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Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 44–49.
Published: 01 November 1996
... ceeding in organizing themselves. With the interesting story for film is different from in Ouolof, I would still miss a lots of things, I'm FESPACO and FEPACI we have formed the putting...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 42–49.
Published: 01 November 2011
...Amy Ongiri In Death 24x a Second Laura Mulvey argues that cinematic images belie the deathlike qualities of still photography because of their ability to invoke the appearance of life through motion. This essay examines film and video projects that use found footage and still images from the Black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 80–89.
Published: 01 May 2013
... Concrete Pre-manufacture); one still inhabited today (the Delamere Flats); and one demolished ca. 2005 (the Oceanic Hotel). The article explores May’s impulse for gardening as a kind of anti-architecture and crosses his narrative with those of two other architect-horticulturalists: Erica Mann, a Jewish...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 90–95.
Published: 01 May 2013
... Concrete Pre-manufacture); one still inhabited today (the Delamere Flats); and one demolished ca. 2005 (the Oceanic Hotel). The article explores May’s impulse for gardening as a kind of anti-architecture and crosses his narrative with those of two other architect-horticulturalists: Erica Mann, a Jewish...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 68–77.
Published: 01 May 2011
... celebrations of globalism and the overarching geographic and spatial taxonomies that still dominate most African art exhibitions. Instead, the exhibition foregrounded the ambiguous presence of colonial time in the analysis of Africa by emphasizing temporal interconnections and transitional moments. By refusing...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 90–97.
Published: 01 May 2012
... techniques they employed. The philosophy of functionalism or humanism and their aesthetics of line, shape, and color are described in detail, along with several manifesto-like statements on their goals and ideas. The concepts of AfriCOBRA’s philosophy and aesthetics are still relevant for its founding...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 112–115.
Published: 01 November 2013
...-prints from The End of an Era (2010), The Brave Ones (2010), and Hope Chest (2012), represents the work of an artist whose images have become iconic in both postapartheid South Africa and the international art world. The End of an Era ’s still lifes attest to the grooming habits, romances, and interests...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 170–183.
Published: 01 November 2018
... countries were still fighting against colonialism for their national emancipation. PANAF remained unique because of the gathering of thousands of professional artists from Africa and the African diaspora, but ordinary African citizens also came from their villages to perform for the comeback of Africa on...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 196–210.
Published: 01 November 2018
... Mashiangwako, Thami Mnyele, and Lefifi Tladi—personified black consciousness (BC) and cited its importance to their art making, historians still largely translate their work through the comfort of surrealism’s familiar frame. This article focuses on the professional lives of four men who were pointedly...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 220–223.
Published: 01 November 2016
... resultant flat style. The artist’s first retrospective offered a chance to consider these and other issues regarding form and content in his oeuvre thus far; this critique suggests that, while still developing, his pattern-heavy painting especially reveals commitment to exuberant opticality as well as...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 44–46.
Published: 01 November 2001
... French, still in many ways the neocolonial rulers of Senegal, joined by a small elite, have long claimed Plateau as their commercial and residential home and remain...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 16–19.
Published: 01 May 2008
... him to dream. "Beneath In the early 1960s, I sat in my mom's beauty the light of many moons I've still heeded Poppa's shop reading Life magazine and discovered the advice," Parks noted in his memoir. "I'm still smil• photographs of Gordon Parks. As a pre-teen, I still ing...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 114–127.
Published: 01 May 2013
... DOI 10.1215/10757163-1586463 © 2013 by Nka Publications Grace Ndiritu, Still Life: Lying Down Textiles, 2005 – 7. Video still. Color video, runtime 0:05:00, silent. Courtesy the artist...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 86–87.
Published: 01 May 2004
... repeated throughout—a text the unknown, that is at once thought, speech, and the rest of the book is still in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 56–59.
Published: 01 May 2004
... him in Bamako when he was still a kid. It T grew and traveled with him to Nouakchott and Moscow. Now he is in his early for• ties and an award-winning cineaste living in Paris, making films...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 24–27.
Published: 01 November 1998
...• tion of western painting, is the still life genre. Although less exalted, the still life has eoualh/ utilized history as a con• sciously constructed arrangement, frequently invoking no...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 58–61.
Published: 01 November 1998
..., 1992, film still, courtesy African Film Festival New York. directed at a local audience. Whenyou consid...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 50–54.
Published: 01 May 2004
... Terry Adkins, Four digital video stills, 1998-1999, Shepherd, Soldier, Martyr, Prophet, 36 x 54 inches each 50. Nka Journal of Contemporary African Art "There was something special about John Brown. He attacked the bastions of the federal government—not to liberate...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 120–121.
Published: 01 May 2007
... paign of the same name. The thing you I've only seen three of them, those Songha Thomas Willis. Shot with a dig• don't think about, one you hope you bumper stickers that read "Someone I ital still camera, it is both artists' first never have to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 96–99.
Published: 01 May 2001
...- ship—is still being attacked from all sides. Riddled with cultural ambigu• ities and romantic notions about the then theoretically fashionable un- European "other," it did pry open some Euro...