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recording

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Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 66.
Published: 01 May 1997
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 94–103.
Published: 01 November 2015
... floodgates opened. of Sarah Lawrence College; Barbara Jackson was 98 • Nka Journal of Contemporary African Art • 37 • November 2015 a former Ebony Fashion Fair model and wife of a French star slated to participate in the French part record executive; Charlene Dash had already graced of the show...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 120–127.
Published: 01 November 2009
... the Rise of American Cultural Interpretation (Princeton, N.J.: musical processes and for the intense, jam-packed gies, with their obvious links to African American than 130 recordings, his widely acclaimed book, A Princeton University Press, 1999), p. 43. motion seen in Donaldson’s...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 14–21.
Published: 01 November 2010
... fundamentalist historical narratives. Sembène’s films imagine alternatives to the recorded past and become a resource for continuous reinvention: Guelwaar inscribes a path out of divisive ethnoreligious essentialisms into a unified vox populi, and Ceddo uses the imagery and rhetoric of slavery to expose...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 118–119.
Published: 01 November 2010
...Vanessa Rocco Steve McQueen’s Giardini , a ravishing half-hour dual projection, comprises vignettes recorded around the national pavilions that are the principal organizing spaces of the Venice Biennale. Fluctuating among images of serene nature and images of trash, piles of building materials, and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 196–210.
Published: 01 November 2018
... conscious in their politics and gave voice and vision to it. It accesses the black consciousness of each artist within select works by carefully analyzing and historicizing each one. It also records the lives of all four artists within BC’s parent body, the South African Students’ Organisation (SASO). Each...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 78–92.
Published: 01 May 2019
... Walter Benjamin.” This essay attempts to relate the author’s experience of the various stages of the Benin-born artist Leo Asemota’s The Ens Project as he witnessed them unfold over the past thirteen years or so, during which time he was a spectator, a fellow artist, a participant, a recorder, and a...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 202–209.
Published: 01 November 2016
... teacher. The artist would later use the bodies of his audiences to perform new works such as The Passion , where the viewer is invited to wear and model various soccer-fan costumes of their choosing, denuded of team or national references, for a permanent photographic record. Desert researched the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 210–217.
Published: 01 November 2016
... complexities. French hip-hop is the second-largest-selling in its genre in the world, and it is not surprising that it has resonated with young immigrant populations. There is a vital jazz scene in France but also a growing specter of racism. I am interested in recording the ways in which black bodies exist in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 46–49.
Published: 01 May 2004
..., Architectural Association, London, 2003 explicitly reflected in the nature of the media that records their work. This media, then, presents a special case in which the reception of the modern movement was caught up in the geog• raphy of colonial networks. The work of modern movement architects...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 124.
Published: 01 May 2001
... quickly influ• recording studios and produced the creator were austere beings American underclass, modern jazz enced to recognize and absorb the classic notes for some of the coun• and became wealth producers for is a most compelling and...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 24–27.
Published: 01 November 1998
...• W rative device, has afforded artists the opportunity to record, as well as mythologize events or indi• viduals. Dramatic, both in scale and subject, "history paint...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 124–125.
Published: 01 May 2007
...Ruth Kerkham Copyright © 2007 Nka: Journal of Contemporary African Art 2007 r LINOSI7MUTALE, noisseurship The importance of by the recorded scream when she was Konse Kubili is that...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 48–59.
Published: 01 May 2010
... song of the construction of Fort Logan.6 White fear kept longing, waiting, and watching the sea for a love’s black enlistment low and battalions small.7 African return, Holiday recorded it multiple times between Americans have fought for their country in every 1941...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 124–127.
Published: 01 May 2014
... wooden coffin — contain- ing an audio recording that narrates aspects of Gaba’s life — was exhibited, as if his dead father were telling sto- ries about his son from the grave. Gaba’s preoccupation with bank­ notes was also found in the “Artist’s Bank” and the “Money Tree.” In the first...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 42–49.
Published: 01 November 2011
... black 1960s legacy of radicalism thus negotiates the photo- and 1970s, the photograph exists as the specter of graph’s status as an evidentiary record of the his- history that is at once familiar and distant. Its pres- torical at the same time that it negotiates the photo- ence interrogates and calls...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 22–31.
Published: 01 May 2006
..., denouncing the American South, photographs func• Clanton, Alabama, 1891 Reproduced in Ida B. Wells, "A Red Record" (1895) tioned as passports that provided entry into progres• sive circles and the dominant public sphere. While nant Other...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 70–79.
Published: 01 November 2013
... Journal of Contemporary African Art • 33 • Fall 2013 Fai-­Fain Gramophone (remake of Turntable, 1996), detail, 2010. Record player, MP3 player, raffia disks with labels reading “Sounds of Barmani Choge,” entertainment center 53 × 32½ × 24 in future perceptions of traditional African art. The These...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 52–54.
Published: 01 May 2014
...). Courtesy Lincoln Cushing, record even at an earlier point where he was putting tracks www.DocsPopuli.org. that were recorded in 1954 right next to tracks that were recorded in 1970 and not explaining in any way that these This issue considers how a broad-based were historically disjunct...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 86–91.
Published: 01 May 2006
...• ues, attracting record attendance levels in each installa• tion, and been covered extensively in local and national news stories. Many of us here in New York remember...