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Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 49–52.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 62.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 70–79.
Published: 01 May 2013
...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so, the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 96–97.
Published: 01 May 2003
...• reclaim history, and bring to the tral principles of American cul• Sacred Spaces On November 9tn, the Board of forefront...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 42–47.
Published: 01 November 2010
... to reflect on juxtapositions of the sacred and profane, the beautiful and ugly, in Ofili’s earlier work and to consider the implications of his strategic shift. Copyright © 2010 Nka: Journal of Contemporary African Art 2010 FROM riot to austerity Chris Ofili’s Retrospective at the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 192–193.
Published: 01 May 2008
...• Michael Stevenson Gallery course to splatter. May 3 - June 2, 2007 The debasement of the sacred as...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 80–85.
Published: 01 May 2001
..., which he regards as sacred material. He started with copper leaf, which he folds or hammers m and mounts on wood. Molded copper, as opposed to sculpted Farid...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 14–15.
Published: 01 November 1998
... The Third Temptation. Icon and Image: A white colonial rule in the British East African accept the contested social conundrum he em• Study of Sacred and Secular Forms of African colony. According to Donald Locke, when bodied as a very successful black artworker liv...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 64–69.
Published: 01 November 2001
... ey figure of the kind that would once adorn manicured front yards sacred. in the South. Here however, he is dressed up in the black and red...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 22–31.
Published: 01 November 2014
... conductor entirely out of place in this setting of a fifteenth- David Skinner and his choir Alamire and the con- century chapel. temporary sound and voice artist Mikhail Karikis, The sacred chorus starts up once again. to create a dramatically original and effective work...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 53–57.
Published: 01 May 1995
... fetish priest." He comes to us from Cote d'lvoire via Paris, trained both in the sacred arts 1. The Faustian dilemma of art and religion—to create or to be created, of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 68.
Published: 01 May 1999
...• these motifs in his black and white aesthetic beauty that still retains the turing works of graduates of the Fine drawings (as in the ambitious Prisoneressenc e of the sacred which is usually 68«Nka Journal of Contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 71.
Published: 01 May 1999
..., the Hammonds House Gallery in milial photographs come together tors that resonate over time. Ka papers, photographs, stones, Atlanta, Georgia. Hopefully, the to form a ten foot sacred circle rem• calls for us to remember. She calls...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 122–129.
Published: 01 May 2006
... 9 cept of the sacredness in sovereignty makes it impor• that of the crowd, the space of mourning expanded tant, or even essential, to configure doubleness? exponentially to include the blank grieving faces of Conversely, how does the circulation of a photograph witnesses lined up to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 24–31.
Published: 01 May 2002
... the gods and great spirits. In this complex tingent upon a careful unfolding of rituals within a sacred space system with its traditions of orality, die production of knowl- of performance. Making man (Ime Mmadu) thus implies a prac• tice that emphasizes art as performance and ritual...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 8–13.
Published: 01 May 2014
... powerful statement through both word and image of KE: A curse that renders sacred the villages within how individuals of African descent have negotiated African the Fukushima prefecture. cultural practices, whether through remembrance or re...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 103.
Published: 01 May 2003
... women, encouraging a move from Egyptian artist Samy Elias floated the sacred to the secular, from an exaggerated Egyptian pound In the weeks leading up to the US focus...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 90.
Published: 01 May 2004
... Sacred Heart holding a wireless Anikulapo Kuti at the New Muse• Part of the problem was cura• mike with one hand and clutch• complexity of Fela's work, his um in July 2003, throws the torial; after all, among the par• ing his...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 142–145.
Published: 01 May 2011
... sewn- ing wall hangings of colored brilliantly flow- elegantly yet shaped centrically ec- his In concerned. a all for been triumph have should exhibition This Sacred Moon Sacred Anatsui, El...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 42–53.
Published: 01 November 2014
... of materials, Mutu suggests connections to ures from the Congo Basin in central Africa that are global politics and economics even as she translates spiritually empowered with sacred medicines. Mutu and transposes them for purposes far more fantasti- showed some of these works in the Johannesburg...