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Nka (2016) 2016 (38-39): 162–167.
Published: 01 November 2016
... people and people of color are under-represented as visitors to museums. As museums throughout the world re-evaluate their roles as active agents of social transformation, as learning institutions, and as public spaces for engagement, how are they ensuring that black people not only feel represented...
Nka (2020) 2020 (46): 116–125.
Published: 01 May 2020
..., and newly forming ideas about individual subjectivity. Ultimately, the author suggests that in such nonterritorial spaces as the Swahili port city, engaging the artifacts of faraway places is a carefully crafted tactic of translation, where technologies of modernity, such as photography, enable people...
Nka (1996) 1996 (4): 46–49.
Published: 01 May 1996
Nka (2009) 2009 (25): 150–157.
Published: 01 November 2009
... Saya Woolfalk , Paradise Imagined , 2004, installation view. Video stills. Courtesy of the artist. SENSATION AS A SPACE FOR CRITIQUE n Saya Woolfalk’s 2004 video Paradise Imag - tendant emotional move from pleasure to shame...
Nka (1994) 1994 (1): 29–33.
Published: 01 May 1994
Nka (2016) 2016 (38-39): 70–79.
Published: 01 November 2016
... where they were all along. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 PORTRAITS IN BLACK STYLING, SPACE, AND SELF IN THE WORK OF BARKLEY L. HENDRICKS AND ELIZABETH COLOMBA Anna Arabindan-Kesson central focus of the 2013 conference Black...
Nka (1998) 1998 (8): 52–53.
Published: 01 May 1998
... T ime Space Movement" is expressed also live it through the internationality of their and works in Nsukka. Kure is no ted for her in the following excerpt from his cat• practices and domiciles. powerful drawings, wh ich combine swee ping alogue essay...
Nka (2003) 2003 (18): 96–97.
Published: 01 May 2003
...• reclaim history, and bring to the tral principles of American cul• Sacred Spaces On November 9tn, the Board of forefront...
Nka (2010) 2010 (26): 30–37.
Published: 01 May 2010
..., and gender. Copyright © 2010 Nka: Journal of Contemporary African Art 2010 Arctic Spaces limate change has brought renewed atten- With the exception of the last international geo- tion to the Arctic, as scientists and the media physical year in 1957...
Nka (2014) 2014 (34): 74–79.
Published: 01 May 2014
.... We had to make space so dio. Maybe what I am is really just an expanded that we might make more space. Collectivity, col- individual, a complicated individual that both wants lections, collectives, those things for me have every- for himself and wants for the world. I’m not actually thing to do...
Nka (1994) 1994 (1): 8–15.
Published: 01 May 1994
Nka (2013) 2013 (32): 114–127.
Published: 01 May 2013
.... As the video shifts to clips of oceans, slightly fast- forward editing, she stages in brisk succession skies, environmental catastrophes, the earth as seen from a series of popular and art- historical poses — do- rag, Moor- outer space, and dramatizations of global warming in the ish veil, peasant...
Nka (2002) 2002 (16-17): 66–69.
Published: 01 May 2002
...Lauri Firstenberg Copyright © 2002 Nka: Journal of Contemporary African Art 2002 SIEMON ALLEN'S STAiflP fiOHECTION LAURI FIRSTENBERG Artists Space, Concepts and Conceptualism. January 12 - March 2,2002. Siemon Allen, Stamp Collection, dimensions variable, 2002 courtesy...
Nka (2009) 2009 (24): 48–55.
Published: 01 May 2009
...• SPARCK (Space for Panafrican Research, Creation jects can detach themselves enough from and Knowledge), Cape Town. the mediations of repression so as to offer an alternative that does not subscribe to the Notes same repressive forces...
Nka (2021) 2021 (48): 70–95.
Published: 01 May 2021
...Sabine Dahl Nielsen; Anne Ring Petersen One of the most remarkable signs of the importance and adaptability of Okwui Enwezor’s work is the way in which the transformative models for exhibition making that he developed have found their way into small-scale institutional spaces and extra...
Nka (2011) 2011 (29): 8–21.
Published: 01 November 2011
...-roots culture into highbrow capital. The author argues that the movement resisted the “museum exhibit” of the dominant-culture industry by dramatizing the tension points between inner space, outside space, and unbound space. The aesthetic warfare of the movement is shown to be a struggle against...
Nka (2017) 2017 (40): 44–55.
Published: 01 June 2017
... production to date, including Oikonomos (2011–2012), Tipo Passe (2012–2014), and Desacelera O Mambo: Celebrating Life by Slowing Down Perception (2015). Chagas examines the multiple ways in which bodies and identities, objects and commodities, images and imaginations dwell in the urban spaces of the global...
Nka (2017) 2017 (41): 188–191.
Published: 01 November 2017
.... Each sitter, who is unclothed and meets the viewer’s gaze in a feminist gesture, holds a mobile phone inscribed with a barcode. Viewers can scan the barcodes from their smartphones via a QR scanner in order to access a digital space. The reviewer stages a subjective and experiential encounter...
Nka (2019) 2019 (44): 120–131.
Published: 01 May 2019
... around the globe in an immersive, visually overwhelming environment. Yet, this overdose creates a space in which psychological transformation and political reorientation can occur. As a work made specifically for display in art museums of the Global North—at the BALTIC Centre for Contemporary Art...
Nka (2010) 2010 (27): 118–119.
Published: 01 November 2010
...Vanessa Rocco Steve McQueen’s Giardini , a ravishing half-hour dual projection, comprises vignettes recorded around the national pavilions that are the principal organizing spaces of the Venice Biennale. Fluctuating among images of serene nature and images of trash, piles of building materials...