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Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 52–57.
Published: 01 November 1998
...Gordon Bleach Copyright © 1998 Nka: Journal of Contemporary African Art 1998 Cafe-de-Move-On, Braamfontein, Johannesburg, Transvaal, 1964, photograph. Between the Fine Print and a Hard Place 52«Nka...
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 40–45.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 6–15.
Published: 01 May 2015
... Tottenham in 1985. This text considers four wire photographs from the Baltimore Sun ’s historical photo archive. Wire photos differed from traditional photographic prints insofar as the wire print resulted from breakthrough technology that allowed a photographic image to be scanned, transmitted over “the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 110–123.
Published: 01 November 2018
... necessarily privileged certain artists and cultural workers with the means and/or governmental and United Nations support to travel. During the same era, popular print magazines became an important vector of transnational black affinities. In the case of Bingo magazine (based in Paris and Dakar and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 28–37.
Published: 01 November 2015
...Tanisha Ford This essay examines the rise in popularity of “Afro look” fashions in the 1970s. The name Afro look was given by fashion industry insiders on both sides of the Atlantic to describe clothing that featured African and African-inspired prints, textiles, and embroidery techniques. Usually...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 158–161.
Published: 01 November 2012
...Geoffrey Jacques The exhibition of prints Impressions from South Africa, 1965 to Now , curated by Judith B. Hecker at New York’s Museum of Modern Art, offered a view of South African art-making practice that flourished among all sectors of society during the apartheid years. The exhibition evoked a...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 16–27.
Published: 01 November 2015
... States, and a late-twentieth-century black-capitalist movement, Essence magazine was designed to direct print editorial and advertising content toward African American women. It also provided the most important platform for Anthony Barboza, enabling him to play an influential role in transforming how...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 110–120.
Published: 01 November 2016
...Alissandra Cummins; Allison Thompson The late eighteenth-century print The Barbadoes Mulatto Girl , by Agostino Brunias, is a significant starting point for a discussion of the complex processes involved in naming and codifying race, gender, and class within larger established systems of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 48–57.
Published: 01 May 2011
...Terry Smith The exhibition William Kentridge: Five Themes is the first full-scale Kentridge survey to tour the United States and Europe. Featuring more than 120 animated films, drawings, prints, theater models, and books, it began in March 2009 and ends at the Stedelijk Museum, Amsterdam, in...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 112–115.
Published: 01 November 2013
...-prints from The End of an Era (2010), The Brave Ones (2010), and Hope Chest (2012), represents the work of an artist whose images have become iconic in both postapartheid South Africa and the international art world. The End of an Era ’s still lifes attest to the grooming habits, romances, and interests...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 132–143.
Published: 01 May 2006
... Copyright © 2006 Nka: Journal of Contemporary African Art 2006 Kerry James Marshall, Heirlooms and Accessories, 2002. Inkjet prints on paper in wooden frames with rinestones. Three parts, 87 x 54.25 x 3 in. each. Courtesy of the Artist 134* Nka Journal of Contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 210–217.
Published: 01 November 2016
..., 2013. Archival pigment print, 44 x 30 in., framed. Courtesy the artist WattsWatts Nka • 211 212 • Nka Journal of Contemporary African Art • 38–39 • November 2016 Barbès...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 64–69.
Published: 01 May 2000
...• rested securely in the hands of printmakers —craftspeople whose work was of interest almost exclusively to themselves. Lithography, the most er; his artistic thought and process was carried on precisely within "painterly" of the print processes, had virtually ceased to exist as a tool that...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 100–101.
Published: 01 May 2003
... media from prints, sculpture, and 2002 spring and fall seasons. photography, to installation Conceived as one show with two works related to significant components, CON/TEXT showcas• texts, or using recorded or recy• es works that include text...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 50–59.
Published: 01 May 2008
...Salah M. Hassan Copyright © 2008 Nka: Journal of Contemporary African Art 2008 THREE ARTISTS THREE PROJECTS Salah M. Hassan [Print is a theoretical language of evolving ideas. Hugh...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 114–115.
Published: 01 May 2002
... produce work symptomatic of Une photo de souvenir pour Mai?, 1973, printed in 2001,gelatin silver print,24 x 20" post-colonial years. At once...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 18–23.
Published: 01 May 2002
... Interview Self-portrait, 1949 silver gelatin print, edition of 10, paper: 24 x 20 inches 1921-2001 image: 22 x 15-112 inches (approximately), framed: 32 x 24-5/8 inches eydou Kei'ta was a sage, uals in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 41–47.
Published: 01 May 2002
... in London, she moved to New York and began to make prints at Letterio Calapai's branch of the Paris Atelier 17. Beginning with her time at Calapai's, Amos began to meet more established artists, including Norman Lewis, William King, Richard Florsheim, and Doris Nash, who introduced her to the...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 68.
Published: 01 May 1998
... his death sentence every time he prints the negative...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 118.
Published: 01 May 2002
... shown paintings and prints at Skoto Gallery in Chelsea. While he is not among al metropolis hinting continually more to do with the history of art Mohammed Omer Kahlil's thirty the artists featured in Enwezor's of complexities, both artistic and...