...Deborah Cullen Copyright © 2000 Nka: Journal of Contemporary African Art 2000 Robert Blackburn, 1994, photograph by Georges Panichas Deborah Cullen...

... Jones is the Robert A. Day Professor and Political, Black Body, Wattis Institute, wattis.org/view?id=382 Vice Dean of Academics and Research in the Roski (accessed February 1, 2020). See also Kellie Jones, Black Art School of Art and Design, University of Southern West: Thoughts on Art in Los Angeles...

...ROBERT CONDON Copyright © 1995 Nka: Journal of Contemporary African Art 1995 ...

...Robert L. Harris, Jr. Copyright © 2006 Nka: Journal of Contemporary African Art 2006 1 Lynching and « US History 5 Robert L. Harris, Jr. T his is a very important conference and topic Race is a subject that is on many people's minds...

...Robert Condon Copyright © 1994 Nka: Journal of Contemporary African Art 1994 ...

...Robert Condon Copyright © 1995 Nka: Journal of Contemporary African Art 1995 AMIR NOUR AND MOHAMMAD OMER KHALIL The National Museum of African Art, Washington, DC Robert Condon November 16-February 26, 1995 ABS is the stuff...

...Robert Wade In the spring of 1969, Robert Wade applied for a passport, sold his household possessions, and purchased a ninety-day Eurail pass and a one-way ticket to Copenhagen, Denmark, departing June 1969. Within a few weeks of arrival, at Copenhagen’s Drop Inn restaurant and live-music venue, he...

...Brett M. Van Hoesen Over a decade ago, the contemporary artist Mwangi Hutter, comprising Ingrid Mwangi and Robert Hutter, merged names and biographies to become one artist, despite differences of gender, race, age, and cultural backgrounds. Based in Berlin and Ludwigshafen, Germany, and Nairobi...

... This article presents excerpts from an intergenerational dialogue between the photographer Robert (Bob) Crawford and his daughter, Cornell professor of English Margo Natalie Crawford. Copyright © 2012 Nka: Journal of Contemporary African Art 2012 Intergenerational...

..., Mirror, Lens , inspired by Samuel R. Delany’s landmark science fiction novel Dhalgren . While Harris’s large-scale Mylar-and-light installations often refer to the Light and Space artists of her native California, to Robert Smithson, to Land Art, and to minimalism and various other areas of art history...

... with the Newark riot and in gallery director Robert Newman’s facilitation of Ringgold’s shift to large-scale imagery. Copyright © 2015 Nka: Journal of Contemporary African Art 2015 FAITH RINGGOLD’S DIE THE RIOT AND ITS RECEPTION...

... American photographer Robert Mapplethorpe reveal how Russell, Bynoe, Kaersenhout, and Patterson question prior visual epistemologies for the ways they have understood and represented the modern subject more broadly in such canonical genres as the portrait and the nude. All point to the ways in which...

...Robert Condon Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ...

...Robert Condon Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ...

...Robert Condon Copyright © 1996 Nka: Journal of Contemporary African Art 1996 FOUR SOUTH language is effectively used to AFRICAN ARTISTS conceal and reveal the truth...

... portraiture figuration Eugene Palmer Barbara Walker the black female image Richard Samuel Roberts Journal of Contemporary African Art 45 November 2019100 Nka DOI 10.1215/10757163-7916904 © 2019 by Nka Publications E ugene Palmer and Barbara Walker offer an interesting conundrum with regard...

..., the photograph shows the artist examining what looks like a hand-crafted object. Taken by Twombly’s colleague and travel companion, Robert Rauschenberg, the picture dates...

... on the philosophy in the Americas. The most important part of Conwill’s viewers to recognize the artwork among these is Robert Farris Thompson’s 1983 as an expression of intended meaning while sens- book Flash of the Spirit: African and Afro-American ing the lack of descriptive language with which to Art...

..., and performed. In terms of something physical, whether a "trace" or their book Memory—Luba Art and the Making of a "place," attributed with permanence, yet subject History, Mary and Allen Roberts note: "Memory is to inevitable erasure. While these physical attrib• not passive...

...Matthew DeBord Copyright © 1995 Nka: Journal of Contemporary African Art 1995 Jean-Michel Basquiat, Pegasus, 1987 (Acrylic, pencil, colored pencil on paper on canvas-•88" x 90 Private Collection. © The Estate of Jean-Michel Basquiat. Courtesy of Robert Miller Gallery, NYC. JEAN-MICHEL...