wrote which result in opening (1989, Mary Ellen Mark). Other ning finale. In this work, Taylor...

... Taylor. Other artists who would hold member- community residents. Applicants for the WWA ship during the group’s evolution included Brenda were required to submit slides of their works and Branch, Janette Burrows, Linda Cousins, Asiba to show an open willingness to discuss their back- Danso, Dimitra...

... installation, photo: Werner Maschmann. Opposite: Ernesto Pujol, Saturn's Table, 1996, mixed media installation, photo: Werner Maschmann. Spring/Summer 1998 Nka»47 Jocelyn Taylor, Alien at Rest, 1996, video still, photo: Werner Maschrrtann...

... was presenting including artist Romare Bearden, actor Frederick his very handsome light tables and wall sculptures O’Neal, and Edward K. Taylor, director of the Har- assembled in geometric shapes with dynamically lem Cultural Council—came walking down Fifth blinking programmed lights. This was cutting-edge...

..." artists to the predictable swell of humanism prevails. mainstream attention that comes A catalogue essay by the cul• their way during Black History tural critic Clyde Taylor catches Month, then quietly dies down...

...- Taylor, “forges identity, particularly in its Fanon- gate both Western and African aesthetic traditions. ist application: dominant groups tend to entrench Would this national or community representation their hegemony by inculcating an image of inferior- ever be a convincing way of depicting the art...

..., Campbell Wylly, Betty Blayton-Taylor, and Frank Donnelly at the Studio Museum in Harlem on opening night in 1968. Courtesy the Studio ascent as SMH’s director as represen- Museum in Harlem tative of the separatist gesture that would shed influence from down...

... so little between the deaths of Colin Roach in 1983 in London and those of George Floyd, Breonna Each of the artists participating in the exhibition Taylor, Eric Garner, Tamir Rice, and so many others at the Royal Academy El Anatsui, Frank Bowling, in 2020. Sonia Boyce, Njideka Akunyili Crosby, Peter...

...• macabre commentary" lacking in true aesthetic ture Death, and both works were most likely derived 104* Nka Journal of Contemporary African Art Prentiss Taylor, Christ in Alabana, 1932 Lithograph. Collection of the Library of Congress, Washington, D.C...

... Timothy Mitchell, "The World as Exhibition," Comparative 2004). Studies in History and Society 31, no. 2 (1989): p. 221. 19 Hall, p. 38. 3 Charles Taylor, "Modern Social Imaginaries," Public Culture a' Enwezor, note 62: p. 45. 14, no. 1 (2002): pp. 91-124. Taylor...

... Africaines); and look beautiful like that.” Anne-Christine Taylor-Descola, Anna Laban, and Seydou Keita Christine Barthe (Musée du quai Branly). The essays offered in this special issue of Nka ow...

... Jules Taylor, 1972 (Acrylic on canvas- 91.5" x 60.25 Collection National Gallery of Art. Courtesy of the Whitney Museum of American Art. of Contemporary African Art' Spring/Summer 1995 ( A NOTE ON BLACK MALE : REPRESENTATIONS...

... “a question, an object of scrutiny, a pro- black person within Seen, whereas all raced bodies visional resource at best, and, for some, a burden.”20 equally are consequential in Say It Loud, which calls As Paul Taylor affirms, “For post-black thinkers, for diverse translations of blackness and personal...

... and the Watts Towers Art Center to raise funds for their artists associated with the gallery.17 Jackson also programs and later cosponsored a dramatic pro- received a bomb threat from an anonymous caller duction, Look at the People, based on Bernie Casey’s while installing Elizabeth Leigh-­Taylor’s politi...

... Hollander, "On the Pedestal: Notes on Being an Artists' Model," Raritan, vol. 6, no. 1 (1996): 26-37, cited in plexion that was required of black show performers during Pegi Taylor, "A View From the Platform," in Jill Berk Jiminez, this period. She did model, however, for artists including editor...

... The British photojournalist John Taylor reminds Williamson's language is striking for the way in us that the presence of imagery and reports about which it empties out agency and reconstructs white atrocities "means that forgetting about them or Americans as amnesiac victims of a loss...

... Phyllis Clark Taoua and Taylor Kathryn Miller, Of Objects, Exhibit Spaces, and Markets: Meschac Gaba s Museum of Contemporary African Art, Transition 119 (2016): 188 200. 7 Kami Gahiga, in conversation with the artist, November 10, 2022. 8 Kami Gahiga, in conversation with the artist, November, 10 2022...