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Journal Article
Nka (2013) 2013 (33): 46–55.
Published: 01 November 2013
..., it resembled New Left Review, and Grey Room. the “lumpenproletarian revolts” that Marx described. Bruckner maintains that social and historical analogies differ from politi- Notes...
Journal Article
Nka (2010) 2010 (27): 6–13.
Published: 01 November 2010
... College London, complimentary service whose essays have appeared in various international publications, including Artforum, Grey Room, that delivers electronic October, and Texte zur Kunst. Recently the director of the London-­based research project “Zones of Con- tables...
Journal Article
Nka (2014) 2014 (34): 98–108.
Published: 01 May 2014
... that reflect this understanding. Over one hundred pieces from five decades fill seven rooms. After training in Khartoum and London, El-Salahi returned home and developed a visionary, syncretic style that reflected his personal interrogation of Sudanese visual identity. The show—a retrospective of an artist who...
Journal Article
Nka (2014) 2014 (34): 124–127.
Published: 01 May 2014
...Steve Pantazis This review covers Beninese artist Meschac Gaba’s twelve-room installation Museum of Contemporary African Art (July 3–September 22, 2013), presented at Tate Modern in London, which acquired the work as part of a two-year program to highlight contemporary African art. The show offered...
Journal Article
Nka (2001) 2001 (15): 78–83.
Published: 01 November 2001
.... In the middle of the room was a table with a stone sculpture resembling a Pharaonic offering table. By tracing the pas• sage of knowledge along earthly and divine routes of transmission, Abu Naga attempted to articulate the all-encompassing and wholly cyclical evolution of an idea. This effort, however...
Journal Article
Nka (2009) 2009 (25): 128–143.
Published: 01 November 2009
... photographed the rooms where young Sene - emigration to a receiving point of immigration, a reduces this population to what Agamben has called tured in the following visual essay. Born in 1973, galese men had lived before they embarked on their development that has introduced a marked presence...
Journal Article
Nka (2013) 2013 (33): 8–19.
Published: 01 November 2013
... particular can work, the Duke, however inadver­ tial wall texts composed by the artist. One, located tently, helps set up Othello. By overestimating the in the middle room and published in the exhibi­ Duke’s support, Othello helps set himself up. From tion brochure, explains the origin of Wilson’s Sala...
Journal Article
Nka (2010) 2010 (27): 42–47.
Published: 01 November 2010
... Britain N. J. Hynes alking into the first room of Chris Ofili’s The seven rooms are arranged more or less chron- retrospective at the Tate Britain is walking ologically. The first four contain works in the colorful, W...
Journal Article
Nka (1998) 1998 (9): 44–45.
Published: 01 November 1998
.... in these movements. The intimate relationship between photography and The final two rooms were dedicated to contemporary everyday life is particularly clear in the room dedicated to Africa and the diaspora. The first room was saturated "Les precurseurs" (1840...
Journal Article
Nka (1996) 1996 (5): 21–23.
Published: 01 November 1996
...Geoffrey Jacques Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ROY DECARAVA GEOFFREY JACQUES The photogra* li s central image is an open space ween two seated fig ores, oppo• site ends of the room. Overhead, nine studio lights...
Journal Article
Nka (2004) 2004 (19): 64–69.
Published: 01 May 2004
...' and peasants' bodies were piled across each other, filling a room, "face" down it seemed until you saw them to be headless. The arbitrariness...
Journal Article
Nka (1999) 1999 (10): 67.
Published: 01 May 1999
... Schwitter's art of refuse and garbage seekers wander in and out. The main called Merr. a combination of the room of The Project...
Journal Article
Nka (2003) 2003 (18): 92–93.
Published: 01 May 2003
... photograph of into three large rooms, each of "VOETSAK" commands would-be during apartheid: they merely himself with that of Malcolm which sustains the coexistence intruders to "fuck off." coexisted...
Journal Article
Nka (2001) 2001 (15): 18–25.
Published: 01 November 2001
... Detroit in the 1940s), Eastern ing threat that pervades the film's look. Border of Indian Village unveils within that conflicted landscape the Upon entering the gallery, the viewer encounters a wide screen, historical complexity of American social imaginary. which subdivides the room...
Journal Article
Nka (2014) 2014 (35): 136–139.
Published: 01 November 2014
... vidually darkened viewing rooms, the the rooms, viewing darkened vidually...
Journal Article
Nka (2007) 2007 (21): 134–136.
Published: 01 May 2007
... are African. Upon entering tion with new materials and forms. transformation. He achieves this partly the first room, visitors see a twenty- Initially developed by and shown at through the process of manipulating six-foot-long sheet of shining materi...
Journal Article
Nka (2010) 2010 (27): 48–53.
Published: 01 November 2010
... installation The Upper Room (1999–2002) and the Red, Black and Green series of paintings (2001–3) complete the elephant dung cycle. The Upper Room con- sists of thirteen paintings fashioned in the manner of Catholic stations of the cross; an abstracted mon- key, each...
Journal Article
Nka (1996) 1996 (5): 10–11.
Published: 01 November 1996
... Feldman a year later. A severed themselves from the strictures of European rationalism and recuperative installation comprised of two adjoining rooms open to the yielded to the world Antonio Pigafetta found on his voyage with viewer, Badge of Honor presents two figures...
Journal Article
Nka (2012) 2012 (31): 152–154.
Published: 01 November 2012
... face the camera squarely, with digni with squarely, camera the face they gowns, inlong Dressed woman. one and men four of portraits taining con boxes light large with glows room space. can” “Afri peripheral designated, specially a than rather inAfrica, working ists art...
Journal Article
Nka (2011) 2011 (29): 62–71.
Published: 01 November 2011
... feel a change, a shift in the social-­historical metabolism in that room. He had collected elements of African and black American personality, spiritual intuition...