... people and people of color are under-represented as visitors to museums. As museums throughout the world re-evaluate their roles as active agents of social transformation, as learning institutions, and as public spaces for engagement, how are they ensuring that black people not only feel represented...

..., and newly forming ideas about individual subjectivity. Ultimately, the author suggests that in such nonterritorial spaces as the Swahili port city, engaging the artifacts of faraway places is a carefully crafted tactic of translation, where technologies of modernity, such as photography, enable people...

... where they were all along. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 PORTRAITS IN BLACK STYLING, SPACE, AND SELF IN THE WORK OF BARKLEY L. HENDRICKS AND ELIZABETH COLOMBA Anna Arabindan-Kesson central focus of the 2013 conference Black...

... Saya Woolfalk , Paradise Imagined , 2004, installation view. Video stills. Courtesy of the artist. SENSATION AS A SPACE FOR CRITIQUE n Saya Woolfalk’s 2004 video Paradise Imag - tendant emotional move from pleasure to shame...

... T ime Space Movement" is expressed also live it through the internationality of their and works in Nsukka. Kure is no ted for her in the following excerpt from his cat• practices and domiciles. powerful drawings, wh ich combine swee ping alogue essay...

...Emily C. Burns emily.burns@auburn.edu Copyright © 2022 by Nka Publications 2022 Transverse Spaces African American Cultural Production in Paris, 1900 Emily C. Burns T humbing through one of the albums compil­ ed by W. E. B. Du Bois rendering Negro Life in Georgia, U.S.A., featured...

..., and gender. Copyright © 2010 Nka: Journal of Contemporary African Art 2010 Arctic Spaces limate change has brought renewed atten- With the exception of the last international geo- tion to the Arctic, as scientists and the media physical year in 1957...

...• reclaim history, and bring to the tral principles of American cul• Sacred Spaces On November 9tn, the Board of forefront...

.... As the video shifts to clips of oceans, slightly fast- forward editing, she stages in brisk succession skies, environmental catastrophes, the earth as seen from a series of popular and art- historical poses — do- rag, Moor- outer space, and dramatizations of global warming in the ish veil, peasant...

.... We had to make space so dio. Maybe what I am is really just an expanded that we might make more space. Collectivity, col- individual, a complicated individual that both wants lections, collectives, those things for me have every- for himself and wants for the world. I’m not actually thing to do...

...Lauri Firstenberg Copyright © 2002 Nka: Journal of Contemporary African Art 2002 SIEMON ALLEN'S STAiflP fiOHECTION LAURI FIRSTENBERG Artists Space, Concepts and Conceptualism. January 12 - March 2,2002. Siemon Allen, Stamp Collection, dimensions variable, 2002 courtesy...

...• SPARCK (Space for Panafrican Research, Creation jects can detach themselves enough from and Knowledge), Cape Town. the mediations of repression so as to offer an alternative that does not subscribe to the Notes same repressive forces...

...Sabine Dahl Nielsen; Anne Ring Petersen One of the most remarkable signs of the importance and adaptability of Okwui Enwezor’s work is the way in which the transformative models for exhibition making that he developed have found their way into small-scale institutional spaces and extra...

...-roots culture into highbrow capital. The author argues that the movement resisted the “museum exhibit” of the dominant-culture industry by dramatizing the tension points between inner space, outside space, and unbound space. The aesthetic warfare of the movement is shown to be a struggle against...

..., activated by individual bass-clef musicians who together form a dispersed orchestra. Filmed in significant locations across New Orleans, Smith’s slow lurch sutures spaces that typically unyoke body from environment, architecture, or understanding by uniting her panoramic exploration with a five-note score...

... production to date, including Oikonomos (2011–2012), Tipo Passe (2012–2014), and Desacelera O Mambo: Celebrating Life by Slowing Down Perception (2015). Chagas examines the multiple ways in which bodies and identities, objects and commodities, images and imaginations dwell in the urban spaces of the global...

.... Each sitter, who is unclothed and meets the viewer’s gaze in a feminist gesture, holds a mobile phone inscribed with a barcode. Viewers can scan the barcodes from their smartphones via a QR scanner in order to access a digital space. The reviewer stages a subjective and experiential encounter...