... conscious in their politics and gave voice and vision to it. It accesses the black consciousness of each artist within select works by carefully analyzing and historicizing each one. It also records the lives of all four artists within BC’s parent body, the South African Students’ Organisation (SASO). Each...

...Sandra Klopper Copyright © 1996 Nka: Journal of Contemporary African Art 1996 THE POLITICS OF CULTURAL OWNERSHIP IN CONTEMPORARY SOUTH AFRICA riting in the early 1990s, Stuart Hall noted that subjects, their curators, have thrown into sharp focus the country's...

...Robert Condon FOUR SOUTH language is effectively used to AFRICAN ARTISTS conceal and reveal the truth simultaneously. While many WRIGHT GALLERY, NEW...

... that he never used it. Geers had a few unsatisfactory label. He explores SOUTH AFRICAN ART: of his own ground rules. The art com• Si h La...

... faced with a remarkable bifurcation. Up V the ramp to the right were David Goldblatt's Photographs from which the current show has South Africa made...

... South Africa Tumelo Mosaka 104 • Nka Journal of Contemporary African Art...

...Ruth Kerkham Copyright © 2003 Nka: Journal of Contemporary African Art 2003 COEXISTENCE: Contemporary Cultural Production in South Africa The Rose Art Museum, Brandeis University, January 22 - June 29,2003 (The exhibition will also be at the South...

...Michael Godby Copyright © 2009 Nka: Journal of Contemporary African Art 2009 COLOR IN THE REPRESENTATION OF THE SOUTH AFRICAN TOWNSHIPS Michael Godby his article explores the function of color in Chic uses text to both explain something of the T...

..., Kelly Jones's ing that pixilation simultaneously pro• essay "Tracey Rose: Post-apartheid tects and silences eyewitnesses. In his South African National Gallery Playground" relies...

... South and New Terrors Riché Richardson...

... status of the white male in postapartheid South Africa. Copyright © 2011 Nka: Journal of Contemporary African Art 2011 Paul Emmanuel’s Transitions The White South African Male in Process...

... in South Africa’s National Gallery. His career flourished until he joined up to serve his country in World War II. In 1956, during the “urban removals” enforced by the Nationalist government’s apartheid policy, Tladi and his family were brutally dispossessed of their freehold property and left homeless. He...

...Geoffrey Jacques The exhibition of prints Impressions from South Africa, 1965 to Now , curated by Judith B. Hecker at New York’s Museum of Modern Art, offered a view of South African art-making practice that flourished among all sectors of society during the apartheid years. The exhibition evoked...

...Mikhael Subotzky; Gideon Mendel © 2021 by Nka Publications 2021 Mikhael Subotzky and Gideon Mendel Mikhael Subotzky and Gideon Mendel, Three Portraits for Okwui (composited), 2013/2020. Ink on paper, 42.4 x 33.9 cm. each. Courtesy and © the artists Gideon Mendel is a South African...

... discovered that a remarkable number of West Powell Nka • 73 Africans were making a living in the Big Apple (as it was acquired in the United States, not in Benin. they do in South African cities) by braiding hair...

... at the University of the Witwatersrand, nant. Qui peut nous réinstaller dans la servitude?” (We have stood up and now we are going forward. Who can force us back into Johannesburg (South Africa), and a visiting professor servitude Fanon, Oeuvres, 269...

...Julie L. McGee To situate this inquiry— visualizing the riot —within South Africa is to take on an overload of imagery, a saturated field, and mechanisms of seeing and framing that risk topical exhaustion, clichéd readings, or indiscriminate generalizations. Critical analysis of the dominant tropes...